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The pandemic has produced an abundance of medical misinformation, disinformation and conspiracy theories about the safety and efficacy of vaccines. Many of these narratives appear impervious to scientific evidence and indifferent to the authority of the state. This has resulted in 'true believers' being cast as paranoid and irrational. In this article, we take a different approach by exploring the cultural appeal of anti-vaccine conspiracy theories about COVID-19. Drawing on qualitative analysis of two leading figures of the anti-vaccination movement – Robert F. Kennedy Jr. and Joseph Mercola – we demonstrate how these influencers establish authority by staging indignation against a corrupt scientific establishment and positioning themselves as Truthers offering simple solutions to complex (wicked) problems. By conceptualising what we refer to as the Truther Playbook, we examine how anti-vaccine Truthers capitalise on existing grievances and conditions of low institutional trust to further solidify people's troubled relationship with institutional expertise while drawing attention to the structural conditions and social inequalities that facilitate belief in conspiracy theories. We contend that conspiracy theories offer not only offer alternative facts and narratives but are predicated on identification and in-group membership, highlighting the limits of debunking as a strategy to tackle disinformation. [ABSTRACT FROM AUTHOR]

This article introduces the concept of designer notoriety to refer to calculated attempts to derail aspects of normative order so as to garner media attention. The objective is for otherwise unexceptional people to gain celebrity. The case of the alleged sabotage of Germanwings Airbus A320 Flight, by the co-pilot, Andreas Lubitz, in 2015, is used as a case study. Drawing on the methods of content analysis from various media sources and historical sociology, the article examines the media claim that Lubitz sought celebrity and planned the crash as a means to acquire media interest. Public receptivity to the notion of designer notoriety is investigated. It is related to three key concepts: 'the demotic turn', 'mediatization' and the 'world historic event'. The application of each concept to designer notoriety is set out and justified. The article ends by expanding the Lubitz case to refer to other examples of designer notoriety. [ABSTRACT FROM AUTHOR]

Spengler’s The Decline of the West was a major publishing success in Weimar Germany. The study presents the end of Western civilization as an inevitable process of birth, maturity and death. Civilization is conceived as an inflexible ‘morphology’. Spengler’s thinking was influenced by a profound distaste with the optimism of the Belle Epoque, which he found to be complacent. The argument had a good deal of attraction to readers, especially German readers, who were suffering under the ‘Carthaginian Peace’ of the Treaty of Versailles of 1919. Adorno and others were critical of Spengler’s thesis. The article examines Spengler’s thesis and its implications for the West today. [ABSTRACT FROM AUTHOR]

American society was transformed by the expansion of capital Westward and the explosion in opportunities for land-grabbing and agricultural and industrial investment. F.J. Turner’s ([1893] 1961) frontier thesis portrays this transformation as the fulfilment of American character. The tensions between character and personality are examined following the ideas of Carl Schmitt on the significance of ‘the occasion’ in acquiring competitive advantage. Schmitt indicated the significance of a ‘vertical’ frontier in challenging social conventions and this constitutes a counterpoint to the ‘horizontal’ frontier developed in the frontier thesis of Turner. The importance of the occasion and personality in developing the American way of life is presented by an examination of the vaudeville and celebrity traditions in American entertainment. [ABSTRACT FROM AUTHOR]