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Based on ethnographic fieldwork in rural Tajikistan – the region where migration to Russia has become almost the only stable source of livelihood – this article contributes to a growing body of anthropological literature concerned with tensions, ambivalences and contradictions of care. Drawing on the ethnography of my interlocutor's attempts to arrange care for his elderly parents, I show how migration is entwined with the relations of indebtedness and care that are constitutive of moral personhood. Attending to the complex entanglements of care, personhood, movement, and presence, I expose the key paradox of care in migration contexts: migration creates distance and separation which results in the disjuncture between care as a material provision and care as an affective performance of respect. Men's attempts to bridge this disjuncture can keep them 'stuck' in a loop of movement between Russia and Tajikistan and put a strain on their relationships, bodies, and sense of self. [ABSTRACT FROM AUTHOR]

The article reviews the exhibition "Continuity: Cahuilla Basket Weavers and their Legacies" at the Benton Museum of Art at Pomona College, Claremont, California, from February 14 – June 23, 2024.

Copyright of Comparative Literature / Primerjalna Književnost is the property of Slovenian Comparative Literature Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The period from the 1960s to the 1980s under Brezhnev is stamped in history, both Soviet and Uzbek, as “stagnation.” Particularly for Uzbekistan, this period is known for such stigmatized events as the “cotton” or “Uzbek” scandal – the investigation into Uzbek First Party Secretary Sharaf Rashidov (1917-1983) for misrepresenting cotton harvest results during his twenty-four-year tenure – and the Afghan war (1979-1989). The experience of striving to save the nation from the aggressive system and stereotypes of society, from the "values" of slavery and subordination, is reflected in some examples of 20th-century Uzbek literature. The most prominent figures in XX Century’s Uzbek literary history, Said Ahmad (1920-2007) in his novel Silence (Jimjitlik, 1988) and O‘tkir Hoshimov (1941-2013) in Lives Passed in Dream (Tushda kechgan umrlar, 1992) fell apart from the literature written as the Soviet Union describes the events of this period through a prism of moral monikers. Their understanding of their place in the world has always been through their connection to the nation. Social anxiety for them is inextricably linked to artistic anxiety and vice versa. Writers took it upon themselves to unmask the sins associated with this period, such as “two-facedness” (qiyofasizlik), bribery, fraud, cruelty, and bloodthirstiness (in reference to the Afghan war). The novels focusing on the “stagnation” period played an important role in transforming these moral criticisms of Soviet rule into criticisms of Soviet rule as colonial exploitation and serve as an attempt to unmask the horrors and misdeeds behind Soviet officialdom that have long gone unnoticed. In this paper, I will examine some of those moral constructions and how they framed the period in the minds of post-Soviet Uzbeks. The literary interpretations of the problems in stagnation will be analyzed in the historical, cultural, political and literary context. I hope this paper contributes to the research carried out on Central Asian studies, including Uzbek Literature Literary history, which is known very little worldwide. [ABSTRACT FROM AUTHOR]

Copyright of Linguistica (1132-0214) is the property of Asociacion de Linguistica y Filologia de la America Latina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses the identity of the founder of Naqshbandiyya doctrine, Khwaja Muhammad Naqshbandi, the theoretical foundations of the Naqshbandiyya order, the influence of the Naqshbandiyya order on fiction, the interpretation of mystical ideas in Sayyid Qasimi's masnavis, the artistic expression of metaphor and truth in Atoyi's lyrics. [ABSTRACT FROM AUTHOR]

Northern Tepehuan (ISO 639-3: ntp) is one of the 68 native linguistic groups1 currently spoken in Mexico according to the National Institute of Indigenous Languages (INALI 2008). As is the case with many indigenous languages, Northern Tepehuan is under serious threat of disappearance during the next decades as it is spoken by fewer than 9000 people (Carrillo 2011: 6) whose historical background has been one of social and linguistic marginalization. The Ódami – as the speakers of the language call themselves – live in the alpine valleys of an isolated region known as Sierra Tarahumara, a section of the Sierra Madre Occidental, in Chihuahua State, Mexico. Saucedo Sánchez de Tagle (2004: 6–9) indicates that the heart of the current Ódami territory is in some sections of the Guadalupe y Calvo municipality, in the southernmost tip of Chihuahua (see Figure 1) but speakers also can be found in the surrounding municipalities of Balleza, Guachochi and Batopilas. Approximately 80% of Northern Tepehuan speakers live in small villages and rural settlements around the population nuclei of Baborigame, Nabogame, Llano Grande, Barbechitos and El Venadito (Saucedo Sánchez de Tagle 2004: 7). There are also some scattered speakers living in the region's big cities of Chihuahua and Hermosillo. [ABSTRACT FROM AUTHOR]

