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The story of how the American South became the most incarcerated region in the world's most incarcerated nation. Sunbelt Capitalism and the Making of the Carceral State examines the evolution of southern criminal punishment from Jim Crow to the dawn of mass incarceration, charting this definitive era of carceral transformation and expansion in the southern United States. The demise of the county chain gang, the professionalization of police, and the construction of large-scale prisons were among the sweeping changes that forever altered the southern landscape and bolstered the region's capacity to punish. What prompted this southern revolution in criminal punishment? Kirstine Taylor argues that the crisis in the cotton fields and the arrival of Sunbelt capitalism in the south's rising metropolises prompted lawmakers to build expansive, modern criminal punishment systems in response to Brown v. Board of Education and the Black freedom movements of the 1960s and ‘70s. Taking us inside industry-hunting expeditions, school desegregation battles, the sit-in movement, prisoners'labor unions, and policy commissions, Taylor tells the story of how a modernizing south became the most incarcerated region in the globe's most incarcerated nation.

They worked Virginia's tobacco fields, South Carolina's rice marshes, and the Black Belt's cotton plantations. Wherever they lived, enslaved people found their lives indelibly shaped by the Southern environment. By day, they plucked worms and insects from the crops, trod barefoot in the mud as they hoed rice fields, and endured the sun and humidity as they planted and harvested the fields. By night, they clandestinely took to the woods and swamps to trap opossums and turtles, to visit relatives living on adjacent plantations, and at times to escape slave patrols and escape to freedom. Scars on the Land is the first comprehensive history of American slavery to examine how the environment fundamentally formed enslaved people's lives and how slavery remade the Southern landscape. Over two centuries, from the establishment of slavery in the Chesapeake to the Civil War, one simple calculation had profound consequences: rather than measuring productivity based on outputs per acre, Southern planters sought to maximize how much labor they could extract from their enslaved workforce. They saw the landscape as disposable, relocating to more fertile prospects once they had leached the soils and cut down the forests. On the leading edge of the frontier, slavery laid waste to fragile ecosystems, draining swamps, clearing forests to plant crops and fuel steamships, and introducing devastating invasive species. On its trailing edge, slavery left eroded hillsides, rivers clogged with sterile soil, and the extinction of native species. While environmental destruction fueled slavery's expansion, no environment could long survive intensive slave labor. The scars manifested themselves in different ways, but the land too fell victim to the slave owner's lash. Although typically treated separately, slavery and the environment naturally intersect in complex and powerful ways, leaving lasting effects from the period of emancipation through modern-day reckonings with racial justice.

Winner of the 2023 Southern Jewish Historical Society Book Award Essays from a prolific career that challenge and overturn traditional narratives of southern Jewish history Mark K. Bauman, one of the foremost scholars of southern Jewish history working today, has spent much of his career, as he puts it, “rewriting southern Jewish history” in ways that its earliest historians could not have envisioned or anticipated, and doing so by specifically targeting themes and trends that might not have been readily apparent to those scholars. A New Vision of Southern Jewish History: Studies in Institution Building, Leadership, Interaction, and Mobility features essays collected from over a forty-year career, including a never-before-published article. The prevailing narrative in southern Jewish history tends to emphasize the role of immigrant Jews as merchants in small southern towns and their subsequent struggles and successes in making a place for themselves in the fabric of those communities. Bauman offers assessments that go far beyond these simplified frameworks and draws upon varieties of subject matter, time periods, locations, tools, and perspectives over three decades of writing and scholarship. A New Vision of Southern Jewish History contains Bauman's studies of Jewish urbanization, acculturation and migration, intra- and inter-group relations, economics and business, government, civic affairs, transnational diplomacy, social services, and gender—all complicating traditional notions of southern Jewish identity. Drawing on role theory as informed by sociology, psychology, demographics, and the nature and dynamics of leadership, Bauman traverses a broad swath—often urban—of the southern landscape, from Savannah, Charleston, and Baltimore through Atlanta, New Orleans, Galveston, and beyond the country to Europe and Israel. Bauman's retrospective volume gives readers the opportunity to review a lifetime of work in a single publication as well as peruse newly penned introductions to his essays. The book also features an “Additional Readings” section designed to update the historiography in the essays.

