4,777 results on '"HISTORY & criticism"'
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2. The UCLA Film and Television Archives: Studies in History, Criticism, and Theory: Edwin S. Porter and the Edison Manufacturing Company
- Author
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Charles Musser and Charles Musser
- Published
- 2023
3. Redefining Art and Art History; The Aesthetics and Power of Masks and Amulets in West and Central Africa and across the Atlantic World
- Author
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de Jorio, Rosa and Hellweg, Joseph
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Seeing the Unseen: Arts of Power Associations on the SenufoMande 'Frontier' (Nonfiction work) -- Criticism and interpretation ,Insignificant Things: Amulets and the Art of Survival in the Early Black Atlantic (Nonfiction work) -- Criticism and interpretation ,Art historians -- Criticism and interpretation ,Masks -- Portrayals ,Art history -- Criticism and interpretation ,Art, African -- Criticism and interpretation ,Amulets -- Portrayals ,Political science ,Regional focus/area studies ,Social sciences - Abstract
This forum explores recent publications by two art historians: Susan Gagliardi's Seeing the Unseen: Arts of Power Associations on the SenufoMande 'Frontier' (2022) and Matthew Rarey's Insignificant Things: Amulets and [...]
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- 2024
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4. Biography, History, Criticism
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Jane Millgate
- Published
- 2022
5. Provision of health services for elderly populations in rural and remote areas in Australia: A systematic scoping review.
- Author
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Zheng, Ling Xiao, Walsh, Erin I., and Sutarsa, I. Nyoman
- Subjects
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MEDICAL literature -- History & criticism , *ONLINE information services , *HEALTH services accessibility , *ACTIVE aging , *RURAL conditions , *SYSTEMATIC reviews , *ATTITUDES of medical personnel , *COMMUNITY health services , *PATIENT-centered care , *ACQUISITION of data , *QUALITATIVE research , *RESIDENTIAL care , *MEDICAL records , *LITERATURE reviews , *MEDLINE , *EMPLOYEE retention , *DIFFUSION of innovations , *ELDER care , *OLD age - Abstract
Introduction: Although various studies have examined availability, access barriers and patient experiences of rural health services for the ageing population, no synthesis of this literature exists in Australia. Objective: The objective of this study was to examine the current literature surrounding rural service provision and to evaluate the barriers to access for older individuals and to recognise gaps in the literature. Design: A systematic scoping review of peer‐reviewed literature from three online databases (PUBMED, SCOPUS and Web of Science). Findings: Thirty‐two papers were included in analysis. The most prominent types of health service discussed were residential aged care (n = 12) and community health care (n = 10). More studies explored the perspectives of health personnel than the service end users. Qualitative synthesis revealed three themes associated with health service and rural ageing: access to services, health workforce experiences and end user experiences. Discussion: Access to health services for the elderly population is a complex issue. Promoting positive experiences for both health providers and patients is critical to assisting in healthy ageing for people living in rural and remote areas. This requires intervention on a social and institutional level. Key research gaps in the literature include the effectiveness of an integrated approach to institutional interventions, utilisation of preventative measures such as screening programs for cancer and greater identification of the health needs and perceptions among culturally diverse elderly residents. These studies are critical to promote appropriate and patient‐centred care for elderly populations in rural and remote areas. Conclusion: The review highlights the need to address availability, retention and service innovations across health services to improve access to care and health outcomes of rural elderly residents. [ABSTRACT FROM AUTHOR]
- Published
- 2023
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6. When Patients' Assessments of Treatment for Subjective Symptoms are At Odds with Authoritative Assessments in the Biomedical Literature: The Case of Patients Treated with Acupuncture for Low Back Pain in a Traditional Chinese Medicine Clinic in China (and Story of a Bewildered Chicken)
- Author
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Volinn, Ernest
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MEDICAL literature -- History & criticism , *LUMBAR pain , *POPULATION , *ACUPUNCTURE , *HEALTH of indigenous peoples , *PAIN clinics , *TRANSCULTURAL medical care , *HEALTH outcome assessment , *TREATMENT effectiveness , *PHYSICAL activity , *PATIENTS' attitudes , *SOCIAL skills , *MEDICAL needs assessment , *CHINESE medicine - Abstract