This study investigates the association between individuals' concern about contracting COVID-19 and their compliance with recommended preventive and mitigation measures, namely wearing face masks, maintaining social distancing and handwashing, in the context of the Middle East and North Africa (MENA) region. The empirical analysis is based on a panel dataset from the Combined COVID-19 MENA Monitor Household Survey, which was carried out in Jordan, Morocco, Sudan, Tunisia and Egypt. Applying a probit estimation technique, a positive and statistically significant association was found between the level of COVID-19 worries and individuals' compliance with the mitigation measures. Notably, the results revealed that this association followed a "first-up-then-down" trend, showing that compliance with the three mitigation measures rose as individuals' worries about contracting the virus increased, and then markedly decreased after they had been infected. Socio-demographic characteristics contributing to lower levels of compliance included being male, being over 60, having lower levels of education and having a lower household income. A cross-country analysis revealed remarkable differences between the five countries, with the strongest association between COVID-19 concerns and adherence to mitigation measures observed in Tunisia and Sudan, and the weakest association seen in Jordan and Morocco. Policy implications are outlined for effective risk communication and management during disease outbreaks and public health emergencies to encourage appropriate public health behaviours. [ABSTRACT FROM AUTHOR]

Copyright of Prace Filologiczne. Literaturoznawstwo is the property of University of Warsaw and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses the idea of intratextuality related to internal relations within a text. In literary practice, this strategy employs many ways of repetition or reduplication of textual parts from a simple phrase to much more complex structures such as argument, digression, trope, or figure. The strategy’s most evident form is self-intertextuality, which limits the field of references to texts signed with the name or pseudonym of a single author. Covering various strategies of repetition from self-citation to selfparaphrase, intratextuality assumes considerable freedom of self-interpretation. Moreover, this concept may turn out to be analytically useful in a more complete description of textual self-referentiality, as in the case of Maciej Kazimierz Sarbiewski’s ode to Pope Urban VIII (I 21). [ABSTRACT FROM AUTHOR]

The paper aims to shed light on the relationship between Shakespeare, his translators, and the authorities of the Polish People's Republic during the late 1940s and early 1950s. The case studies of Czesław Miłosz and Roman Brandstaetter will serve to illustrate both the artistic and supportive function of their translation endeavours completed under the patronage of the communist state. By delving into the rich archival material (published as well as unpublished), I would like to focus on the political and social circumstances that determined Miłosz's and Brandstaetter's routes towards translating Shakespeare. [ABSTRACT FROM AUTHOR]

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Copyright of Porównania / Comparisons. A Journal on Comparative Literature & Interdisciplinary Studies is the property of Adam Mickiewicz University Poznao, Press of "Poznanskie Studia Polonistyczne" and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The incidence of a pedestrian crash is a leading cause of death among Ghanaian schoolchildren due to various factors including the lack of pedestrian walkways and zebra crossings. This study was a cross-sectional self-reported survey to investigate the means of transport by school children, the incidence of pedestrian crashes among school children and knowledge of pedestrian safety. The survey focused on three basic schools in the High and Medium-Income Residential Areas in the Metropolis and was administered to 230 school children with observations. Descriptive and pair-sampled t-test analyses were conducted to assess the differences in pedestrian safety knowledge by gender, age, education and the incidence of pedestrian crashes. The results revealed that transporting/dropping off by vehicles and walking were the major forms of travel for school children with the majority of those walking unaccompanied. Female, younger and lower primary school children were largely victims of pedestrian crashes because of low pedestrian safety knowledge. The findings have emphasized the need for evidence-based safety promotion and injury prevention in the high and medium-income areas of the Cape Coast Metropolis. [ABSTRACT FROM AUTHOR]

