Search

This paper employs digital ethnographic methods to explore the Facebook fan group for the popular podcast My Favorite Murder. We argue that the My Favorite Murder podcast and Facebook group, while providing a potentially unique feminist online space for its members in its early days, quickly devolved into a toxic space rife with conflict and ultimately destroyed by white-centred feminism and white supremacy. We explore failed gatekeeping practices in relation to other Facebook podcast fan groups that have met a similar demise. Finally, we question whether truly inclusive anti-racist feminist spaces can exist in capitalistic models of media production and consumption. [ABSTRACT FROM AUTHOR]

Doreen Massey's academic repertoire, as a human geographer and political thinker, is almost unmatched. This review essay catalogues my experience of 'meeting' Massey through the eyes of David Featherstone and Diarmaid Kelliher, the editors of this collection of selected political writings. Highlighting Massey's contributions to theories of relationality, space, place, politics and praxis, I show how the collection captures her ability to synthesise everyday struggles and global political-economic processes. We also meet Massey in her various, intersecting guises: academic, political organiser, person. Where the book brings forth a vision of Massey as scholar and as public intellectual, I further comment on how her contributions are framed within geography and particularly her influence on feminist geographies. [ABSTRACT FROM AUTHOR]

Moreover, Tripp thoroughly examines the three cases of Algeria, Morocco, and Tunisia to explain why they have diverged from the rest of the MENA yet converged with each other in adopting women's rights policies. To answer the question, Tripp argues that the authorities in the Maghreb have adopted women's rights policies to strengthen their domestic and international legitimacy. [Extracted from the article]

Isobelle Barrett Meyering's I Feminism and the Making of a Child Rights Revolution 1969-1979 i makes plain that feminism takes seriously the rights of children and especially girls, and also that feminism has never been a project led exclusively by white women. I Feminism and the Making of a Child Rights Revolution 1969-1979 i presents a rich and expansive account of the entwined movements of feminism and child rights on this continent we now call Australia. An account of a ten-year-old schoolgirl's participation in a conference captures how feminist concern with girls is expressed as concern for the I women they are expected to become. i It is significant that the "child" of central interest to the feminist movement appears as a girl not a boy, let alone a trans or non-binary child. [Extracted from the article]

In this paper, we expand the Foucauldian question of what is thinking doing? We approach the question in the context of reading as an entirely ontological enterprise. Aligned with the special issue theme of reading as a "long preparation," and prompted by Deleuze's discussion of "reading with love," we link the two to present how reading with love has been enacted in our work, both collective and individual, as transformative and intensive. The feminist philosopher Elizabeth Grosz, and her own readings of Deleuze and Foucault, prompts us to envisage what it is to think like a feminist and read with love after the ontological turn. As ontological, reading is neither consumption nor the acquisition of knowledge but an act of creation, an act of freedom, an act of love. [ABSTRACT FROM AUTHOR]

Despite the claim in Miroslav Imbrišević's paper about differences between the positions of Jon Pike and myself, there are also significant overlaps. I endorsed the WR consultative process that Jon was part of, agreed that Jon had produced a compelling argument, and agreed with the lexical framework of the argument. Miroslav's major contentions with my argument appears to be that it dresses up patriarchal outcomes in feminist clothes, and that it ignores the voices of women [athletes] in coming to its conclusions. In this paper, I address the charges by suggesting that both emanate from Miroslav's attempts to see gender critical feminism as the gauge against which all positions need to be judged. My position is that this school of feminism will lead to largely conservative outcomes in the discursive and organizational hierarchies in sport, so that any individual benefits that accrue to female athletes will be less substantial than the loss of transformational potential in women's sport. [ABSTRACT FROM AUTHOR]

Both fisheries and feminism have been the subject of much research spanning academic disciplines and topics for many years. The papers in this themed issue are considered 'fishy' in the sense that they are both about fisheries and fish in diverse places, but also because they use a feminist lens, and feminism is often taken as something suspicious that can be doubted by virtue of the social bias associated with the term. Feminism has long offered an understanding of how patriarchal frameworks are embedded within larger structures of societies that maintain social inequities. In their various papers, the authors bring critical insight to understanding the significance of feminist research and its potential for understanding the connections between place and the future of our relationship with oceans and marine ecosystems. This themed issue contributes to a hopefully growing interest in feminist insights to fisheries and ocean/maritime spaces, and addresses more broadly, the argument that (feminist) geography has remained 'land-locked'. [ABSTRACT FROM AUTHOR]

This paper examines discourses of bullying in international climate politics. Drawing on two cases, first the (social) media coverage which surrounded climate activist Greta Thunberg's visits to the UK in 2019, and second Thunberg's interactions with former US President Donald Trump, alongside a theoretical framework inspired by feminist geopolitics, the paper argues that discourses of bullying can be conceptualised as a series of figurations (the 'bully', the 'bullied', and the 'anti-bully') which reproduce individuated relations of power. Overall, the paper argues that individuating bullying discourses perpetuate a politics of white innocence which preserves petro-masculine power in international climate politics. To contest these unequal power dynamics, the paper argues for an anti-bullying politics grounded in collective, intersectional challenges to climate injustice. [ABSTRACT FROM AUTHOR]

