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South African white supremacy has been shaped by over 400 years of settler colonialism and white minority apartheid rule to craft a pervasive and entrenched legacy of privilege and oppression in the post-apartheid context. This paper explores the constructions of white supremacy, specifically its role in shaping the perceptions of first-generation mixed-race identity in South Africa, through semi-structured, in-depth interviews. Through a critical race theory and an intersectional lens, this paper unpacks the personal, political, and social impact of white supremacist structures on the identity construction of first-generation mixed-race people in post-apartheid South Africa; specifically, societal- and self-perceptions of their identity within power structures with which they interact. Moreover, this paper aims to understand how first-generation mixed-race people understand their connections to white privilege. Ultimately this paper argues that although first-generation mixed-race people experience relative privilege, their access to white privilege and acceptance within structures of whiteness is always conditional. [ABSTRACT FROM AUTHOR]

In this article, I consider a selection of photographs of a man of color from a luxury book of male nudes, Images (1982), aimed at white gay men and published in South Africa by Alternative Books (AB) in the late apartheid period. Given the exclusive association of assimilable homosexuality with whiteness in the national gay press and other homoerotic commodities available in South Africa at the same historical juncture, I propose that these photographs, which interrupted longstanding, racist homoerotic iconographies, elicited experiences of ambivalence (and thus critical reflection) amongst their historical audiences. To this end, I analyze the editorial and commercial content of the newspapers Link/Skakel and Exit for the period that AB was active (1981–1991), anticipating an overlap of readership between these papers and the publisher's titles. More precisely, I discuss the prevalence of the figure of the "good homosexual" and representations of classical (that is, white) male beauty in these papers to plot how apartheid logic was broadly reproduced (and same-sex desire disciplined according to such dictates) in mainstream South African gay movements, institutions, and print cultures during this time, but, notably, not in Images. [ABSTRACT FROM AUTHOR]

This creative conceptual paper expands traditionalised academic approaches through integrated narratives, plays, lyrics, and poetry as decolonial method. Based in first person narratives, informal interviews, artistic expression, and music-integration, the author clarifies tensions in decolonial strategy, including moving beyond racial representation to acknowledge and respond to racialised poverty, racism built into the fabric of higher education, and an overarching denial of racial disparities. The paper begins with a discussion of the student-created and produced play, The Fall, which brings the #RhodesMustFall movement onto the stage. Integrating student discussions and reactions to the play, the paper echoes themes from The Fall, suggesting that strategies which interrupt coloniality, while necessary, are insufficient to transform from formal education's capitalistic and exploitative foundation. In centring USA and South African writers, the paper highlights that the purpose of education remains a White supremacist vision and that to move from such anti-Black infrastructures, transformation must align directly with ongoing, student-led decolonial approaches. The paper then parallels higher education protests to the context of the 2010 World Cup's artistic exploitation of South Africa, warning of the power of appropriation, especially on a global stage. The paper concludes with the affirmation that creative, artistic, and Black-centric voices must be fostered and integrated into decolonial strategies to transform the global Whiteness of higher education. [ABSTRACT FROM AUTHOR]

As a country with a history of settler-colonialism, the land question in South Africa remains one of the critical issues of redress that is highly contested. Furthermore, opinions on the land question tend to be divided along racial lines. This paper uses white ignorance as a theoretical framework to explain these polarised views on the land question in South Africa post-1994. The paper also uses the concept of honorary whiteness/brownness to explain how differences among 'people of colour' serve to sustain a hierarchical racial order in which whites remain the ultimate beneficiaries. While research on white ignorance mainly focuses on the socio-psychological and material benefits of white ignorance for whites, this paper argues that those classified as honorary white or 'brown' also benefit, albeit minimally, from endorsing willful white ignorance of past and present racial atrocities. [ABSTRACT FROM AUTHOR]

Food and identity have much to do with each other. In the African context, however, food is studied through developmentalist lenses far more than through cultural ones. Therefore, we know little about the ways in which food and contemporary, particularly urban, African identities shape each other. I explore this relationship through an analysis of personal food narratives gathered as part of a four-year research project exploring food memories, values and practices in three South African cities. Meat appears frequently in these narratives, and this paper focuses on this powerful food, sandwiching data analysis between short biographical reflections that personalize the paper's intellectual arguments. Using the metaphor of "spillage" as a tool, I show how personal narratives about meat raise questions about identity formation, sometimes surprisingly. These stories about how meat matters, help to deepen understanding of how racial identities take shape in this context. While this is important in itself, these narratives point to the entanglements between race and larger questions: about planetary health, inter-species relationships, morality and humanitude. The contribution of this paper to Food Studies is the demonstration that broader ethical questions about food, specifically meat, cannot be separated from (carefully contextualized) imaginaries and materialities of cultural identity. [ABSTRACT FROM AUTHOR]

This paper explores the profound connection between race, gender, and culture in post-apartheid education at a public Afrikaans dual-language school in South Africa. Illustrating how the residues and remnants of apartheid legacies propagate arcane constructions of whiteness through interwoven racial and gendered stereotypes, this research maps the dynamic motility of local regimes of power that erase students' individuality, discipline their agency, and influence their identities through their everyday school experiences. Using a critical race theory approach, Foucauldian theoretical frameworks and Bourdieu's notions of cultural capital, this critical ethnographic case study draws on observations and interviews with students and teachers. Written from the positionality of a US researcher, with the critically reflexive view of an outsider to the Afrikaans culture and the South African educational system, this paper considers the power of remaining constructions of whiteness to dominate, reproduce and fortify demoded and baneful gender regimes and racial hierarchies in educational spaces. [ABSTRACT FROM AUTHOR]

In this essay, I describe how white South African drag queen Evita Bezuidenhout uses multiple performance platforms – a television series, a cookbook, and a political party to queer the temporality of national political transition. She does so by combining elements of tautological reasoning with her performance persona as an Afrikaner tannie, or aunty. I call this formation tau(n)tology to name the temporal and performative logics of aunties that assert an alternative reality, one that might often be deemed "needless," redundant, excessive. At various moments of political transition, Tannie Evita's aunty performances establish a particular relationship to time that reflect the sociopolitical context and teach her audience, particularly white South Africans, how to navigate shifting race, gender, and class politics. [ABSTRACT FROM AUTHOR]

Despite the relative freedoms gained after the transition to democracy in 1994 in South Africa, dominant narratives of Whiteness stemming from settler-colonial and apartheid legacies of White supremacy remain pervasive within all structures of post-apartheid society, including the identity construction and racialisation of first-generation mixed-race people. This research explored how dominant narratives of Whiteness influence the construction of identity among mixed-race youth in post-apartheid South Africa. In-depth, semi-structured interviews were conducted with 10 participants who have one White parent and one parent of colour and were considered 'born frees', as they were born during or after the transition to democracy. Guided by critical race theory, through thematic analysis, three main themes emerged: defying Rainbowism, rejecting Whiteness, and policing identity. Ultimately, this research critically investigates how mixed-race people have constructed their identities while navigating pervasive power structures of White supremacy that continue to shape the rigid racial categorisations in post-apartheid South Africa. [ABSTRACT FROM AUTHOR]