Based on extensive ethnographic research in northern Tajikistan, this article examines the implications of the law ordering traditions and rituals (tanzim), including marriage celebrations, in Tajikistan. At the centre of my analysis is the figure of a state employed 'worker of culture', Farkhod, whose family was affected by recent, rather militant, attempts by the state to regulate tradition. By following the story of his daughter's wedding, I analyse how Farkhod tries to reconcile his roles of a caring father, a respectful community member, and a law-abiding citizen. I argue that the tanzim exacerbates the mismatch between the government's attempts to impose a rigid notion of tradition and promote the idea of a certain kind of modern citizen, and people's own understandings of being a modern and moral person having a good wedding. [ABSTRACT FROM AUTHOR]

Copyright of Vox Patrum is the property of Wydzial Teologii KUL and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Lingüística de el Colegio de México is the property of El Colegio de Mexico AC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Rolf Fieguth's book about Franciszek Dionizy Kniaźnin's poetry is the first so extensive monograph from the time of Teresa Kostnkiewiczowa's study publication Kniaźnin jako poeta liryczny (Kniaźnin as a Lyric Poet, 1971), and it is viewed as an attempt at a comprehensive reading of his poetry. Fieguth analyses the collections of Kniaźnin's poems in a chronological order: Erotyki (Erotic Poems, 1779), Carmina (1781), Wiersze (Poems, 1783), Poezyje (Poetry, 1787) and pieces from Rękopis Puławski (Manuscript of Puławy, 1794-1796). The researcher points at numerous connections between the individual pieces, examines the modes of grouping them into lyrical cycles, discusses the functions of lyrical subject, intertextual relations, references to ancient literature, and, first and foremost, to Jan Kochanowski (especially his Treny áLamentsñ and Muza áThe Museñ both of which Kniaźnin translated into the Latin language). Fieguth's most crucial achievement is viewing Kniaźnin's Polish and Latin output as a whole independent of language (Polish and Latin) and having common features, but also intermingling in many ways. Fieguth appreciates both the Latin volume of Kniaźnin as well as Poems from the year 1783 that include the first editing of Żale Orfeusza nad Eurydyką (Laments of Orpheus for Eurydice), the cycle that from that moment became most vital part of composing subsequent editions of Kniaźnin's poetry until the last one written down at the twilight of the poet's conscious life. Important observations are also included in reference to the two last collections, namely Poezyje (Poetry) and poems from the Manuscript of Puławy. [ABSTRACT FROM AUTHOR]