Concurrent with increasing social and legal discussions of coercive control, literary scholars are turning their attention to analyses of an emergent genre labelled 'domestic noir'. Adding to earlier work, particularly that of Deborah Philips (2021), 'Gaslighting: Domestic Noir, the Narratives of Coercive Control', Women: A Cultural Review 32:2, pp. 140–160 and Meg Vann (2019), 'Genre and Gender: Reading Domestic Noir through the Lens of Feminist Criminology', TEXT Special Issue 57, pp. n.p., this paper contributes a therapeutic history of interventions for domestic violence, highlighting the history of the concept of control contextualized by its emergence from second wave feminism. Critical analysis of two novels, Ilsa Evans' Broken (2007) and Kathryn Heyman's Storm and Grace (2017), demonstrate writers centralizing feminist critiques of coercive control in domestic noir in the Australian context. This paper highlights the significance of women's fictional representations of coercive control as sites of discursive sociocultural resistance and temporal political contextualization within the genre. [ABSTRACT FROM AUTHOR]

This paper will discuss whether the sport of netball has the potential to interpellate a feminine style of body comportment through its rules. Feminine body comportment is a term popularised by Young's essay 'Throwing Like a Girl' (2005) to indicate how women typically present their bodies when participating in sports. Research into the sport of netball remains relatively low in output, and a philosophical examination is a potentially novel approach. Firstly, this paper will give a brief historical overview of netball. Secondly, it will present a critical application of Young's theory of feminine body comportment and its application to netball. Thirdly, it will critically discuss Chisholm's (2008) refutation of and amendments to Young's feminine modalities, as well as their wider implications. Finally, it will conclude that netball has the possibility to interpellate femininity through 'negative' modalities, but that it also has the potential to provide a pathway for female transcendence. [ABSTRACT FROM AUTHOR]

What do we do with emotion in biographical research: is it an end in itself, a symptom to be explained, a thread to be pulled? This paper presents an experiment in methodology within a field of biographical methods that involved revisiting a single qualitative interview after the elapse of thirty years. The interview with 22 year old Stacey was troubling at the time it was generated (as captured in fieldnotes and interview transcript) and was still troubling when these documents were reprised. Naming sadness as an emotion at play in the material took teamwork and emotionally engaged methods of analysis and interpretation. Working with psychoanalytically informed theories we show how a curiosity about emotion and a willingness to follow feelings can help connect individual stories to collective histories. The paper presents group based analyses and writing methods as a way of tracing the psychic logics of story through scenic material (what we call 'emotional bombshells'). We consider the difference that time might make to an analysis, considering the possibility that more time might produce more perspective through allowing the original context to be rendered (more) visible. We also suggest that clock time can be transcended when considering unconscious processes and experiences that resist narrative. Recontextualising research materials can enrich meaning and further realise the value of qualitative interviews that always contain more to be heard, resituated in new times and relationships. This is not simply an exercise in nostalgia but is offered as a method in its own right, reanimation as a route to the generation of new intergenerational knowledge of a thick present in which past, present and future co-exist. [ABSTRACT FROM AUTHOR]

This paper draws on a community-based participatory action research project located in Seattle - before and during the COVID-19 pandemic - to examine the unanticipated impact that the pandemic has had on reducing barriers for survivors of domestic violence seeking protection through the legal system. We draw on interviews with survivors and victim advocates, along with autoethnographic participant observation during Domestic Violence Protection Order (DVPO) hearings, to trace survivors' experiences navigating the DVPO process before and after its transition from an analogue to digital system. We situate this research at the intersection of legal and digital geographic scholarship to analyze how the law and digital technologies reinforce the spatial operation of power and exclusion, while they simultaneously provide emancipatory potential for women's experiences of security, legal subjectivity and emotional personhood. By focusing on how the courts' transition to a digital system affects the emotional personhood and legal subjectivity of domestic violence survivors, this paper advances feminist calls within legal and digital geographies scholarship that encourage more sustained engagement with feminist thought to understand the varied effects of the law and digital technologies – respectively – on gendered bodies. [ABSTRACT FROM AUTHOR]

Copyright of Gender & Development is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Presenting research findings outside of the form of a traditional research report requires different modes of making and communicating. This paper offers an account of how The #FEAS Report, a satirical news video, was made to communicate the findings from interviews and a survey as part of the mixed-methods study, Sexism, Higher Education, and COVID-19: The Australian Perspective to a wider public. Three creative tactics for research communication were used: DIY aesthetics, humour, and situated bodies. These communication tactics enabled the researchers to think differently about what research findings mean, and how to articulate them in ways that are intelligible. The paper shows how these tactics worked to bring findings to audiences beyond the academy and ask audiences within the academy to think differently about research reporting and knowledge communication. The paper considers how performing research in this way generates different conversations that compliment those started by more common ways of presenting research findings, and most importantly, how crucial it is for feminist researchers to make space for the creative within contemporary higher education. [ABSTRACT FROM AUTHOR]

This paper sheds light on the feelings of exclusion and insecurity among female members of Catholic groups in contemporary Poland. It is based on data gathered in the years 2019–2020 within the research project Resistance and Subordination. Religious Agency of Roman Catholic Women in Poland, which involved 48 in-depth interviews with university-educated Catholic women living in large Polish cities and engaged in various religious groups. The conducted analysis indicates that the interviewees resorted to defensive actions, representing a cultural backlash. Taking into consideration the numerical and institutional dominance of Roman Catholicism in Poland, the overarching question of the paper is: why do the interviewed women feel excluded and at what or at whom is their resentment directed? The analysis draws upon a wider discussion on the ongoing ideological polarisation of contemporary societies, showing the case of a country that is religiously homogenous. The interviewed women recognise some external threats, such as liberal culture and feminism, but also internal ones, namely ritualised, habitual, 'mainstream' Catholicism. [ABSTRACT FROM AUTHOR]