An intimate look at Charleston's lush and inviting green spaces, both private and public, and historic and modernLong famous for its charming courtyard gardens in the peninsula's historic district, Charleston, South Carolina, has a remarkable southern landscape that also includes dozens of exquisite private gardens, city parks, cemeteries, institutional gardens, and even an urban farm. In Charleston: City of Gardens, Louisa Pringle Cameron shares the splendor of these gems along with accounts from garden owners, an urban forester, a city horticulturalist, and other overseers of the Holy City's beautiful green spaces.By exploring gardens beyond the Lower Peninsula, Cameron reveals the enormous scope of gardening within the city. Charleston's moderate climate, lengthy growing season, and generous annual rainfall allow thousands of tree and other plant species to thrive. Even certain tropical plants flourish in protected locations. While the more than two hundred color images in Charleston cannot do justice to actually experiencing a lush southern garden with its visual and tactile feasts, gentle sounds of running water and birdsong, and sweet fragrances, they can serve as an inspiration and guide to planning a garden or perhaps a memorable vacation in the Carolinas.

Elegiac and fierce, solemn and celebratory, the poems in Chanda Feldman's Approaching the Fields consider family and history. From black sharecroppers and subsistence farmers along the Mississippi River to contemporary life in the suburbs, the rituals of home and work link racial experience, social lines, and economic striving, rooting memory and scene in the southern landscape. Love and violence echo through the collection, and Feldman's beautifully crafted poems, often formal in style, answer them sometimes with an embrace and sometimes with a turning away. She witnesses the crop fields and manicured lawns, the dinner table and birthing room, the church and juke joint, conveying the ways that everyday details help build a life.These evocative poems bring to life a rich and complex world, both timely and timeless.

Written in a manner suitable for a popular audience and including color photographs and recipes for some common uses of the nut, Pecan: America's Native Nut Tree gathers scientific, historical, and anecdotal information to present a comprehensive view of the largely unknown story of the pecan. From the first written record of it made by the Spaniard Cabeza de Vaca in 1528 to its nineteenth-century domestication and its current development into a multimillion dollar crop, the pecan tree has been broadly appreciated for its nutritious nuts and its beautiful wood. In Pecan: America's Native Nut Tree, Lenny Wells explores the rich and fascinating story of one of North America's few native crops, long an iconic staple of southern foods and landscapes. Fueled largely by a booming international interest in the pecan, new discoveries about the remarkable health benefits of the nut, and a renewed enthusiasm for the crop in the United States, the pecan is currently experiencing a renaissance with the revitalization of America's pecan industry. The crop's transformation into a vital component of the US agricultural economy has taken many surprising and serendipitous twists along the way. Following the ravages of cotton farming, the pecan tree and its orchard ecosystem helped to heal the rural southern landscape. Today, pecan production offers a unique form of agriculture that can enhance biodiversity and protect the soil in a sustainable and productive manner. Among the many colorful anecdotes that make the book fascinating reading are the story of André Pénicaut's introduction of the pecan to Europe, the development of a Latin name based on historical descriptions of the same plant over time, the use of explosives in planting orchard trees, the accidental discovery of zinc as an important micronutrient, and the birth of “kudzu clubs” in the 1940s promoting the weed as a cover crop in pecan orchards. ••Published in cooperation with the Samuel Roberts Noble Foundation, Ellis Brothers Pecan, Inc., and The Mason Pecans Group••

A man haunted by the death of his brother and a forty-year-old secret returns to his Tennessee hometown in this novel by the author of A Question of Mercy.A novel of homecoming, loss, and the power of story, Familiar Ground follows the return of Jacob Bechner to rural Sweetwater, Tennessee, summoned by Callie, a dying woman nearly one hundred years old. Jacob aims to confront a moment of violence from forty years in his past that cost him the life of his brother Drue. Elizabeth Cox's debut novel, first published in 1984, is about the recurrence of loss in our lives and of the intractability of guilt that must give way for any measure of self-forgiveness.The novel introduces us to a memorable collection of southern characters. There is the indomitable Callie, who has suffered rape and ostracism from the locals; Soldier, a mentally handicapped man lost in his loneliness; Jacob's alcoholic father and gentle mother; his great-niece and -nephew, whom have already known terrible loss in their young lives; and Jacob's steadfast wife, Molly, whose understanding of her husband is upended by the revelations of his past. With sparse prose and an authentic southern landscape and cast, Cox delivered an impressive first novel, the merits of which still hold up three decades later.This Southern Revivals edition includes a new introduction by the author and a contextualizing preface from series editor Robert Brinkmeyer, director of the University of South Carolina Institute for Southern Studies.Praise for Familiar Ground“A writer of deep insights and a talent for conveying a sense of time and place.” —Publishers Weekly“[Cox's] calm, clear writing treats the South knowingly.... You'll find yourself thinking of these characters exactly as you think of people you know.” —USA Today“Cox can use her words like blunt instruments—they deliver a knockout blow.... We know we've glimpsed magic that we can't quite explain.” —Washington Post“Remarkably full and revealing... a promising novel, one that affirms Elizabeth Cox's tender insight and convincing emotional range.” —Greensboro News & Record“A work of startling originality!” —New York Times

