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Extant research has increasingly recognized that local reputation determines creative firms’ competitiveness. However, current research over-emphasizes that the spatial cluster facilitates the innovation dynamic of creative industries rather than investigating whether the trans-local dynamic of trade fairs and competitions underpins the reputation-building process of local creative industries. This paper contributes to exploring the reputation-building process and spatial strategy of creative industries through a case study of product design firms in Taipei. Drawing on a qualitative methodology, this paper analyses 35 in-depth interviews with product design company executives, concluding that the spatial strategy of product design firms situated in the Taipei city context must acknowledge local strategic advantage and increasingly build a reputation through connections to trans-local design fairs and competitions. Meanwhile, the reputation-building process reflects that product design firms must capture and negotiate symbolic value through a strategic co-presence in local, regional, and global temporary event spaces. Finally, the process and strategies imply that the design industry needs a new form of intervention in latecomer cities to respond to the uneven development of the global design economy. [ABSTRACT FROM AUTHOR]

This paper focuses on resolving a defect of population-based urban sprawl analysis from a land-use planning perspective. This defect is indicated for a few metropolitan areas, which have experienced a controversial phenomenon of population decentralisation but with potential household centralising force. With the emphasis on household movement, this paper first aims to clarify the role of populations, households and employment that characterises urban sprawl and to check if unmet housing demand in city centres can be identified. Second, we evaluate the influence of household distribution factors, such as unmet housing and land-use related factors, on spatial-structure-based compactness/sprawl, taking time lag into consideration. A new classification of urban forms is developed to identify potential residential centripetal market forces. Additionally, the housing demand generation-distribution + push-accessibility-pull (GD+PAP) analysis framework is applied. The results of an empirical study on the Taipei metropolitan area between 1980–1990 and 1990–2000 suggest that the most significant policy towards compactness is high density. We recommend a prioritisation in city centres, particularly when housing demand is underserved. [ABSTRACT FROM AUTHOR]

Based on Tsai Ming-liang's cinematic portrayals of cities, I argue for consideration and appreciation of artistic devices in our thinking and writing on cities. Specifically, I look into four types of absence the Taiwanese director engages with: absence of movement, absence of speech, absence of home and absence of infrastructure. Tsai depicts absence by extrapolating what seem to be inherent elements of an urban situation or an urban setting thus disrupting their taken-for-grantedness. Tsai's multi-layered preoccupation with the notion of absence and the visual language he develops to talk about it may be inspiring for urban researchers, especially those among us working with visual methods. After introducing his work and elaborating on its urban contexts, I will investigate Tsai Ming-liang's use of absence as a method of inquiring into various aspects of urban life, particularly those involving interactions with infrastructure. In the spirit of interdisciplinary and inclusive thinking promoted byCity, I will conclude by reiterating the validity of cinema—among other arts—as a tool for critical reflection on cities. [ABSTRACT FROM AUTHOR]