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This book assembles texts by renowned academics and theatre artists who were professionally active during the wars in former Yugoslavia. It examines examples of how various forms of theatre and performance reacted to the conflicts in Serbia, Croatia, Bosnia and Herzegovina, Slovenia, and Kosovo while they were ongoing. It explores state-funded National Theatre activities between escapism and denial, the theatre aesthetics of protest and resistance, and symptomatic shifts and transformations in the production of theatre under wartime circumstances, both in theory and in practice. In addition, it looks beyond the period of conflict itself, examining the aftermath of war in contemporary theatre and performance, such as by considering Ivan Vidić's war trauma plays, the art campaigns of the international feminist organization Women in Black, and Peter Handke's play Voyage by Dugout. The introduction explores correlations between the contributions and initiates a reflection on the further development of the research field. Overall, the volume provides new perspectives and previously unpublished research in the fields of theory and historiography of theatre, as well as Southeast European Studies.

Nationalism is a key topic within Balkan Studies, and one of the driving forces behind the bloody and difficult history of the region. Using primary sources not previously utilized by western scholars, this book documents the'Croatian Spring'- a national and liberal movement that began in the mid-sixties after the fall of the vice president and head of the Yugoslav secret police Aleksandar Rankovic. The author chronicles these developments of democratisation and de-centralisation of communist Yugoslavia, placing them in the wider context of the Cold War and Yugoslav relations with the Soviet Union and the UnitedStates. Tito managed to balance national stability and his relations with East and West, until he felt that the national-liberal movements challenged his authority, and thus threaten the very foundations of the Yugoslav state. From late 1971 onwards, the liberal political and cultural classes of Croatia and other republics were abruptly purged, impoverishing Yugoslav leadership for subsequent decades.Batovic also considers the role of the West, who felt a centralised and stable Yugoslavia was in their interests and quickly accommodated themselves to the repression of the reformist movement.