Search

'From bridal wear to the Ku Klux Klan, an exploration of the complex meanings of white clothing throughout history; sometimes a symbol of purity but also of class superiority, privilege and the display of leisure.'—Bookseller'A tour d'horizon of white raiment through the ages.'—Wall Street Journal

From the acclaimed author of Blue, a beautifully illustrated history of the color white in visual culture, from antiquity to todayAs a pigment, white is often thought to represent an absence of color, but it is without doubt an important color in its own right, just like red, blue, green, or yellow—and, like them, white has its own intriguing history. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colors, presents a fascinating visual, social, and cultural history of the color white in European societies, from antiquity to today.Illustrated throughout with a wealth of captivating images ranging from the ancient world to the twenty-first century, White examines the evolving place, perception, and meaning of this deceptively simple but complex hue in art, fashion, literature, religion, science, and everyday life across the millennia. Before the seventeenth century, white's status as a true color was never contested. On the contrary, from antiquity until the height of the Middle Ages, white formed with red and black a chromatic triad that played a central role in life and art. Nor has white always been thought of as the opposite of black. Through the Middle Ages, the true opposite of white was red. White also has an especially rich symbolic history, and the color has often been associated with purity, virginity, innocence, wisdom, peace, beauty, and cleanliness.With its striking design and compelling text, White is a colorful history of a surprisingly vivid and various color.

Les démarches collaborées, dans le champ du design, des pratiques artistiques et professionnelles, des sciences appliquées et des techniques, imbriquant la recherche, la création et l'action, sont toujours stimulantes à observer pour un individu en formation. Elles offrent la possibilité d'une recherche pensée comme le passage entre l'action et la poétique, dans une mise à distance du quotidien mêlant l'expérimentation et le projet. Dans un tournant pragmatique et réflexif, où la richesse d'une recherche naît du croisement disciplinaire (de l'anthropologie aux arts, du design à l'histoire sociale, du sociomarketing à l'image, de l'espace aux conditions de vision, du rituel à la linguistique), la couleur blanche forme les exercices d'une expérience globale, celle du passé, mais aussi celle de demain. Blanc(s), un devenir de la couleur en train de se construire. Il s'agit ici d'un ensemble de textes issus d'un colloque international et de journées d'études ayant eu lieu dans le cadre d'une manifestation artistique et culturelle sur la couleur blanche, à Toulouse et Montauban.

Elegant in their simplicity, these 13 gorgeous knitwear items for autumn and winter combine plain silhouettes with a chic and sophisticated appeal. Margeau Soboti, a former Vogue Knitting editor, presents clear instructions, diagrams, and color photos for seven sweaters and six accessories. Most of the patterns are sufficiently easy for novices but interesting enough for experienced knitters.Among the easy-to-knit items are a fur bomber hat with earflaps, a square shawl with tassels, a broken rib beanie, and a fringed wrap in triangle knit-and-purl pattern. Other simple patterns include loose- and standard-fitting crewneck pullovers, a raglan-sleeve fisherman's sweater, and drop-shoulder pullovers. More challenging patterns include a cabled beanie, an oversized crewneck pullover, and a V-neck cardigan. Yarns range in color from white and snowdrift to ivory and ecru and in weight from DK to bulky, offering an exciting variety of shades and textures.

The name'Suzanne Perron'is synonymous with exquisite detail. Her expertly tailored gowns -- worn at the elaborate balls of Mardi Gras and down the aisle at New Orleans weddings -- draw from the legacy of couture design. After years working alongside Vera Wang, Carolina Herrera, Anna Sui, and Ralph Rucci in New York, Louisiana native Perron returned home in 2005 to open her own custom design business, specializing in once-in-a-lifetime gowns for brides, debutantes, and Mardi Gras royalty. Designing in Ivory and White captures the rise of this talented designer, from her first Singer sewing machine to her success on Seventh Avenue to her post-Katrina move to a city in need of'something beautiful,'as well as her design technique and meticulous craft. In addition to her personal story, Perron shares her process from the inside out, including: methods for creating crinolines and foundations; using draping and pattern making to transform a sketch into a three-dimensional form; manipulating fabric into pleats, pintucks, and folds; and hand sewing intricate beading, lace, embroidery, and flawless hems.Her techniques and breathtaking artistry are realized through a showcase of sixteen Suzanne Perron designs. Full-length and detail shots illustrate Perron's gorgeous silhouettes and masterful handwork. Each gown also has a story that illuminates the client experience from the first sketch to the final fitting.Designing in Ivory and White serves as a testament to the ambition and skill required to design unique dresses, and will provide inspiration for independent designers, sewing hobbyists, and all who admire couture fashion.

