Shlomit's Yadlin-Gadot's paper, "The Carnivalesque Politics of a Pandemic Body," carries us into a bit of a wild, carnival-like experience: a dazzling array of images, disguises, and visual metaphors delivered with a powerful immediacy. I will stay as close as I can to what Yadlin-Gadot has presented, while at the same time trying to translate her brilliant conceptual array of terms about Covid-19, carnival and trans-subjectivity in a way that may help us define them while touching on the big questions she poses in her dual ending: What can relational thought offer in times of Covid-19, and what can Covid-19 offer relational thought in terms of a challenge? Or, where does the carnivalesque take us in terms of theory, and where does theory take us in terms of the carnivalesque? [ABSTRACT FROM AUTHOR]