I draw the historical background with the question of how the city has for centuries been communicating with visual signs with its so different external sovereigns. After general remarks, I focus on the ruler's relationship with the city during the Teutonic Knights' era, as the example serving the Teutonic castle in Gdansk, from the beginning of its construction to the story of its demolition. The Teutonic castle was built, according to the message of Wigand of Marburg, during the time of Grand Master Dietrich von Altenburg around 1340. Unlike the dating, its form disappears in the darkness of history. Archaeologists have proven the existence of a castle complex consisting of the main castle and two baileys on the site of the former castle of the Pomeranian dynasty of Samborids. The convent house: a square with sides of about 53 m, had four residential wings grouped around the courtyard, three towers at the corners, and a high guard tower. The article then deals with the castle as a kind of a protagonist of the drama in the war for symbols, developing in four scenes. The first took place after the Battle of Grunwald in 1410, when the town paid homage to Polish King Władysław Jagiello, but in the autumn of 1410 it returned to the rule of the Teutonic Order. In the following months, the city authorities reacted negatively to the attempt of the Grand Master Henry von Plauen to raise taxes. Mayors and members of the City Council: Konrad Letzkau, Arnold Hecht, and Bartholomew (Bartholomaus) Gross, were invited to the Teutonic Knights' Castle in spring 1411 under the pretext of negotiations, and there they were murdered in unclear circumstances. The town responded by burying both mayors, and probably Gross as well, in the ambulatory of St Mary's Church, (possibly) in St Hedwig's Chapel belonging to the Letzkau family. The tombstone (nowadays destructed after the fire of 1734), which preserved anti-Teutonic sentiments, became an attraction for visitors, and was excluded from the normal burial practice of St Mary's Church in the early modern times. Another part of our dispute occurred in 1453, when the Gdansk delegates complained at the Reich's conciliatory assembly in Vienna about the Gdansk Commander forbidding to continue the construction of the tower of St John's Church. On this basis, Olaf Asendorf constructed a theory on the general prohibition of building high towers in the Teutonic state, the so-called turmverbote. However, we have no proof that such a ban existed in any form, and apart from two other messages from Elbląg and Kaliningrad, former Konigsberg, we cannot trace this kind of regulation in the written sources. On the other hand, none of the towers dominating the panorama of Gdansk was built before 1457. It was only after the transition to Polish sovereignty that the construction of the towers of St John's Church, St Catherine's Church, St Mary's Church, and the Town Hall tower continued. The case from 1453 fits the hypothesis of fighting with the Order with the use of the city's symbol, but this is rather a hysterical reaction of the economically and politically weakened corporation, which tries to enforce the city's obedience by prohibiting the further construction of the tower of St John's Church. The events of the Thirteen Years' War (1454-1466): Gdansk was to throw off the yoke of the Teutonic Knights' power and voluntarily surrender to the power of the Polish monarchy together with the guarantee of maximum privileges, are the backdrop to the next stage of our battle with the use of symbols. Most probably in February 1454, a decision was made to demolish the fortress, which could potentially become the seat of the new ruler, thus threatening the autonomy of the city. During the negotiations between the Gdansk envoys and Casimir IV Jagiello in February and March 1454 in Cracow, the delegates secretly sent the following letter to the City Council: ' Those of the seats [castles of the Teutonic knights] that were demolished are to remain destroyed, but we are not [allowed] to continue the demolition of these castles without consulting or informing the Lord King and the Estates. Hence, good friends, if you have not destroyed them, we advise you in all your power that you are to dismantle them the sooner the better, before we are back home, because the Lord King is "drooling" at the thought of Gdansk'. In the original hern conynge henget de lunge sere up Danczik is an idiomatic Lower German term, literally meaning King hangs his lung [to occupy the castle], so he cares a lot about it. This is what happened. Just like in Elbląg, Toruń and Bartoszyce and partly in Królewiec, the municipal authorities thoroughly demolished the Teutonic Castle. As early as in 1857, August Lobegott Randt noted, without mentioning the source, that when the star vaults over the main hall of the Artus Manor were unfastened in 1478-1481, pillars from the Teutonic Castle were used; this theory was taken up by almost all later literature. A whole range of other relics in various places in Gdansk made of sandstone or granite, together with the latest finding in St Mary's Church from 2020, are now connected with the Castle. This theory fits perfectly with the considerations of political iconography. In the Artus Court, the first monumental building completed after the Grand Permit of 1457, architectural details from the former seat of the supreme authority are placed, since it is where the elites of the new republic meet. Together with the demolition of the Castle, the knowledge of its silhouette was lost. Only indirectly does the image give us a fascinating iconographic message, which for me is the fourth episode of the 'battle with the use of images'. In the painting 'The Ship of the Church' from the Artus Manor, destroyed in 1945: a representation of a ship armed with cannons symbolizing the community of Gdansk, in one corner rather a small depiction of a castle can be seen. It shows the main tower, the evidence of which was proven by the 2002 archaeological researches. Its unusual spire evokes obvious associations with the Flemish-Brabantine belfry towers: free-standing towers or towers inscribed in town halls or cloth halls being symbols of urban self-government. What is the function of the representation of the Teutonic castle in the painting? Who was its author and fundator? According to Adam Labuda's interpretation, it is the pendant to the painting 'Siege of Malbork', lost in 1945 - of almost identical dimensions, stylistically similar - and seems to be the work of the same painter. Together with the latter, it conveys the story of the battle for the gained independence of Gdansk, a powerful and rich city, united in religion and under the sceptre of the King. It is possible that the paintings were executed in connection with the would-be visit to the city of Jan Olbracht in 1501, or another entry of Alexander I in 1504. But what remains a puzzle is the function of a Teutonic castle with a Flemish helmet in the painting. Was it only related to the possible Dutch origin of the artist, or was it a political message, wishful thinking of the founders: an allusion to Gdansk as an independent city? The article on its first level interprets a non-existent building which has become the protagonist, the pretext, and the background of the multi-act drama of 'the battle with the use of images'. More generally, it states the entanglement of Gdansk art and architecture in politics as a characteristic feature of this metropolis through all epochs. Yet above all, I would like to thank Małgorzata Omilanowska, the one to whom we dedicate this volume, because without her initiative I would never have started teaching in this fascinating city and thus researching its art history. [ABSTRACT FROM AUTHOR]

