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1. The Experience of Elsewhere: Photography in the Travelogues of Pierre Trémaux.

2. Spectroscopic characterization of selected French paper negatives (1843-1856): how to see through many processes?

3. Landscape in Motion: Muybridge and the Origins of Chronophotography.

5. ‘Mechanism’ Made Visible: Process and Perception in Henry Peach Robinson’s Composite Photographs.

6. From Material to Infrastructure: Germaine Krull's Métal∗.

7. A GRAND PANORAMA: ISAAC JULIEN, FREDERICK DOUGLASS, AND LESSONS OF THE HOUR.

8. Frontier and Metropole, Science and Colonisation: The Systematic Exhibitions of Richard Daintree.

9. Large Direct Heads: Robert Crawshay's Dream of Life-Size Photography.

10. Ill-Protected Portraits: Mathew Brady and Photographic Copyright.

11. The Surface of Things: A History of Photography from the Swahili Coast.

12. At Home in the Victorian City? Revisiting Thomas Annan and the Social Contexts of Early Urban Photography.

13. Natural Photographs: Optograms and the Fiction of Captured Vision.

14. ‘Cyclo-Photographers’, Visual Modernity, and the Development of Camera Technologies, 1880s-1890s.

15. Photography, Writing, and Space in Shanghai, 1925-1937.

16. A fénykép fogadtatása Magyarországon: Az első év története.

17. The Persistence of the Rectangle.

18. Preventing Destruction.

19. Criminal Lines, Indian Colours, and the Creation of a Black Legend: The Photographs of ‘Los Bandidos de la Halancha’, Bolivia.

20. Ottomans and the Kodak Galaxy: Archiving Everyday Life and Historical Space in Ottoman Illustrated Journals.

21. Fixing the Acropolis: William J. Stillman and the Restoration of Athenian Antiquity.

22. Practices of Photography: Circulation and Mobility in the Nineteenth-Century Mediterranean.

23. Capturing Motion and Depth Before Cinematography.

24. Lost Ground: The Performance of Pierrot in Nadar and Adrien Tournachon's Photographs of Charles Deburau.

25. Translating ‘Photography’: The Migration of the Concept of Sajin from Portraiture to Photography.

27. Framing the Asia-Pacific: The Gerhard Sisters at the St. Louis World’s Fair.

28. The Ottoman Sultan's Albums at Budapest University of Technology and Economics.

29. The Beginnings of Photography in Central Europe: Friedrich Franz and the First Daguerreotypes in Brno.

30. Aesthetic Bodies: Posing on Sites of Violence in India, 1857–1900.

31. A Self-Portrait of Christ or the White Noise of Photography? Paul Vignon and the Earliest Photograph of the Shroud of Turin.

32. Surround Background, Context: Response.

34. Dante Gabriel Rossetti's Bad Photographs.