94 results on '"Aitken, Ian"'
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2. ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968)
3. ‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960)
4. ‘Photography’ (Kracauer 1927)
5. The Specificity of the Aesthetic (Lukács 1963)
6. Introduction to Kracauer: Abstraction, Redemption and Modernity1
7. ‘On the Phenomenology of the Creative Process’ (Lukács 1914)
8. Cinematic Realism
9. Bergson, the Image and Time
10. Representation, Perception and Cinematic Realism
11. ‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)
12. Husserl, Epochē and Lebenswelt
13. Introduction to Lukács: Essence, Phenomena and Temporality
14. The Use of the Official Film in Malaya/Malaysia, Singapore and Hong Kong, 1957–1973, and the Role of the United Kingdom Information Services, British Information Services, British Council and Hong Kong Government Information Services (with Ka Yee Teresa Ho)
15. Berita Singapura (1963–9) and Hong Kong Today (1967–73)
16. The Rise of Television, Persistence of Authoritarianism, and Decline of the Official Film in Singapore, Malaya/Malaysia and Hong Kong, 1955–75
17. Diverging Jurisdictions: The Influence of ‘Griersonian’ and ‘Civil Service’ Traditions of Official Film-making on the Malayan Film Unit (1946–57) and Hong Kong Film Unit (1959–73)
18. Delusions of Regional Superintendence at the End of Empire and the Case of the Singapore Regional Information Office, 1947–61
19. The Forms of the British Official/Sponsored Documentary Film
20. The Documentary Film Movement
21. European Film Theory and Cinema
22. From the historical cinema of democratic humanism to the film Novelle
23. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition
24. Transcendental illusion and the scope for realism
25. Introduction
26. Acknowledgements
27. Contents
28. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition
29. Bibliography
30. ‘And what about the spiritual life itself ?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer
31. From the ‘true style’ to the ‘art-form of the bourgeoisie’
32. Front matter
33. Dedication
34. Authoritarianism, the struggle for current affairs public service broadcasting and Radio Television Hong Kong
35. The People’s Action Party Government of Singapore and Berita Singapura
36. Introduction
37. Introduction
38. 1. The People’s Action Party Government of Singapore and Berita Singapura
39. The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)
40. Chapter 9 The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)
41. The British Official Film in South-East Asia
42. The Documentary Film in Hong Kong
43. Lukácsian film theory and cinema : A study of Georg Lukács' writing on film 1913–1971
44. The Colonial Documentary Film in South and South-East Asia
45. The Major Realist Film Theorists : A Critical Anthology
46. Realist film theory and cinema
47. The Colonial Documentary Film in South and South-East Asia
48. Lukácsian film theory and cinema
49. The Colonial Documentary Film in South and South-East Asia
50. Out of Africa.
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