Research on women/gender in host communities has shifted towards a feminist perspective. In line with this trend, this paper further explores women's self-awakening and self-growth in a host community by considering feminine subjectivity based on Foucault's perspective, which is a critical feminism topic. This paper presents the case of the Cheongsam Sisters, a local women's group that participates in leisure activities in Yangshuo, China. Based on longitudinal and anthropological research, this work describes and interprets Cheongsam Sisters' feminine subjectivities at the individual level and the collective level. It is found that tourism development not only changes the gender structure in the host community but also provides conditions for the formation of feminine subjectivities. Furthermore, in the tourism context, the emergence of feminine subjectivities is a dynamic process, which means the feminine subjectivity iterate from the individual level to the collective level along with Cheongsam Sisters' practices. With these findings, this paper contributes to the literature on tourism impact by linking feminine subjectivity, women and tourism, which is critical to endogenous and sustainable development in underdeveloped destinations. [ABSTRACT FROM AUTHOR]

Human activities are being increasingly regulated by means of technologies. Smart borders regulating human movement are no exception. I argue that the process of digitization – including through AI, Big Data and algorithmic processing – falls short of respecting (fundamental) rights to the extent to which it ignores what I term to be the problem of indeterminacy. While adopting a data feminist approach in this paper, assuming that data is the 'new oil', that is power, I begin theorizing indeterminacy from the imminent risks of datafication as a new instrument of oppression perpetuating injustice and widening inequality gaps. I conclude that technologies regulating human activities must stand ethical scrutiny, especially if they can and do result in (human) rights violations. Unlike the oil being extracted from the ground, data is de facto extracted from people endowed with agency, autonomy, rights and contexts – all which ought to be respected and protected. [ABSTRACT FROM AUTHOR]

In this paper, we present an exploration of arts-based knowledge translation through photography highlighting the lived experience of Osteogenesis Imperfecta (OI), a genetic disorder. It forms part of our larger photovoice research project that involved six female photographers with physical impairment. This group of women shared their personal experiences through photographic stories to challenge pervasive, limiting negative attitudes and assumptions that surround disability. In this paper, we focus on the data, analysis and discussion to one type of impairment, OI, and two photographers' work to present their: embodied expertise and knowledge of living with OI; self-portraits as contemporary disability identity, contributing to intersectionality in feminist and disability arenas; authentic voice as co-authors of this paper using Drew and Guillemin's interpretive engagement framework; original arts-based research insights currently absent in the meagre qualitative research on OI. By presenting, analysing and interpreting self-portraits of OI as valuable arts-based knowledge, we hope to provide readers with a better understanding of disability and femininity as a pathway to greater inclusion. [ABSTRACT FROM AUTHOR]

Caste in the South Asian context is a deeply felt phenomenon, practised through bodily and sensory regimentation, and the prescriptive social organization of bodies in space. These relationships between caste and embodiment have historically been closely regulated in norms around the partaking, sharing and cooking of food, and meat in particular. This paper examines how these gastronomic prescriptions endure and take on new meanings in digital food media, which disrupts physical space and food's relationships to the body and sensory experience. Drawing on two years of ethnography with creators who produce home-cooking content in the emerging Indian "creator economy," this paper considers how caste is embodied, articulated and remediated online during a time of violent Hindu nationalist food politics in India. How is caste articulated even when it is not explicitly named by creators in their posts? How are caste-based disgust and humiliation, and conversely, caste intimacy elicited by creators as they labor for the creator economy? Bringing together feminist and anti-caste theories of experience, articulation and embodiment, the paper theorizes caste as affect, and in doing so, illuminates how it comes to have a digital life. [ABSTRACT FROM AUTHOR]

With its proclamation of universal suffrage in 1952, Bolivia fits into Samuel Huntington's "second short wave of democratization" (1943–1963). In 1952, all women and men gained the right to vote, marking a significant step towards democratization by including previously excluded groups. Literate women had already obtained municipal voting rights in 1945 under a populist government aiming for broader political participation. However, women first voted in 1947, after the oligarchy overthrew this government in 1946 and sought to regain power by repressing the opposition parties and previously marginalized sectors. Unexpectedly, it supported women's suffrage for national elections by the late 1940s. What prompted various political parties to support women's suffrage in the late 1940s? This paper explores how women in Bolivia gained the right to vote and what role the feminist movement and power struggles played in obtaining women's suffrage. Beginning in the 1920s with a study of the emergence of the feminist movement and its evolution during the decades of the 1930s (the Chaco War) and 1940s, the paper culminates with an assessment of feminism's impact on public opinion as well as the importance of the growing politicization of women in the 1940s. [ABSTRACT FROM AUTHOR]