Assessments of treatments for 'subjective symptoms' are problematic and potentially contentious. These are symptoms without ascertainable pathophysiology, also referred to as 'medically unexplained.' Treatments of them may be assessed from different perspectives, and an assessment as seen from one perspective may be discrepant with an assessment as seen from another perspective. The observational study described in the paper represents one perspective. Patients in the study were treated with acupuncture for the subjective symptom of low back pain in a Traditional Chinese Medicine Clinic in China; acupuncture is a form of TCM, which is indigenous to China. Shortly after treatment began and six months afterward, patients reported 'clinically important improvements' on a variety of standard, cross‐culturally validated outcome measures, including pain intensity, physical functioning, and emotional functioning; this assessment is consistent with numerous assessments of acupuncture in China and other Southeastern Asian countries. On the other hand, clinical trials represent another perspective from which to assess acupuncture. Although assessments based on trials are not uniform, several assessments based on them, including those published in journals such as Lancet and New England Journal of Medicine, conclude that acupuncture is not effective. These trials, however, were mainly situated in the U.S., western European countries, and other WEIRD (Western, Educated, Industrialized, Rich, Democratic) countries. This is notable, because the population of China, the indigenous context of acupuncture, is greater than populations of WEIRD countries combined. Patients' expectations of a treatment such as acupuncture and their prior familiarity with it vary among contexts, and patients' experiences of treatment outcomes may vary accordingly. In short, although clinical trials constitute a test of truth in biomedicine and inform authoritative assessments in WEIRD countries, they do not necessarily represent the truth from the perspective of those experiencing outcomes of especially indigenous treatments for subjective symptoms in non‐WEIRD contexts. [ABSTRACT FROM AUTHOR]
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- 2023
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7. Female Collaboration at Regional Junctions: Traveling Pakistani Cinema and Unmoored Militarism in the 1980s
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Niyogi De, Esha
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Feminist criticism -- History -- 1980s (Decade) AD ,Adventure films -- History -- Criticism and interpretation -- 1980s (Decade) AD ,Feminist literary criticism -- History -- 1980s (Decade) AD ,Heroines -- Portrayals -- 1980s (Decade) AD ,Anthropology/archeology/folklore ,Ethnic, cultural, racial issues/studies - Abstract
This article examines the material culture of Urdu action heroine films released in the era of Pakistan's Islamization (late 1970s through 1980s) by a woman-led company called Shamim Ara Productions, which was headed by the illustrious female star, director, and producer of the Urdu screen Shamim Ara. With titles such as Miss Hong Kong (1979), Miss Colombo (1984), Miss Singapore (1985), Lady Smuggler (1987), and Lady Commando (1989), the action films released by Shamim Ara Productions bear the imprint of a traveling culture of production roving through urban South and Southeast Asia. Not only do we find here a mobile industry, headquartered in Lahore, fostering collaborations between small-scale film and tourism entrepreneurs strewn across South and Southeast Asian cities (Colombo, Dhaka, Manila, Hong Kong), but we also encounter a hybrid cinema led largely by women and cross-fertilized by global images of female action and public mobility flowing into Pakistani cities with the video trade and its piracy, and satellite television (video and VCR having come to the country in the late 1970s). In this article, I situate the gender politics of the ensemble heroine narrative Lady Smuggler (1987) in its material culture of production and reception, with attention to the diverse locations of that culture. Keywords: Urdu--film--Shamim Ara--South Asia--Southeast Asia, This article examines the ambivalent spatiality of a women-led, collaborative production culture of heroine-fiction films that flourished in Pakistan under the militarized Islamic economy and Cold War maneuvers of the [...]
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- 2024
8. Der König, sein Held und ihr Drama : Politik und Poetik der klassischen Tragödie
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Haas, Claude
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Drama / European ,History / Europe ,Performing Arts / Theater / History & Criticism - Abstract
Weimarer Klassik und tragédie classique – Die klassische Form und ihre staatsrechtliche Bedeutung Vor dem Hintergrund der epochalen Verunsicherungen des ausgehenden 18. Jahrhunderts stellen sich Goethe und Schiller in ihrer Dramatik den politischen Dimensionen und Abgründen der klassischen französischen Tragödie. Verkappte Staatsgründungen beherrschen ebenso das Geschehen wie der Staatsstreich, der Bürgerkrieg oder der failing state. Eine neue Aktualität gewann das Drama Corneilles und Racines jedoch erst wegen seiner Aufladung der klassischen Form mit staatspolitischen Fundamentalfragen. Das Ringen um eine Regelpoetik und ihre angemessene Umsetzung, vermeintliche Nebensächlichkeiten wie die Einheit der Zeit werden zum Schauplatz genuin politischer Reflexion. Goethe und Schiller verzichten auf eine Restauration der klassischen Form, sie entdecken aber ihre ursprüngliche Energie wieder und verhandeln diese neu. Besonders deutlich zeigt sich dies am dramaturgischen Konflikt zwischen König und Held, der einen bislang weithin übersehenen Grundpfeiler der klassischen Tragödie bildet.
