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This paper presents the first insight into the interpretation of the wood charcoal from the Holocene layers of Wonderwerk Cave. Situated in the Northern Cape Province in the arid interior of South Africa, the site provides a unique and valuable chronological record of past environmental fluctuations and responding human behavioural adaptations spanning the last two million years. The Holocene strata have been dated to cover the last 12.5 ka cal BP years, but exclude the last 100 years because of contamination. A sizeable amount of charcoal was recovered from these strata and remnants have been identified, described and the species composition amongst the strata compared. Most identified species are those that tolerate hot, dry conditions, signalling an arid trend during the Holocene. Comparison with present day species distributions suggests an eastwards shift in modern vegetation. The charcoal data also indicate that during the mid Holocene there was a wetter period from 6.2 to 4.5 ka cal BP, coinciding with stratum 4a. [ABSTRACT FROM AUTHOR]

Recent research on Later Stone Age (LSA) San rock art in southern Africa has unveiled some of the paint recipes the artists employed. However, these discoveries still need to be linked to human activities in or near the rock shelters where the paintings were made. In this paper, we report characterization and dating results from the catchment of the Metolong Dam, Phuthiatsana Valley, Lesotho. A total of 92 rock painting samples, six grindstones with traces of colouring materials from an excavated context, and 17 potential raw colouring materials were studied. We identified three previously unreported ingredients used by the artists: manganese oxides, calcined bones, and soot. Grindstones are stained with the same raw materials that the painters used. We propose that one of them may have served to prepare the red pigment used to make a human figure and a bichrome eland at Ha Makotoko, but direct links remain difficult to establish with certainty. The potential colouring materials in the valley are red clays, white clays (kaolinite and illite-or-montmorillonite), and gypsum, three compounds used as paints by the artists. Tests conducted to verify their suitability for paintings show these materials may have been ground, but settling (after pre-grinding) offers a quicker and easier way to obtain a fine powder as observed in the paints. Finally, 12 AMS dates provide an initial framework for studying the changing use of paint recipes in the Phuthiatsana Valley over time. Charcoal appears to have been employed over a period of at least 3000 years and carbon black for at least 2000 years, with soot seemingly used only before 2000 cal. BP. This study is currently the largest characterization and dating study of LSA rock art in southern Africa and shows the potential that such combined investigations offer for linking excavated and parietal components of the region's hunter-gatherer archaeological record. [ABSTRACT FROM AUTHOR]

The aim of this paper is to investigate the Sibudu Cave habitat that is dated to the late Pleistocene using archaeological wood charcoal, in order to reconstruct the environment and the activity of the people who interacted with the landscape. Standard anthracology procedures were applied in this qualitative study to analyse charcoal remains from the cave. A representative subset of charcoal remains was subsampled from a larger assemblage and environmental data, as well as evidence of wood use, are interpreted from 72 charcoal types that include 42 types that we identified taxonomically. We highlight that the environment at Sibudu supported a multi-layered Forest with Savanna vegetation based on the presence of many important taxa of these vegetation communities. The wood of the identified taxa has much rot fungi and was also burrowed by pests; however, it is not possible to infer at this stage if the fungi seen here were pathogenic. The presence of fungi is indicative of an environmental setting with high humidity and warm temperatures, such as is optimal for these types of fungi to flourish. Climatic conditions interpreted here agree with previous interpretations that were made from other environmental proxies. These conditions were only intense enough to disturb the microhabitat at Sibudu and did not change the vegetation near the cave. Also noted during the analysis, is that burning wood logs that were infected with brown rot consistently from c.73 to 72 ka probably produced very warm fires. [ABSTRACT FROM AUTHOR]

Archaeological evidence of Middle Palaeolithic sites in Europe dating to MIS 4 remains very scarce compared to those belonging to previous (MIS 5) and later (MIS 3) periods. Of the few documented, a very low number have provided anthracological data reflecting the local landscape and fuel gathering strategies during MIS 4 Neanderthal occupations. This factor especially limits our knowledge of local landscape dynamics and the climatic conditions where these human occupations occurred. In this paper we contribute to this context through charcoal data from De Nadale cave, a single-layered Mousterian site located in northeastern Italy (Berici Hills area) and dated to 70.2 + 1/− 0.9 ka BP. Anthracological data suggests the preferential use of spruce / larch (Picea - Larix) as firewood together with cryophilous pines (Pinus tp. sylvestris) and birch (Betula sp.) indicating prevailing harsh climatic conditions. Additional analysis focused on taphonomic features affecting charcoal point out to advance decay evidence prior to charring caused by fungi and insects. Although further data is needed, our results provide complementary information agreeing with the faunal spectrum, the small mammals assemblage and the nearby terrestrial pollen sequences • We analysed wood charcoal remains from a MIS 4 site in northeastern Italy. • The climatic conditions were cooler and more humid than currently. • Decay features recorded could indicate the presence of dead wood in the local area. • Post-depositional processes affecting the higher degraded charcoals are considered. [ABSTRACT FROM AUTHOR]