This paper analyses the process of co-producing an animated film about the migration journeys of Colombian women resident in Antofagasta, Chile. It first establishes the relationship between feminist epistemologies and arts-based methodologies, which hinges on embodiment. It then turns to a detailed discussion of using film co-production as a research method for accessing and expressing embodied experiences of migration. This discussion highlights how moments of discomfort (Gokariksel, Hawkins, Neubert, and Smith, 2021) experienced by the researcher motivated the search for a more collaborative methodological approach that was better attuned to lived experience. This included striving towards more inclusive practices with respect to recruitment, anonymity, and confidentiality. Moments of discomfort also revealed how care and caring responsibilities are entangled with research, and how they gender possibilities of participation and production for community co-producers and artists, as well as for researchers. Finally, through discomfort, lessons were learned about the politics of representing experiences of migration, violence, and endurance, as well as joy. The paper concludes that, whilst by no means a panacea, collaborative arts-based research methods can offer an innovative toolset for exploring embodied experience and for navigating the relational and representational complexities attendant to research. [ABSTRACT FROM AUTHOR]

This paper explores how research on gendered violence among Brazilian migrant women in London has been translated through a range of creative engagements. It argues that these can challenge traditional forms of knowledge production, and advance intersectional feminist struggles through a logic of translocation. Yet it also challenges homogenous artistic encounters through developing 'creative translation pathways' which delineate different configurations of how researchers, artists, and participants using varied art forms. The paper focuses on two 'creative translation pathways' that capture different interpretative framings around the same research project. The first reflects a curatorial perspective through Gaël Le Cornec's verbatim theatre play, Efêmera, which foregrounds her interpretation of Brazilian women's stories adding a metatheatrical dimension to strengthen the narrative and connection with the audience. The second is a co-produced collaborative engagement, We Still Fight in the Dark, with community drama group, Migrants in Action, based around experimental workshops to produce an audio-visual film and installation where survivors' perspectives and well-being are paramount. While both creative translation pathways reflected translocational feminist goals in raising awareness around gendered violence with a view to transform them, each had tensions around the individual, collective, artistic and therapeutic logics in the process of knowledge production. [ABSTRACT FROM AUTHOR]

French law 2004-228 and Quebec's Bill 21 has prohibited wearing conspicuous religious symbols while discharging public duty, especially as teachers in public school. This has aroused robust public debate because it disproportionately affects Muslim women wearing hijabs. This paper investigates the philosophical/ethical argument on both sides of the debate. The key research question is whether liberal feminists have the justification to support the hijab ban. The paper outlines different types of liberal feminism and their views on just social arrangements. The paper uses Gheaus's concept of gender justice and Kabeer's definition of gender empowerment to structure the debate, stating that feminists will support the ban if it enhances empowerment and makes society more gender-just or internal working of social arrangements, at least procedurally just. The paper draws on the utilitarian argument, Nussbaum's and Sen's articulation of the Capability Approach and the importance of identity, and Bourdieu's concept of Habitus, Doxa, and Symbolic Violence. The paper argues that there are strong arguments on both sides. Still, liberal feminists concerned about structural inequalities, economic empowerment, and individual freedom may not be convinced that the Hijab ban makes society more gender-just or improves individual empowerment. [ABSTRACT FROM AUTHOR]

Drawing on findings from 15 focus group interviews held with 65 young (aged 18–25) women university students in Turkey who describe themselves as feminists, this paper attempts to reconcile gender and youth studies and introduces social generation as a theoretical tool. The paper demonstrates how these feminist university students, as the members of a generation who had lived all their lives under the Justice and Development (Adalet ve Kalkınma Partisi- AKP) governments, articulated the difficulties of being young and a woman at a specific conjuncture in Turkey during which the gender regime has been going through a period of deterioration. They discussed their process of transition from childhood to youth, and expressed how in this process they became aware of a social gaze that repositioned them as 'young women' and thus forced them to face the social and political challenges of being a young woman at this specific conjuncture. Feminism did not only empower them to confront these challenges but also turned them into subjects of opposition in a political regime which had adopted an anti-gender agenda and which at the time of the research decided to withdraw from the Council of Europe Convention on preventing and combatting violence against women, also known as the Istanbul Convention. [ABSTRACT FROM AUTHOR]

This paper explores the changes to art on artefacts attributed to females in the Late Nordic Bronze Age (ca. 1100–500 BC) from a gender critical, feminist perspective. Traditionally, Scandinavian research has focussed on the art of male artefacts, which is believed to represent a cosmological narrative, whilst female art has been considered devoid of cosmological motifs – concomitantly, it is often assumed that prominent social standing was reserved males. Through analytical discussion, the paper shows how the same motifs as are considered cosmological in male objects can be found on female objects, too, in compositions diverging from the male use, suggesting a gender differentiated use of art and association to cosmology. Through a gender theoretical lens, the paper explores what the social use of the art on these objects may suggest regarding identity and power relations in society, linking up with a reconfiguration of female identity at this time. [ABSTRACT FROM AUTHOR]

This paper investigates how gendered spaces are configured within local socio-cultural systems of beliefs and in what way energy interacts with cultural constructions in an Indigenous village of the Brazilian Amazon. Particularly, this paper explores the perceived changes brought by fuel availability and affordability on gendered division of space and local cosmologies. Ethnographic techniques were adopted in the collection of primary data, particularly participant observation and in-depth interviews were best suited to understand the lived experiences of these changes. This paper found that access to cooking gas and fuel for transportation can partially shift pre-existing gendered spaces and, in turn, gendered practices. However, this shift does not challenge pre-existing hierarchies of power which still limit women's freedom of movement. [ABSTRACT FROM AUTHOR]