Jacob Jump, the dark and meticulously crafted first novel from Eric Morris, follows a weeklong ill-fated boating trip down the Savannah River from Augusta, Georgia, to the lighthouse at Tybee Island. Chance and danger trump planning and intention at every turn, and the pull of the historic river and of fate itself propels Morris's characters with unrelenting force.Old friends Thomas Verdery and William Rhind, each seeking temporary escape from the failures of their lives, take to the river with Rhind's father. Verdery, a native southerner, has left his job and lover in Nepaug, Connecticut, while Rhind has lost his wife and child to his drinking. Encounters with dangerous weather and unhinged locals imperil the trio, who are held at gunpoint when they try to dock and soon are fighting among themselves. The hazards of the trip and a shocking loss along the way exacerbate William Rhind's drinking and tendencies toward violence. When Verdery and Rhind must become reluctant custodians to young Caron Lee, a lost girl from the backwoods family that had previously accosted them, tensions build toward explosive ends as the serene open waters of the Atlantic Ocean wait just beyond reach on the unknown, unknowable horizon.Guided by a host of influences from William Faulkner and Ernest Hemingway to Cormac McCarthy, James Dickey, and Ron Rash, Morris's prose brings readers deep into the uncertainties of a still-wild southern landscape and of the frailties of the human heart yearning for past and future alike while pulled along by the inescapable current of the present.Best-selling writer and Story River Books editor at large Pat Conroy provides a foreword to the novel.

Veteran journalist and southern storyteller Tom Poland has been writing about the disappearing rural South for nearly four decades. With a companionable appreciation for nostalgia, preservation, humor, and wonder, Georgialina: A Southland as We Knew It brings to life once more the fading and often-forgotten unfiltered character of the South as Poland takes readers down back roads to old homeplaces, covered bridges, and country stores. He recalls hunting for snipes and for lost Confederate gold; the joys of beach music, the shag, and cruising Ocean Drive; and the fading traditions of sweeping yards with homemade brooms, funeral processions, calling catfish, and other customs of southern heritage and history. Peppered with candid memoir, Georgialina also introduces readers to a host of quirky and memorable characters who have populated the southland of Poland's meanderings.As commercialization, homogenization, and relocation have slowly altered distinctive regions of the country, making all places increasingly similar, southern traditions have proven to be more resilient than most. But Poland notes that many elements that once defined day-to-day life in the South are now completely foreign to contemporary generations. Set primarily in Poland's native Georgia and adopted home of South Carolina, his tales of bygone times resonate across a recognizably southern landscape and faithfully recall the regional history and lore that have defined the South for generations as a place uniquely its own for natives, newcomers, and visitors.

As the author and artist of a heroine's surreal journey through a haunting southern landscape, Kelli Scott Kelley reveals the mastery of her craft and the strong narrative ability of her artwork. Borrowing from Roman mythology, Jungian analysis, and the psychology of fairy tales, Kelley presents a story of family dysfunction, atonement, and transformation.Reproductions of her artwork -- mixed-media paintings executed on repurposed antique linens -- punctuate the tale of Accalia, who is tasked with recovering the arms of her father from the belly of the swamp monster. Visually and metaphorically, Accalia's odyssey enchants and displaces as Kelley delicately balances the disquieting with the familiar. Rich in symbolism and expertly composed, Accalia and the Swamp Monster pulls readers into the physical realm through Kelley's chimerical imagery and then pushes them towards the inner world of the subconscious. To that end, Kelley's story is accompanied by essays from Jungian analyst Constance Romero and art historian Sarah Bonner.A culmination of nearly a decade of work, introspection, and research, Accalia and the Swamp Monster is both an entrancing display of Kelley's art and an affirmation of the transformative power of fairy tales.