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- 2024
9. The Apartment Plot : Urban Living in American Film and Popular Culture, 1945 to 1975
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Wojcik, Pamela Robertson
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Performing Arts / Television / History & Criticism ,Performing Arts / Film / History & Criticism ,Social Science / Women's Studies - Abstract
Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.
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- 2024
10. On some holidays, beauty and bloodshed are entwined
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Arts -- History -- Criticism and interpretation ,Tragedy (Calamities) -- History ,Business ,Economics ,Business, international - Abstract
He survived seven bouts in the arena at Verona, but at the age of 23 Glaucus was slain in his eighth. When it was built in 30AD the arena stood [...]
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- 2024
11. Screening Race in American Nontheatrical Film
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Field, Allyson Nadia
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Performing Arts / Film / History & Criticism ,Social Science / Cultural & Ethnic Studies / American / African American & Black Studies - Abstract
Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed—for various purposes and intentions—the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it.Contributors. Crystal Mun-hye Baik, Jasmyn R. Castro, Nadine Chan, Mark Garrett Cooper, Dino Everett, Allyson Nadia Field, Walter Forsberg, Joshua Glick, Tanya Goldman, Marsha Gordon, Noelle Griffis, Colin Gunckel, Michelle Kelley, Todd Kushigemachi, Martin L. Johnson, Caitlin McGrath, Elena Rossi-Snook, Laura Isabel Serna, Jacqueline Najuma Stewart, Dan Streible, Lauren Tilton, Noah Tsika, Travis L. Wagner, Colin Williamson
- Published
- 2024
12. The Un-Americans : Jews, the Blacklist, and Stoolpigeon Culture
- Author
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Litvak, Joseph
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Social Science / LGBTQ+ Studies / Gay Studies ,Literary Criticism / Semiotics & Theory ,Performing Arts / Film / History & Criticism - Abstract
In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude.Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.
- Published
- 2024
13. The Sopranos
- Author
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Polan, Dana and Smith, Barbara Herrnstein
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Performing Arts / Television / History & Criticism - Abstract
“In its original run on HBO, The Sopranos mattered, and it matters still,” Dana Polan asserts early in this analysis of the hit show, in which he sets out to clarify the impact and importance of the series in both its cultural and media-industry contexts. A renowned film and TV scholar, Polan combines a close and extended reading of the show itself—and of select episodes and scenes—with broader attention to the social landscape with which it is in dialogue. For Polan, The Sopranos is a work of playful irony that complicates simplistic attempts to grasp its meanings and values. The show seductively beckons the viewer into an amoral universe, hinting at ways to make sense of its ethically complicated situations, only to challenge the viewer’s complacent grasp of things. It deftly exploits the interplay between art culture and popular culture by mixing elements of art cinema—meandering plots, narrative breaks, and an uncertain progression—with the allure of a soap opera, delving into its characters’ sex lives, mob rivalries, and parent–child conflicts.A show about corrupt figures who parasitically try to squeeze illicit profit from the system, The Sopranos itself seems a target of attempts to glom on to its fame as a successful TV series: attempts by media executives, marketers, critics and writers, and even presidential candidates. “Everyone wants a piece of Sopranos action,” says Polan, and he traces the marketing of the series across both official and unauthorized media platforms, including cookbooks, games, DVDs, and the kitschy Sopranos bus tour. Critiquing previous books on The Sopranos, Polan suggests that in their quest to find deep meaning, many of the authors missed the show’s ironic and comedic side.
- Published
- 2024
14. Wie gestalten wir Gesellschaft? : Interdependenzen zwischen Design und dem Feld des Sozialen
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Ebert, Iris and Rahn, Sebastian
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Design / History & Criticism - Abstract
Die »Gestaltung von Gesellschaft« wird zunehmend zum Anspruch unterschiedlicher Designausrichtungen wie zum Beispiel Social Design oder Public Interest Design. Damit verbunden ist die Vorstellung eines positiven Beitrags zu den gegenwärtigen Herausforderungen unserer Zeit. Hieraus ergeben sich vielfältige Überschneidungen mit anderen Disziplinen, zum Beispiel der Sozialen Arbeit, die sich ebenfalls im »Feld des Sozialen« verorten und darauf abzielen, soziales Miteinander zu beobachten, zu initiieren und zu begleiten. Mit der Überzeugung, voneinander lernen zu können, beleuchten die Beiträge des Bandes die Bedingungen, Formen und potenziellen Folgen einer kollaborativen Gesellschaftsgestaltung.