The relevance of the researched problem is caused by the need to study the lexical features of the modern Persian, Dari and Tajik languages, and to show students of a real linguistic situation when studying the Persian language. The aim of the article is to consider the lexical features of interlingual homonyms in modern Persian, Dari and Tajik. The leading approach in the studying of this issue is a problem-thematic approach. The study of interlingual homonyms in terms of their features and the review of the situations in which they are used in the Persian and Tajik languages shows the possible approaches to the description of their semantics. This is a new direction in the modern Persian lexicography, which is of a great scientific benefit. The submissions of this article may be useful in the teaching of the modern Persian, Tajik, Dari languages as well as when lecturing on the lexicology and dialectology of Persian, Tajik, Dari. [ABSTRACT FROM AUTHOR]

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Abstract: Key messageA single recessive gene for complete resistance to powdery mildew and a major-effect QTL for partial resistance to downy mildew were co-localized in aCucumis hystrixintrogression line of cucumber.Abstract: Downy mildew (DM) and powdery mildew (PM) are two major foliar diseases in cucumber. DM resistance (DMR) and PM resistance (PMR) may share common components; however, the genetic relationship between them remains unclear. IL52, a Cucumis hystrix introgression line of cucumber which has been reported to possess DMR, was recently identified to exhibit PMR as well. In this study, a single recessive gene pm for PMR was mapped to an approximately 468-kb region on chromosome 5 with 155 recombinant inbred lines (RILs) and 193 F2 plants derived from the cross between a susceptible line ‘changchunmici’ and IL52. Interestingly, pm was co-localized with the major-effect DMR QTL dm5.2 confirmed by combining linkage analysis and BSA-seq, which was consistent with the observed linkage of DMR and PMR in IL52. Further, phenotype-genotype correlation analysis of DMR and PMR in the RILs indicated that the co-localized locus pm/dm5.2 confers complete resistance to PM and partial resistance to DM. Seven candidate genes for DMR were identified within dm5.2 by BSA-seq analysis, of which Csa5M622800.1, Csa5M622830.1 and Csa5M623490.1 were also the same candidate genes for PMR. A single nucleotide polymorphism that is present in the 3ˊ untranslated region (3′UTR) of Csa5M622830.1 co-segregated perfectly with PMR. The GATA transcriptional factor gene Csa5M622830.1 may be a likely candidate gene for DMR and PMR. This study has provided a clear evidence for the relationship between DMR and PMR in IL52 and sheds new light on the potential value of IL52 for cucumber DMR and PMR breeding program. [ABSTRACT FROM AUTHOR]

The purpose of this integrative review was to explore the impact of prostate cancer (PCa) on the quality of life (QoL) and factors that contribute to the QoL for Black men with PCa. Prostate is recognized as the prevalent cancer among men in the United States. Compared to other men, Black men are diagnosed more frequently and with more advanced stages of PCa. Black men also experience disproportionately higher morbidity and mortality rates of PCa, among all racial and ethnic groups. The initial diagnosis of PCa is often associated with a barrage of concerns for one’s well-being including one’s QoL. As a result, men must contend with various psychosocial and physiological symptoms of PCa survivorship. Whittemore and Knafl’s integrative review method was utilized to examine empirical articles from the electronic databases of the Cumulative Index to Nursing and Allied Health Literature (CINAHL), PsycINFO, PubMed, Project Muse, and Google Scholar. The time frame for the literature was January 2005 to December 2016. A synthesis of the literature yielded 18 studies that met the inclusion criteria for the integrative review. A conceptual framework that examined QoL among cancer survivors identified four domains that measured the QoL among Black PCa survivors: (a) physical; (b) psychological; (c) social; and (d) spiritual well-being. Social well-being was the dominant factor among the studies in the review, followed by physical, psychological, and spiritual. Results indicate the need for additional studies that examine the factors impacting the QoL among Black PCa survivors, using a theoretical framework so as to develop culturally appropriate interventions for Black PCa survivors. [ABSTRACT FROM AUTHOR]

Copyright of Phainomena is the property of Phenomenological Society of Ljubljana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)