For fans of Cormac McCarthy and Annie Proulx, “a wonderfully cinematic story” (The Washington Post) set in the post-Katrina South after violent storms have decimated the region.It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn't rained, when the storms gave way to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land. The Gulf Coast has been brought to its knees. Years of catastrophic hurricanes have so punished and depleted the region that the government has drawn a new boundary ninety miles north of the coastline. Life below the Line offers no services, no electricity, and no resources, and those who stay behind live by their own rules—including Cohen, whose wife and unborn child were killed during an evacuation attempt. He buried them on family land and never left. But after he is ambushed and his home is ransacked, Cohen is forced to flee. On the road north, he is captured by Aggie, a fanatical, snake-handling preacher who has a colony of captives and dangerous visions of repopulating the barren region. Now Cohen is faced with a decision: continue to the Line alone, or try to shepherd the madman's prisoners across the unforgiving land with the biggest hurricane yet bearing down—and Cohen harboring a secret that poses the greatest threat of all. Eerily prophetic in its depiction of a Southern landscape ravaged by extreme weather, Rivers is a masterful tale of survival and redemption in a world where the next devastating storm is never far behind.“This is the kind of book that lifts you up with its mesmerizing language then pulls you under like a riptide” (The Atlanta Journal-Constitution).

During the Civil War, cities, houses, forests, and soldiers'bodies were transformed into “dead heaps of ruins,” novel sights in the southern landscape. How did this happen, and why? And what did Americans—northern and southern, black and white, male and female—make of this proliferation of ruins? Ruin Nation is the first book to bring together environmental and cultural histories to consider the evocative power of ruination as an imagined state, an act of destruction, and a process of change.Megan Kate Nelson examines the narratives and images that Americans produced as they confronted the war's destructiveness. Architectural ruins—cities and houses—dominated the stories that soldiers and civilians told about the “savage” behavior of men and the invasions of domestic privacy. The ruins of living things—trees and bodies—also provoked discussion and debate. People who witnessed forests and men being blown apart were plagued by anxieties about the impact of wartime technologies on nature and on individual identities.The obliteration of cities, houses, trees, and men was a shared experience. Nelson shows that this is one of the ironies of the war's ruination—in a time of the most extreme national divisiveness people found common ground as they considered the war's costs. And yet, very few of these ruins still exist, suggesting that the destructive practices that dominated the experiences of Americans during the Civil War have been erased from our national consciousness.

When Thomas Fox Averill first heard Jimmy Driftwood's ballad'Tennessee Stud,'he found the song hauntingly compelling. As he began to imagine the story behind the lyrics, he set out to research the song's history--a tale from'along about eighteen and twenty-five'of the legendary exploits of the greatest horse that ever lived, the'Tennessee Stud,'and his owner.Traveling the same route the song chronicles, from Tennessee into Arkansas, through Texas and into Mexico, Averill visited racetracks, Spanish missions, historical museums, a living history farm, and national parks, inventing characters of his own along the way. His novel captures the spirit of the ballad while telling the story of Robert Johnson, a man who holds love in his heart though adventure rules his time. Pursued by a bounty hunter, Indians, and his conscience, Johnson and his horse are tested, strengthened, and made resolute. “Both an odyssey and a great love story, rode is made compelling by its thoughtful hero and the surprising woman he longs for. Precise language and authentic detail render a vivid sense of another time, and Averill's Southern landscape, so beautifully drawn, is peopled with unforgettable men and women.” —Laura Moriarty, author of The Center of Everything. “No one drives a narrative better than Thomas Fox Averill, and this novel version of a grand American tale shows Tom Averill's skills at their best. rode performs not only through action but the perfect articulation of 19th Century Arkansas and Tennessee. Averill knows the lingo, blunt, uncompromising, and accurate, from saddle trees to foals, and even to a dauncy mare, a wonderful allusion to the author's Scottish heritage and ours. This is complicated evocation of character, yes, in Robert Johnson, Jo Benson, and others; but even more, Thomas Averill's narrative rides evocative language like a great stud horse.”—Robert Stewart, author of Outside Language: Essays, editor, New Letters magazine

Two bestselling contemporary romance authors join forces in this pair of stories of hot men, fast motorcycles, and the women who ride both. They ride into town straddling 73 cubic inches of throbbing horsepower, and hook up with the kind of women made for high speed handling... #1 New York Times bestselling author Lora Leigh revisits her sultry Southern landscape with a story of a good girl gone bad. But she's not the only one going down that road... New York Times bestselling author Jaci Burton lets loose in a story of a hot biker hired to keep an eye on the reckless daughter of a Nevada senator. She's hooked up with a rival biker gang—a dangerous move that makes the wild beauty more vulnerable than she imagined...

