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The article focuses on the reformulation of Bone China due to the unavailability of certain materials, detailing the experimentation process with local substitutes to maintain translucency and whiteness. Topics include the challenges faced in finding consistent materials, the criteria for testing local alternatives and the step-by-step process of reformulating the Bone China recipe.

The article focuses on the ceramic work of Jane Yang-D'Haene, highlighting her recent exhibition in New York City. Topics include the distinctive aesthetic of her vessels, characterized by harshness and impulsive yet diligent surface treatments, contrasting with contemporary ceramic trends. The author praises Yang-D'Haene's departure from conventional ceramic styles, noting her work's individuality and somber palette.

The article highlights the work of artist Sandy Godwin. Topics discussed include her work in the woven textiles and fabrics through the use of intertwined filaments in the lace and embroidery, her contribution to surface pattern development in the field of ceramics, and her investigation of color, glaze and lustre to enhance the gestalt of the lace-decorated, pattered vessels.

The article reports that hand rolled coils are preference of Cambridge potter Stephen Murfitt who makes ceramic vessels that contain and reveal space through an infinite range of forms. It mentions information on exhibition of vessels at the Old Fire Engine House, Restaurant and Gallery in Ely, Cambridge. It states that glaze firing and the usual post firing reduction will also significantly affect the outcome.

The article reviews the exhibition "Sailing the Unknown" which features vessels made up of clay as well as represents the traditional craft skills of ceramics.