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By 1989, at least one in five Soviet citizens lived outside of "their" titular territories or did not have one, yet their lived experiences—especially poignant when the USSR dissolved—are not well understood. Using archival evidence and oral interviews, this paper focuses on two events pivotal to these communities: fatal unrest over the disputed Nagorno-Karabakh territory from 1988–1990, the first perestroika conflict that produced the phenomenon of Soviet "refugees" in the country; and the Fergana Valley Massacre of June 1989, the first mass casualty event in Central Asia that displaced tens of thousands more. It argues that these conflicts became major regional and Soviet-wide issues that exposed the growing impotency of the center and contributed widely to the impetus to flight. This paper underscores how Soviet internationalism created the foundation for intercommunal "groupness," or the various cross-ethnic nexuses that became especially apparent vis-à-vis these episodes of titular violence. [ABSTRACT FROM AUTHOR]

In the library of Winchester College is a multi-lingual psalter formerly owned by the diplomat and scholar, Richard Pace (c.1483–1536). Pace left extensive notes in this volume, the product of his study of the Hebrew Scriptures in comparison with the Vulgate and Greek Septuagint. They demonstrate his engagement with a variety of Jewish, patristic and humanist learning. A broader set of theological and devotional themes also emerge. For Pace, the Psalms were primarily a prophetic text, foretelling the coming of Christ and the Gospels, but they likewise reflected an interest in devotion, rhetoric and prayer typical of humanists of the period. [ABSTRACT FROM AUTHOR]

Between 1963 and 1966, John Cale, Tony Conrad, La Monte Young, Marian Zazeela and a handful of other collaborators rehearsed together on a daily basis. Held since then in the archive at Young and Zazeela's Church Street apartment in New York City, the tapes of the Theatre of Eternal Music have become obscure objects of fascination and mystery for experimental music fans. They have also been at the centre of disputes over the authorial propriety of the drones that they record. This paper offers a material history of those tapes as they circulate online. By tracking and organizing the available bootlegs, I trace the ensemble's changing sonic self-conception as it moved from a composer-led ensemble supporting Young's saxophone improvisations to an egalitarian collective constituted in its dedication to the daily practice of listening from 'inside the sound'. [ABSTRACT FROM AUTHOR]

A close reading of Yvonne Rainer's archival papers reveals new insights into the postmodern iconoclast. Revivifying Rainer's early choreographic practice and verbalembodied explorations, Rainer's own notes and journals illuminate and challenge reductive interpretations of a writing dance artist's work over time. [ABSTRACT FROM AUTHOR]

The article deals with archives of memoryscapes as remembered landscapes of a past society by Hungarian women authors from Yugoslavia. Divided into two separate cycles, it explores how an inhabited geography transgressed from the present into a past, and how it evolved via belletristic practices from the 1990s onward. The archive is therefore assessed as a cumulative development of text-worlds in prose, poetry, and drama by Hungarian women, who either remained in disintegrating Yugoslavia or emigrated to Hungary, both of which led mostly to uprootedness and a misinterpretation of their work. Accordingly, displaced as authors, who remember landscapes that are beyond official memory politics, their archive remained largely unnoticed and marginalised throughout the decades. Emerging in autobiographic writing and literary fiction equally, these memoryscapes are not idiosyncratic but are regulated and systemic representations of a time, a space, and a society. To display such a mnemonic agency, the article integrates the foucauldian notions of the archive with the thirdspace perspective of geocriticism within literary representation, as used in post-colonial thought. Eventually, this enables the exposition of the archive of these female memoryscapes of an ethnic minority not in relation to other "national" archives, or as auxiliary archives of a male perspective, but as a system of thirdspaces and representation in itself. [ABSTRACT FROM AUTHOR]

This article calls into question a story that has become part of the folklore and indeed the official history of Cambridge University. Supposedly, the passage of the Chantries Act posed a threat to university colleges which was averted by the lobbying of Cambridge academics early in 1546, and this adroit intervention inspired Henry VIII to found new colleges at Oxford and Cambridge. Close reading of the sources, however, indicates that the universities were singled out for special treatment from the start and that Henry's new foundations were in his mind before the Chantries Act was passed. [ABSTRACT FROM AUTHOR]