Groundbreaking essays in urban archaeology highlight the impact of towns and cities on the southern landscape The rapid growth and development of urban areas in the South have resulted in an increase in the number of urban archaeology projects required by federal and state agencies. These projects provide opportunities not only to investigate marginal areas between the town and countryside but also to recover information long buried beneath the earliest urban structures. Such projects have also created a need for a one-volume update on archaeology as it is practiced in the urban areas of the southeastern United States. Archaeology of Southern Urban Landscapes will assist practitioners and scholars in the burgeoning fields of urban and landscape archaeology by treating the South as a distinctive social, geographic, and material entity and by focusing on the urban South rather than the stereotypical South of rural plantations. The case studies in this volume span the entire southeastern United States, from Annapolis to New Orleans and from colonial times to the 19th century. The authors address questions involving the function of cities, interregional diversity, the evolution of the urban landscape, and the impact of the urban landscape on southern culture. By identifying the relationship between southern culture and the South's urban landscapes, this book will help us understand the built landscape of the past and predict future growth in the region.

Karen Spears was nine years old, living with her family in a trailer in rural Tennessee, when her father, David Spears, was killed in the Ia Drang Valley in Vietnam. It was 1966 -- in a nation being torn apart by a war nobody wanted, in an emotionally charged Southern landscape stained with racism and bigotry -- and suddenly the care and well-being of three small children were solely in the hands of a frightened young widow with no skills and a ninth-grade education. But thanks to a mother's remarkable courage, strength, and stubborn tenacity, a family in the midst of chaos and in severe crisis miraculously pulled together to achieve its own version of the American Dream.Beginning on the day Karen learns of her father's death and ending thirty years later with her pilgrimage to the battlefield where he died, half a world away from the family's hometown, After the Flag Has Been Folded is a triumphant tale of reconciliation between a daughter and her father, a daughter and her nation -- and a poignant remembrance of a mother's love and heroism.

With a strong, warm voice that brings the South to life, New York Times bestselling author Mary Alice Monroe writes richly textured stories that intimately portray the complex and emotional relationships we share with families, friends, and the natural world.'Every book that Mary Alice Monroe has written has felt like a homecoming to me,'writes Pat Conroy, bestselling author of The Prince of Tides. Time Is a River is an insightful novel that will sweep readers away to the seductive southern landscape, joining books by authors such as Anne Rivers Siddons and Sue Monk Kidd. Recovering from breast cancer and reeling from her husband's infidelity, Mia Landan flees her Charleston home to heal in the mountains near Asheville, North Carolina. She seeks refuge in a neglected fishing cabin belonging to her fly-fishing instructor, Belle Carson. Belle recently inherited the cabin, which once belonged to a grandmother she never knew -- the legendary fly fisher and journalist of the 1920s, Kate Watkins, whose life fell into ruins after she was accused of murdering her lover. Her fortune lost in the stock market crash and her reputation destroyed, Kate slipped into seclusion in the remote cabin. After her death the fishing cabin remained locked and abandoned for decades. Little does Belle know that by opening the cabin doors to Mia for a summer's sanctuary, she will open again the scandal that plagued Belle's family for generations. From her first step inside the dusty cabin, Mia is fascinated by the traces of Kate's mysterious story left behind in the eccentric furnishings of the cabin. And though Belle, ashamed of the tabloid scandal that tortured her mother, warns Mia not to stir the mud, Mia is compelled to find out more about Kate...especially when she discovers Kate's journal. The inspiring words of the remarkable woman echo across the years. Mia has been learning to fly-fish, and Kate's wise words comparing life to a river resonate deeply. She begins a quest to uncover the truth behind the lies. As she searches newspaper archives and listens to the colorful memories of the local small-town residents, the story of a proud, fiercely independent woman emerges. Mia feels a strange kinship with the woman who, like her, suffered fears, betrayal, the death of loved ones, and a fall from grace -- yet found strength, compassion and, ultimately, forgiveness in her isolation. A story timeless in its appeal emerges, with a power that reopens old wounds, but also brings a transforming healing for Mia, for Kate's descendants, and for all those in Mia's new community.