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- 2024
15. The Prize of Success : The Swiss Design Awards and the Closed Networks of Promotion
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Berthod, Jonas
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Design / History & Criticism - Abstract
In the small world of Swiss graphic design, prizes such as the Swiss Design Awards (SDA) are followed closely. The winners' works are admired, envied and emulated. The generous prize money allows designers to launch their careers and focus on lesser paid but critically recognised work. Awards thus play the role of bellwethers of the scene. However, criticisms inevitably arise. Speaking in hushed tones, designers speculate as to why a colleague won over another. Rumours have it that jury members favour their inner circles and exclude competitors. Analysing this universe in detail, Jonas Berthod retraces the recent history of the SDA and the emergence of a new design culture in Switzerland.
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- 2024
16. Student Pharmacists Self-Perceived Confidence in Communication Skills With Healthcare Practitioners Before and After a Seminar Course.
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Barefield, Kimberly L., Champion, Caroline, Yang, Lucy, and Rollins, Brent
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MEDICAL literature -- History & criticism , *CONFIDENCE , *HEALTH occupations students , *SELF-perception , *PHARMACY education , *CURRICULUM , *PHARMACISTS , *PRE-tests & post-tests , *T-test (Statistics) , *COMPARATIVE studies , *COMMUNICATION , *SCALE analysis (Psychology) , *DESCRIPTIVE statistics , *ADULT education workshops , *LONGITUDINAL method - Abstract
Introduction: Competent pharmacy practice requires the ability to critically evaluate the medical literature and communicate pharmacotherapy information and recommendations to healthcare practitioners. Given the limited research on how these skills are taught, a seminar course in the third year of the pharmacy curriculum was designed to strengthen these skills and abilities. Methods: This was a prospective, pre- and post-cohort survey design. Students were informed of the study's intent with participation being voluntary and not affecting their course grade. Students received the same survey at the beginning and end of the semester. The 20-question survey assessed self-perceived confidence in the domains of communication and literature evaluation using a 5-point, Likert-type Strongly Disagree-Strongly Agree Scale. Demographic information and students' previous pharmacy work and internship experience were collected as a part of the survey. Descriptive statistics and Student's t-test were used to assess the research question and comparisons of student demographics. Results: Sixty-eight of a possible 91 students (75% response rate) completed both the pre- and post-survey. There was no statistically significant differences between any of the measured demographics. Overall, students slightly agreed they were confident in their communication and literature evaluation skills in the pre-course evaluation, with communicating drug interactions as the least confident area. Post-course, students were significantly more confident in all but 5 of 20 measured areas. Conclusion: The Seminar course resulted in a positive change in students' perception of confidence to communicate with healthcare professionals and ability to evaluate drug literature. [ABSTRACT FROM AUTHOR]
- Published
- 2022
- Full Text
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17. REALISMS IN EAST ASIAN PERFORMANCE
- Author
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Nakamura, Jessica and Saltzman-Li, Katherine
- Subjects
Performing Arts ,Performing Arts / Theater / History & Criticism - Abstract
Existing scholarly discussions of theatrical realism have been predominantly limited to 19th-century European and Russian theater, with little attention paid to wider explorations and alternative definitions of the practice. Examining theater forms and artists from China, Japan, and Korea, Realisms in East Asian Performance brings together a group of theater historians to reconsider realism through the performing arts of East Asia. The book’s contributors emphasize trans-regional conversations and activate inter-Asian dialogues on theatrical production. Tracing historical trajectories, starting from premodern periods through today, the book seeks to understand realisms’ multiple origins, forms, and cultural significances, and examines their continuities, disruptions, and divergences. In its diversity of topics, geographic locations, and time periods, Realisms in East Asian Performance aims to globalize and de-center the dominant narratives surrounding realism in theater, and revise assumptions about the spectacular and theatrical forms of Asian performance. Understanding realism as a powerful representational style, chapters collectively reevaluate acts of representation on stage not just for East Asia, but for theater and performance studies more broadly.
- Published
- 2024
18. Political Moods : Film Melodrama and the Cold War in the Two Koreas
- Author
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Workman, Travis
- Subjects
Social Science / Cultural & Ethnic Studies / Asian Studies ,Performing Arts / Film / History & Criticism ,History / Asia / Korea - Abstract
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building.