Alcohol and Other Drug Facilitated Sexual Violence (AODFSV), known as "drink-spiking," is the administration of alcohol or other drugs to someone without their consent, with the intent to harm them. Investigation into portrayals of AODFSV in the Australian news media is needed. Using feminist critical discourse analysis, this paper investigated the portrayal of AODFSV in the Australian news media in the past ten years. 226 articles were included for analysis and three themes were identified. Firstly, "how the media constructs the drink spiking narrative," uses the "cautionary tale" that warns women about the dangers of the night-time economy and reinforces and perpetuates victim-blaming and rape myths. Secondly, "how the media normalises the drink spiking discourse" focuses on the substances used in drink spiking, the settings, the construction of the perpetrator and the victim as well as the depictions of sexual violence. Thirdly, "how the media shapes responses from emergency services" including police and hospital staff. This paper highlights the way the media creates and reinforces drink-spiking discourse, which constructs drink-spiking as individual behaviour rather than a culturally embedded issue. Such ideology perpetuates victim blaming and rape myths. We argue for critical and thoughtful reporting on AODFSV. [ABSTRACT FROM AUTHOR]

This paper focuses on Nwapa and Emecheta's transformative representation of their heroines in Efuru and The Joys of Motherhood, respectively. In these two works, the authors seek to reposition 'woman' and inaugurate her as a formidable force of change. They carve female protagonists whose mission is to transform a culture that downplays the role of women by overlooking their value in society. Nwapa parades Efuru as a 'femme fatale' empowered by the lake goddess Uhamiri and endorsed by female revolutionaries such as Ajanupu. Emecheta, on the other hand, represents her revolutionary female characters in the form of Ona, long-suffering Nnu Ego alongside Adaku and Kehinde who measure up to women free from male subjugation. These heroines defy various forms of sexism often veiled in patriarchy. There is a deliberate attempt to prolong the lives of these characters in the novels to champion their transformative influence in their villages of origin. Moreover, Emecheta advances the need for the emancipation of African women who still depend on men. By posturing 'barren' women in their works, the two authors appear to reject conformity to patriarchal tenets whose view of women is centred on childbearing. [ABSTRACT FROM AUTHOR]

Recent writing by Latin American feminists offers a unique political philosophy based on a novel and transformative analysis of the relationship between capitalism, coloniality, patriarchy, and terracide. Focusing on the work of Rita Segato, Julieta Paredes, Lélia Gonzalez, Raquel Gutiérrez-Aguilar, and Moira Millán, this paper introduces the term "Rooted-South feminism" and outlines its epistemic-rationality. I first show how these thinkers root their epistemological frame in the collective struggle of racialized women. Through this account I then make explicit the relational political ontology that grounds their thinking, paradigmatically expressed in the notions of "territory-body-land" and "terracide." In describing how patriarchy functions as a system of domination that desensitises subjects to the suffering of the Other, I argue that Rooted-South feminists expose the structural relationship between capitalism, coloniality, violence against women, and the destruction of the Earth. Here, the feminine is conceived as a social function produced throughout the long histories of women. This "politics in a feminine key" uniquely understands the sphere of reproduction not simply as a vector of domination, but as the foundation for the liberation and regeneration of life in its totality. Rooted-South feminists propose an authentic historical pluralism engaged in the co-construction of an inhabited earth. [ABSTRACT FROM AUTHOR]

This paper explores the relationship between the articulation of the 15-M movement in Spain and the expansion of Feminist Economics (FE) at the feminist base of this movement, in particular, in Feminism Committees (FC-15 M). We assert that this expansion was due to FE's capacity to explain the 2008 crisis beyond its economic-financial dimensions and to analyse the effects of the political-economic austerity measures on the sustainability of life. We claim that a differentiating feature of FE in Spain is its permeability to dialogue with social movements. Therefore, it has become more politicized and critical than other academic fields. This influence has also been reflected in the structure and contents of the most recent FE national conferences, which from 2013 on included not only the classic academic strand but also training and political action strands. In order to explore this development, our methodology includes interviews with key informants; document analysis of material generated in the conferences and the Feminism Committees of 15-M; questionnaires to activists, academics, and practitioners of FE; and informal observation as direct participants of the described processes and events. The paper begins with an introduction to FE thought and its connections with so-called 'Feminism for the 99%' and continues with a methodological section. The twofold results section analyzes the dialogues between FE and FC-15 M. It concludes with a summary of the key ideas presented and some final remarks. [ABSTRACT FROM AUTHOR]

This paper focuses on the working relationship between the director of an HE institute in the UK, and an artist-researcher navigating the higher education dance working environment and motherhood. The paper draws on personal experiences, sections labelled vignettes that highlight a tension faced by the individual and reflects on how the director of a HE institution in the UK facilitated egalitarian work environments through her charismatic leadership style. Such leadership from a senior female colleague allowed me to live out my Romani feminism and encouraged an inclusive work culture within higher education and the dance sector. [ABSTRACT FROM AUTHOR]