Race and inequality have always been sensitive topics in South African society due to its colonial past, diverse social composition and apartheid legacy of legal discrimination against people on the basis of their skin colour. Racial tensions seem to be escalating in South African society and disturbing racialised rhetoric and slogans are re-entering the political and social landscape. Another disturbing phenomenon has been violent incidents of xenophobia against African immigrants. The question probed by this book is: What perspectives can theology offer in addressing the roots of racism, inequality and xenophobia in South Africa and how can it and the church contribute to reconciliation and a sense of togetherness among South African citizens? Various methodologies and approaches are used to address this question. In chapter 1, Theuns Eloff employs a historical and socio-analytical approach to describe the social context that has given rise, and is still giving impetus to racism and other forms of intolerance in South African society. Nico Vorster approaches the issue of distorted racial identity constructions from a theological-anthropological perspective. Utilising various empirical studies, he attempts to provide conceptual clarity to the concepts of racism, nationalism, ethnocentrism and xenophobia, and maps the various racisms that we find in South Africa. His contribution concludes with a theological-anthropological discussion on ways in which theology can deconstruct distorted identities and contribute to the development of authentic identities. Koos Vorster provides a theological-ethical perspective on social stratification in South Africa. He identifies the patterns inherent to the institutionalisation of racist social structures and argues that many of these patterns are still present, albeit in a new disguise, in the South African social order. Jan du Rand provides in chapter 4 a semantic discussion of the notions of race and xenophobia. He argues that racist ideologies are not constructed on a factual basis, but that racial ideologies use semantic notions to construct social myths that enable them to attain power and justify the exploitation and oppression of the other. Du Rand’s second contribution in chapter 5 provides Reformed exegetical and hermeneutic perspectives on various passages and themes in the Bible that relate to anthropology, xenophobia and the imperative to xenophilia [love of the stranger]. Dirk Van der Merwe’s contribution analyses, evaluates, and compares both contemporary literature and ancient texts of the Bible to develop a model that can enable churches to promote reconciliation in society, while Ferdi Kruger investigates the various ways in which language can be used as a tool to disseminate hate speech. He offers an analytical description of hate language, provides normative perspectives on the duty to counter hate speech through truth speaking and phronesis (wisdom) and concludes with practical-theological perspectives that might enable us to address problematic praxis. Reggie Nel explores the Confessions of Belhar and the Declaration of Accra as theological lenses to provide markers for public witness in a postcolonial South African setting. The volume concludes with Riaan Rheeder’s Christian bioethical perspective on inequality in the health sector of sub-Sahara Africa. This book contains original research. No part was plagiarised or published elsewhere. The target audience are theologians, ministers and the Christian community, but social activists, social scientists, politicians, political theorists, sociologists and psychologists might also find the book applicable to their fields.

Forest management has evolved from a mercantilist view to a multi-functional one that integrates economic, social, and ecological aspects. However, the issue of sustainability is not yet resolved. Quantitative Techniques in Participatory Forest Management brings together global research in three areas of application: inventory of the forest variables that determine the main environmental indices, description and design of new environmental indices, and the application of sustainability indices for regional implementations. All these quantitative techniques create the basis for the development of scientific methodologies of participatory sustainable forest management.

At its core, the Civil War was a conflict over the meaning of citizenship. Most famously, it became a struggle over whether or not to grant rights to a group that stood outside the pale of civil-society: African Americans. But other groups--namely Jews, Germans, the Irish, and Native Americans--also became part of this struggle to exercise rights stripped from them by legislation, court rulings, and the prejudices that defined the age. Grounded in extensive research by experts in their respective fields, Civil War Citizens is the first volume to collectively analyze the wartime experiences of those who lived outside the dominant white, Anglo-Saxon Protestant citizenry of nineteenth-century America. The essays examine the momentous decisions made by these communities in the face of war, their desire for full citizenship, the complex loyalties that shaped their actions, and the inspiring and heartbreaking results of their choices-- choices that still echo through the United States today. Contributors: Stephen D. Engle, William McKee Evans, David T. Gleeson, Andrea Mehrländer, Joseph P. Reidy, Robert N. Rosen, and Susannah J. Ural.

This volume adopts a multidisciplinary and comparative approach to development that brings together issues that are characteristic of the lifelong scholarship of Professor Gordon White. These include a focus on the state, civil society, welfare and globalization.