Search

This paper explores the configuration of families between humans and companion animals, focusing on the shifting domestic dynamics and the rise of pet families in urban milieus. These configurations represent characteristic ways of living in the context of youth middleclass sectors in the 21st century. At a methodology level, we conducted a survey, 27 in-depth interviews, and a review of 3,000 profiles on social networks and dating apps of youth users from Buenos Aires and Mexico City. Over the past decades, family subjectivation devices have undergone a global transformation. While these changes coexist with classical arrangements, especially in large cities, there is an increasing prevalence of affective bonds, forms of cohabitation, economic agreements, vital commitments, and even decisions regarding having or not having children that overflow the historical meanings of the family. Therefore, the construction of analyses such as "ways of living together" seeks to decenter the family configuration as the sole matrix of analysis by linking these practices with broader transformations that can be contemplated within the realm of "the common." [ABSTRACT FROM AUTHOR]

The performance Un violador en tu camino [A rapist in your way] created by the Chilean feminist collective Las Tesis received global media attention during the 2019/2020 Chilean protests against inequality and human rights violations. Drawing on insights from Feminist Critical Discourse Studies, Corporeal Sociolinguistics and Multimodal Critical Discourse Studies, we analyse three video recordings of Las Tesis' performances in three capital cities in Latin America: Santiago, Buenos Aires, and Mexico City. We study how sounds, lyrics, body movements, and accessories work together to defy institutional, material, and symbolic violence against women. We also analyse how intertextual strategies in the Santiago/Chilean performance and their recontextualization in Buenos Aires and Mexico City were employed to resist structural patriarchal norms. The analysis reveals that through an adaptation of the song lyrics and the performances, the following social actors are explicitly identified as the instigators of violence against women: the police and the President (Chile), judges opposed to the legalization of abortion (Argentina) and the Catholic Church (Mexico). This study advances understanding of feminist emancipatory and resistance discourses in Latin America. [ABSTRACT FROM AUTHOR]