This paper explores some of the institutional and theoretical silences within debates on infrastructural violence with reference to migrant women survivors of gendered violence. Drawing from feminist thinking around structural and symbolic oppression, it develops the notion of gendered infrastructural violence to help understand how migrant women survivors navigate statutory and non-statutory institutions when seeking support. Empirically, the paper elucidates how diverse Brazilian migrant women in London negotiate multiple forms of passive and active infrastructural violence played out in terms of xenophobia, discrimination and a hostile immigration environment. Such experiences can dissuade them from reporting due to actual and perceived fear of further violence being perpetrated against them. While infrastructural violence perpetrated by an oppressive racial state can exacerbate Brazilian migrant women's suffering of direct gendered abuse, migrant and/or feminist organisations provide invaluable support and an essential protective bulwark. Yet these experiences are mediated differently depending on women's social locations in terms of intersecting race, class, occupational and immigration status and language competencies. [ABSTRACT FROM AUTHOR]

Women in the criminal justice system are a diverse yet marginalised group, living with the most dangerous of intersectional oppressions. Women from the Global Majority face a "double disadvantage" (Agenda, 2017). Prison is evidenced as the least effective place for women, yet prison places have increased and gender-informed services are inadequate. These obstructions to healing from trauma have created a spiralling crisis, leading to preventable deaths and the destruction of families. As a white, female art therapist, I argue that an intersectional framework is critical to understanding and supporting this service-user group. I maintain the established perspective generated by Black feminists and marginalised groups, that focusing on the most ostracised and working from the 'ground up', is an effective way of tackling social injustice. A gap in research for art therapy with this service-user group and evidence of epistemological racism within the existing literature presents an opportunity for development and growth within the profession. I discuss the possibilities of using an intersectional framework as intertwined with this service-user group, and with re-establishing ways of knowing within art therapy to ensure anti-oppressive practices. Through a summary of the existing literature developed through research in my final year of training, I will demonstrate how resistance to art therapy occurs at systemic and individual levels and that this cannot be disentangled from the neoliberal status quo. A call to action is proposed for white art therapists to increase their curiosity about their complicity in white supremacy and find ways to develop alternative epistemologies. The criminal justice system (CJS) provides care for people who are confined in institutions, such as prison or secure hospital, because they pose a significant risk to themselves or others. It also includes people who now live in the community but still need continued support when they leave hospital or prison. Most people in the CJS are men, and facilities have therefore been designed around male needs. The needs of women within the CJS have been persistently ignored by UK government, and women from the Global Majority – Black, Asian, Dual-Heritage, Indigenous and 'Ethnic Minority' communities (Campbell-Stephens MBE, 2020) – face particular disadvantages. Race, class and gender oppressions overlap and cause significant harm to the women and their families. Art therapy has been offered within these services for many years; however, there is not much research to support therapy with women in these settings. As an art psychotherapy trainee on placement at a hostel in the community for women leaving secure hospital, I wanted to find out what literature was available to support this work. I searched online databases and found only 24 published articles and book chapters. It was difficult to relate the findings to my community work as the literature was based mostly in high security settings. Most of the authors were white women in professional roles so other people's perspectives were not represented. This meant that what I found was not a fair description and therefore, not very reliable. However, art psychotherapy was shown to offer positive benefits and respond to existing recommendations for this client group. This paper presents an argument for the need for art therapy services for women in forensic services and proposes a call to action for white art therapists to increase their curiosity about their complicity in white supremacy and find ways to develop alternative intersectional, anti-oppressive practices. The paper also highlights the need for more research from art psychotherapists from different backgrounds that is developed in collaboration with service-users. [ABSTRACT FROM AUTHOR]

Using Jackson and Mazzei's thinking with theory, this paper centers the stories of three researchers who practiced critical self-reflection while engaging in secondary analysis of data from The Pedagogy of Student Success Project, a study intended to learn about graduate students' evolving conceptualizations of student success. In particular, the researchers were interested in how their individual theoretical leanings influenced how they interacted with the data and how their collaborations in turn shaped their thinking. To explore this phenomena, the authors analyzed qualitative data from two participants, wrote reflective memorandums, and held conversations about their theoretical leanings. The three researchers addressed how the Anti-Deficit Achievement Framework, Black Feminisms, and Intersectionality shaped their analysis of qualitative data. Findings reveal how scholars' theoretical leanings inform how they analyze and interpret student success research, in addition to showing how research collaborations play a role in thinking with theory. [ABSTRACT FROM AUTHOR]

Copyright of Critical African Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Religious feminists of many faiths are politically and socially active. While religious feminism has begun to attract scholarly attention, the political interaction of religious feminism with the state has largely gone unnoticed. Consequently, there is a lack of scholarly tools with which to understand this relationship. In this context, the paper asks: What do religious feminists expect from the state? Do they expect it to interevene on their behalf or rather prefer it remove itself from the equation? Are there strategies they are more likely to employ? While current scholarship does not supply concepts and terms, it is possible to borrow terms from other disciplines in order to classify strategies used by religious feminists in their interactions with the state. Using the Israeli case, this paper proposes a typology of stratgies used by religious feminists vis-à-vis the religious establishment and where expectations from the state fit into this dynamic. [ABSTRACT FROM AUTHOR]

