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Copyright of Políticas Culturais em Revista is the property of Politicas Culturais em Revista and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article we investigate the actions of cultural collectives that give plasticity to the existence of what we call a movement climatology or a wandering aesthetic produced from the dissensual attitude towards the city. We discuss the new practices of displacement of contemporary groups and collectives in Rio de Janeiro within the context of tightening the policies of regulation of street cultural activities. We analyze the practices of the groups Collective XV and Collective of Ambulants, exposing the distinct dynamics of movement in which these culture collectives are based on the concepts of drift (JACQUES, 2012) and tactics (CERTEAU, 1994). The investigation is part of the cartographic research conducted by the CAC group since 2016 in downtown Rio de Janeiro. [ABSTRACT FROM AUTHOR]

This article presents a historical survey of the presence and performance of women, especially black women, in festivities in Rio de Janeiro in the 19th century. We seek to (re) architect scenes of social interaction, in order to highlight the temporary subversions of the "subalternized" positions of black culture and women in festive moments. In this way, we seek to contribute with more in-depth reflections in the field of urban cultures, considering the specificities of the historical experiences of the minority groups than in the artistic and musical practices of a politically engaged profile in contemporary times. In view of the cultural scenes linked to the current feminist agenda, we seek to highlight the historical presence of women in the city's cultural processes. [ABSTRACT FROM AUTHOR]

Copyright of Políticas Culturais em Revista is the property of Politicas Culturais em Revista and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)