In her third book of poems, Honorée Fanonne Jeffers expresses her familiarity with the actual and imaginary spaces that the American South occupies in our cultural lexicon. Her two earlier books of poetry, The Gospel of Barbecue and Outlandish Blues, use the blues poetic to explore notions of history and trauma. Now, in Red Clay Suite, Jeffersapproaches the southern landscape as utopia and dystopia—a crossroads of race, gender, and blood. These poems signal the ending movement of her crossroads blues and complete the last four “bars” of a blues song, resting on the final, and essential, note of resolution and reconciliation.

The most visited site in the National Park system, the 469-mile Blue Ridge Parkway winds along the ridges of the Appalachian mountains in Virginia and North Carolina. According to most accounts, the Parkway was a New Deal'Godsend for the needy,'built without conflict or opposition by landscape architects and planners who traced their vision along a scenic, isolated southern landscape. The historical archives relating to this massive public project, however, tell a different and much more complicated story, which Anne Mitchell Whisnant relates in this revealing history of the beloved roadway.

Gathers the best work of flourishing but often-neglected avant-garde southern poets Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor. Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young's “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry. Hank Lazer's introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to'speaking in tongues'or apocalyptic southern folk art—primitive, astonishing, and mystic.

A Burning in Homeland is...a wonderfully written, crazily romantic story of intense love and devastating betrayal...a stunning debut of a remarkably gifted young novelist...a Southern novel that captures the beauty, madness and mystery of both place and time. In what can only be described as a tour-de-force of passionate atmospheric storytelling, first-time novelist Richard Yancey had created a finely nuanced narrative that resounds with raw, emotional truths -- a story about the ominous return to a small town in central Florida of a man once sentenced to prison for defending the honor of the woman he loved, about the woman and her husband who both betrayed him, and about a guileless young boy who gets caught up in their web of love, lies, and deceit. The story of the love between Halley Martin and Mavis Howell is seldom talked about in the tiny town of Homeland, Florida, but in the twenty years since Halley was sent to prison for murdering a rival suitor -- the only murder ever in this small, pious town -- the story has become legend. To seven-year-old Shiny Parker it has become a mystery, something his parents whisper about. He knows that somehow the pretty wife of the local minister is involved, but it is all too confusing for him to sort out. When the church's parsonage burns, almost killing the minister, only days before the legendary Halley Martin is due to be released from prison, Shiny senses a connection between the events -- as do most residents of the town. But if Haley was still in prison when the house burned, who set the fire...and why? Passionate love, the betrayal of friendship, hidden letters, a suspicious fire, mystery and revenge -- all are elements of this complex and deeply involving Southern gothic tale. Alternating among a trio of first person narrators -- Shiny, Mavis, and Halley -- Richard Yancey has created a lush, epic Southern landscape bursting with larger than life characters and rich atmospherics. A Burning in Homeland is both starkly haunting and exquisitely romantic and a masterpiece of dazzling storytelling you will not soon forget.

Home front and battle front merged in 1865 when General William T. Sherman occupied Savannah and then marched his armies north through the Carolinas. Although much has been written about the military aspects of Sherman's March, Jacqueline Campbell reveals a more complex story. Integrating evidence from Northern soldiers and from Southern civilians, black and white, male and female, Campbell demonstrates the importance of culture for determining the limits of war and how it is fought.Sherman's March was an invasion of both geographical and psychological space. The Union army viewed the Southern landscape as military terrain. But when they brought war into Southern households, Northern soldiers were frequently astounded by the fierceness with which many white Southern women defended their homes. Campbell argues that in the household-centered South, Confederate women saw both ideological and material reasons to resist. While some Northern soldiers lauded this bravery, others regarded such behavior as inappropriate and unwomanly. Campbell also investigates the complexities behind African Americans'decisions either to stay on the plantation or to flee with Union troops. Black Southerners'delight at the coming of the army of'emancipation'often turned to terror as Yankees plundered their homes and assaulted black women. Ultimately, When Sherman Marched North from the Sea calls into question postwar rhetoric that represented the heroic defense of the South as a male prerogative and praised Confederate women for their'feminine'qualities of sentimentality, patience, and endurance. Campbell suggests that political considerations underlie this interpretation--that Yankee depredations seemed more outrageous when portrayed as an attack on defenseless women and children. Campbell convincingly restores these women to their role as vital players in the fight for a Confederate nation, as models of self-assertion rather than passive self-sacrifice.