This paper examines how emotion rules are socially constructed and how and why they are enacted and challenged through specific modes of embodiment in face-to-face interactions. The paper broadens the understanding of emotion rules by connecting them to aesthetics to explore face-to-face interactions. This paper is based on ethnographic data gathered from a two-year study of a micro-sized service company. It explores the structure, function, and meaning of three emotion rules: (1) the emotionality rule, (2) the enthusiasm rule, and (3) the nice way rule as enacted by the company's chief executive officer (CEO) and employees. This paper enhances the understanding of the role of emotion rules in establishing an innovative and democratic organisation. It offers insight into how emotion rules were enacted, challenged, and broken in an unexpected situation when the CEO announces her non-consultative decision that affected the company's employees. [ABSTRACT FROM AUTHOR]

Public spaces are central to social interactions and cohesion, overall urban life, and therewith sustainable urban development. They can play key roles in increasing social interactions and women's empowerment. The literature lacks empirical research on the state of women's use of public spaces and these spaces' effects on women's social interactions and empowerment in Middle Eastern cities in the Kurdistan Region, where women historically enjoyed greater freedom. This paper addresses this gap by presenting insights from a comparative cross-border study with women in two Kurdish cities, Sanandaj and Sulaimani. In doing so, the paper contributes an empirically based theorization of urban public place-making, and debates its effects on the empowerment of women in the context of Kurdish urbanisms. The study developed a survey instrument to measure women's interactions with and in public spaces and their related empowerment in these two cities across five main factors. Despite the local women's limited interaction with and in the public spaces of these two Kurdish cities, the findings show a strong positive relationship between women's interactions in public spaces and their empowerment. The results also suggest that socio-political and related socio-spatial changes have contributed to a decreased relevance of traditional meeting and leisure spaces but have increased the use of malls as commodified spaces, particularly in Sulaimani. The study debates the specificities of urban public spaces in Kurdish cities, and commonalities as well as differences compared with developments elsewhere. [ABSTRACT FROM AUTHOR]

Kara Walker is best known for her depictions of sexualized violence and gendered racism during slavery in the form of black paper silhouettes. Scholars such as Salamishah Tillet argue that Walker's art, along with art by some of her post-civil rights contemporaries, offers 'aesthetic interventions' to problematic racial histories as part of a larger project of memory reclamation and justice. Walker's A Subtlety, Or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant is another such interventionist project. Debuting in the Williamsburg neighbourhood of Brooklyn, New York in May of 2014, A Subtlety explores how a figure like mammy 'survives as a cultural force that influences and reflects a national conscience' (Wallace Sanders [2008]. Mammy: a century of race, gender, and southern memory. Ann Arbor, MI: University of Michigan Press, 12). And yet, to say that the historical rootedness of the title, sugar sphinx sculpture, and molasses-covered walls and cherub-faced small figures throughout the installation were ambiguous to some spectators, is an understatement. Hundreds of photographs and videos were uploaded to social media sites with people making gestures towards the figure that some critics deemed highly inappropriate. This paper explores how A Subtlety both understands and undermines representations of Black women's bodies and how Black artists in the African diaspora contend with complex cultural signs of the past in the present. Utilizing studies of Black feminist theory and visual culture, I argue that Walker's A Subtlety – and her art more broadly – offers theoretical and geographic space to ponder where Black pleasure and collective memory can exist in systems of misogynoir, as well as in the Black nostalgic imagination. [ABSTRACT FROM AUTHOR]

For 49 years, the right to abortion was taken for granted—inhaled by every girl, every woman—by all people assigned female at birth in the United States. This right no longer exists. In 2022, with the Dobbs v. Jackson decision, the Supreme Court removed federal protection for the legal right to abortion and therefore women's agency over their bodies. This paper will contextualize abortion as part of a continuum that encompasses gender, motherhood and the meaning of reproduction and reproductive rights as sociocultural and intrapsychic phenomena. The expectation that mature female-bodied people are child-desiring women persists and is not conceptualized as optional. It is the original choice women do not have. The next choice women no longer have, if they become pregnant, is whether or not to continue a pregnancy. The Dobbs decision means the cultural reinstatement of female de-sexualization, along with the suffocating and silencing of agency—a negation of women's voices, desire, power and subjectivity—a recipe for psychological destabilization. Personal and clinical material will illustrate these points. [ABSTRACT FROM AUTHOR]

In 2019 Ofsted introduced cultural capital (CC) into the Early Years Inspection Handbook and defined it as 'essential knowledge' related to 'educated citizenship'. This paper investigates Ofsted's use of CC to critically examine the potential implications for early years work. Due to the feminised nature of early years work, a critical feminist approach is engaged to explore the potential impact of introducing CC into the regulation of the sector. This paper examines the differences between Ofsted's use of CC, CC's theoretical origins, and analyses sector responses. Our contention is that how Ofsted have employed CC may represent 'symbolic violence' against the working-class women working in the early years, by further devaluing their habitus and sustaining the stratification of society through forms of capital. This paper is the first to interrogate CC in Ofsted's early years documentation, and will have an international impact for any countries following UK education practices. [ABSTRACT FROM AUTHOR]

This paper provides a cultural analysis of the popular Kuwaiti TV series Men Sharea El Haram (translated as From Haram Street). Combining religion, class, race, nationality, and patriarchy, Haram Street showcases pertinent issues that today's Kuwaiti society has to face. Attending to the scarcity of previous research on vernacular communities and their salient concerns, this paper explores the following research questions: How does Men Sharea El Haram capture the intersecting nature of women's resistance? What does a feminist Kuwaiti vernacular look like, and how does it intersect with privilege? The analysis outlines how Men Sharea El Haram touches upon several silenced themes in the conservative Kuwaiti society of Kuwait, showing the many and varied ways in which Kuwaiti women are oppressed and showcasing the ways in which women can—and do—resist. Together, the findings provide a deeper understanding of several central issues in Kuwaiti society, especially around masculinity. [ABSTRACT FROM AUTHOR]

