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Until now, RTK (real-time kinematic) and NRTK (Network-based RTK) have been the most popular cm-level accurate positioning approaches based on Global Navigation Satellite System (GNSS) signals in real-time. The tropospheric delay is a major source of RTK errors, especially for medium and long baselines. This source of error is difficult to quantify due to its reliance on highly variable atmospheric humidity. In this paper, we use the NRTK approach to estimate double-differenced zenith tropospheric delays alongside ambiguities and positions based on a complete set of multi-GNSS data in a sample 6-station network in Europe. The ZTD files published by IGS were used to validate the estimated ZTDs. The results confirmed a good agreement, with an average Root Mean Squares Error (RMSE) of about 12 mm. Although multiplying the unknowns makes the mathematical model less reliable in correctly fixing integer ambiguities, adding a priori interpolated ZTD as quasi-observations can improve positioning accuracy and Integer Ambiguity Resolution (IAR) performance. In this work, weighted least-squares (WLS) were performed using the interpolation of ZTD values of near reference stations of the IGS network. When using a well-known Kriging interpolation, the weights depend on the semivariogram, and a higher network density is required to obtain the correct covariance function. Hence, we used a simple interpolation strategy, which minimized the impact of altitude variability within the network. Compared to standard RTK where ZTD is assumed to be unknown, this technique improves the positioning accuracy by about 50%. It also increased the success rate for IAR by nearly 1. [ABSTRACT FROM AUTHOR]

The aim of the paper is to examine how to bring together the general, large area of "semiosphere" (Lotman), the detailed ("close") analysis of cultural objects, and the point of the flexible methodology we call interdisciplinary. The semiosphere I address is the (uncertain) one we call "Europe". The starting point is the semiotic status of the exclamation mark as I have used it to connect two preoccupations in the title of a film I made in 2020. The heart of the analysis is ambiguity, in language as well as in other domains. This serves to enhance the uncertainties that always accompany semiotic analysis, which in my view is for the better. After the comments triggered by my film, I turn to visual art as the apparent "other" of language, but through a reflection on colour, I reject that binary in favour of the more flexible concept of the figural (Lyotard). Throughout the article I also undermine the opposition between still and moving images. [ABSTRACT FROM AUTHOR]

This article starts from the observation that most voters know relatively little about positions and plans of political parties, especially when European Union politics is concerned. One reason for this could be that the main sources for political information, party communication and mass media coverage, provide voters only little concrete information about positions and plans of political parties. We ask how concretely, respectively vaguely, political parties and mass media communicate political positions prior to the 2014 European Parliament elections. We conducted a quantitative content analysis of all European Union–related press releases from 46 national political parties and of all European Union–related articles of 14 national quality newspapers from 7 European countries 12 weeks before the 2014 European Parliament elections. Our analysis shows that press releases as well as media coverage contain more concrete political positions on European Union issues than vague political statements. Other than expected, newspaper coverage provided the public with less concrete information than political actors did. Nevertheless, countries vary with regard to the extent to which party communication or newspaper coverage contain vague statements. We cannot find empirical support that the communication of concrete political positions depends on a party's "extremity" of issue position or on the type of issue. [ABSTRACT FROM AUTHOR]