This paper explores the use of testimonio methodology, born from Chicana/Latina feminist thought and epistemologies as a way of exploring the languaging and knowledge production practices of minoritized communities as a platform to share their/our wisdom/voices in applied linguistics. As such, testimonio is a methodology that allows racialized scholars and accomplices to foreground their/our languaging and knowledges and thus disrupt deficit framings. This paper explores the benefits of using testimonios in applied linguistics as one way of disrupting epistemological racism. Drawing on examples from three different youth who took part in a multiyear culturally sustaining systemic functional linguistics oriented program we show the power of using various types of testimonios to examine/understand the languaging and literacies practices of racialized youth. Implications indicate that the co-creation of knowledge/understanding is what makes testimonios a powerful and insightful methodology. [ABSTRACT FROM AUTHOR]

In this paper, I offer a descriptive and normative analysis of the requirements for effective transnational solidarity between southern NGOs and their northern partners. Drawing on interviews conducted with staff members of Senegalese women's rights NGOs and a private international development foundation, I contend that existing theories of feminist transnational solidarity cannot allow us to properly acknowledge the power asymmetries and obstacles to solidarity that these NGOs are facing. After assessing the divisions related to gender interests and limited resources that characterize this NGO-ized development landscape, I develop a partial theory of transnational solidarity that would center power asymmetries in order to address practical and political obstacles to solidarity. I argue that an effective account of transnational solidarity must include a commitment to disrupting global hierarchies of power as well as to building practices of accountability and attentiveness to power structures. [ABSTRACT FROM AUTHOR]

Marxism-feminism is a vital field with diverse voices and different political agendas for social justice, from the defense of land and water to the reorganization of production. The anthology Marxist-Feminist Theories and Struggles Today aims to grasp the originality and relevance of that tradition. The book represents a variety of contributions, defined as Marxist feminist by their authors, who presented papers at the Marxist Feminist Congress in Vienna in 2016. This was the second International Marxist Feminist Conference, the first having been initiated by the feminist section of the Berlin Institute of Critical Theory. Drawing on different theoretical frameworks and practices of Marxist feminism, the edited anthology provides an invitation to converse about our understanding and practice of engaging gendered, racialized heterocapitalism for a better global future. This book symposium and its reviewers demonstrate the richness of the resulting conversation. [ABSTRACT FROM AUTHOR]

This paper seeks to reflect on the ways in which a non-metropolitan academic feminist community engages with digital media to reimagine the discipline of Women’s Studies, and consequently feminist politics. Based on ethnographic fieldwork conducted in a Women’s Studies Centre at a university in Tamil Nadu, India, this paper moves away from the framework of the digital as simply enabling or empowering, and instead seeks to examine these digital cultures as shaped by the particularities of their geographic coordinates, and as part of a larger media environment which is characterised as much by continuities as it is by innovations. In doing so, it attempts to understand feminisms as media phenomena that are actively shaped by and shaping media technologies and discourses. It argues that Women’s Studies scholars in these locations, operating from hybrid geographical and digital places, enable the possibility of decentring feminist scholarship and thus allow for a reframing of the digital. To do this, it focuses on three distinct areas of engagement—the co-creation of knowledge in Tamil language Wikipedia, interactions on social media platforms, and their engagements with little magazines in their online avatars. [ABSTRACT FROM AUTHOR]

This performative paper interweaves contextual and theoretical discourse alongside the poetic, reflective text, to capture what Gherardi et al describe as the 'sociomaterial traces' of a practice of self-choreography in and through time. Emerging from/through my experience of the choreographic methodologies of solo female dance makers (Rosalind Crisp, Amy Voris, and Deborah Black/Mary Overlie), self-choreography is conceived as neither singular nor isolated, but as a deeply embedded and relational practice. Referencing the writing of feminist artist and psychoanalytical theorist Bracha Ettinger, this article re-frames the performance encounter as one of bi-directional 'wit(h)nessing' across a shared 'Borderspace', foregrounding solidarity between/with performer and audience. The resulting wit(h)ness scores invite both performer and audience-as-witness to remain open to each other's affective resonances in what Ettinger describes as a 'co-poietic' encounter-event, bringing about 'differentiation in co-emergence', solidarity and wonder. As Ettinger states, 'It's not about perception. It's about connecting'. In this shared borderspace, am I really the only one dancing? [ABSTRACT FROM AUTHOR]

Diffracting a research project in a UK primary school, this paper concerns feminist materialist orientations to odd-ness as a relational, distributed, and affective form of "thinking-feeling". It suggests that attuning to affect as it moves through a context resistant to disruption, involves becoming "bad researchers"; bad for composing an unruly research problem, for embracing a transgressive methodology, and for writing in willfully inconclusive ways. It comments too on the dangers of embracing badness as an identity if used to conceal rather than acknowledge ongoing inequalities between researchers and children and between privileged researchers and others routinely marginalised. [ABSTRACT FROM AUTHOR]