- Published
- 2024
19. Das Konzert als Resonanzraum : Resonanzaffine Musikvermittlung durch intensives Erleben und Involviertsein
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Müller-Brozovic, Irena
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Music / History & Criticism - Abstract
Konzertsituationen mit starken Musikerlebnissen faszinieren, ereignen sich jedoch nur selten. Wie können Musikvermittelnde dieses musikalische Involviertsein, das sich in einer besonderen Zugewandtheit oder Versunkenheit zeigt, begünstigen? Entlang dieser Frage entwickelt Irena Müller-Brozovic eine theoretische Fundierung von Musikvermittlung, die sich auf Hartmut Rosas Resonanztheorie bezieht und Aspekte von intensiven Momenten in Konzertsituationen beschreibt. Sowohl vielfältige Praxisbeispiele als auch ein dynamisches Modell sowie zugehörige Leitfragen dienen dabei als Werkzeug für das Konzipieren und Analysieren von Vermittlungssituationen.
- Published
- 2024
20. »Parallelgesellschaften« in populärer Musik? : Abgrenzungen - Annäherungen - Perspektiven
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von Appen, Ralf
- Subjects
Music / History & Criticism - Abstract
In der öffentlichen Rede, in politisch-populistischen Debatten und in massenmedialen Berichten ist »Parallelgesellschaft« ein seit Jahren viel strapazierter Begriff. Mit seiner Geschichte politischer Instrumentalisierung geht die Gefahr von Affirmation gesellschaftlicher Ungleichheitsverhältnisse einher. Die Beiträge des Bandes setzen sich im Kontext populärer Musik mit parallel bestehenden, scheinbar unverbundenen Strukturen, Begriffen und Konzepten auseinander. Neben einem Blick auf die deutsch-deutsche Entwicklungsgeschichte der Popular Music Studies werden pop-kulturelle Differenzparadigmen u.a. aus musikwissenschaftlicher, musiksoziologischer, ethnomusikologischer und juristischer Sicht kritisch aufgearbeitet.
- Published
- 2024
21. Staging Difficult Pasts : Transnational Memory, Theatres, and Museums
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Delgado, Maria M. and Michal
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Performing Arts / Theater / Playwriting ,Performing Arts / Theater / History & Criticism - Abstract
This collection of original essays brings together museum, theatre, and performance case studies with a focus on their distinctive and overlapping modes of producing memory for transnational audiences.Whether this is through narrative, object, embodied encounter or a combination of the three, this volume considers distinctions and interactions between memory and history specifically through the lenses of theatre and performance studies, visual culture, and museum and curator studies. This book is underpinned by three areas of research enquiry: How are contemporary theatre makers and museum curators staging historical narratives of difficult pasts? How might comparisons between theatre and museum practices offer new insights into the role objects play in generating and representing difficult pasts? What points of overlap, comparison, and contrast among these constructions of history and memory of authoritarianism, slavery, colonialism, genocide, armed conflict, fascism, and communism might offer an expanded understanding of difficult pasts in these transnational cultural contexts?This collection is designed for any scholar of its central disciplines, as well as for those interested in cultural geography, memory studies, and postcolonial theory.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-NoDerivatives (CC-BY-ND) 4.0 license.
- Published
- 2023
22. Ethical Agility in Dance : Rethinking Technique in British Contemporary Dance
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Colin, Noyale and Seago, Catherine
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Performing Arts ,Performing Arts / Dance / Modern ,Performing Arts / Dance / History & Criticism - Abstract
This edited collection examines the potential of dance training for developing socially engaged individuals capable of forging ethical human relations for an ever-changing world and in turn frames dance as a fundamental part of human experience.This volume draws together a range of critical voices to reflect the inclusive potential of dance. The contributions offer perspectives on contemporary dance training in Britain from dance educators, scholars, practitioners and artists. Through examining the politics, values and ethics of learning dance today, this book argues for the need of a re-assessment of the evolving practices in dance training and techniques. Key questions address how the concept of ‘technique’ and associated systems of training in dance could be redefined to enable the collaboration of skills and application of ideas necessary to twenty-first-century dance. The editors present these ideas in different modes of writing. This collection of essays, conversations and manifestos offers a way to explore, debate and grasp the shifting values of contemporary dance. Examining these values in the applied field of dance reveals a complex and contrasting range of ideas, encompassing broad themes including the relationships between individuality and collectivity, rigour and creativity, and virtuosity and inclusivity.This volume points to ethical techniques as providing a way of navigating these contrasting values in dance. It serves as an invaluable resource for academics as well as practitioners and students.
- Published
- 2023
23. Bibliometric Studies of Most-Cited Medical Papers: A Bibliometric Analysis.
- Author
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Kashani, Masoud Motalebi, Homavandi, Hoda, and Batooli, Zahra
- Subjects
- *
MEDICAL literature -- History & criticism , *BIBLIOMETRICS , *SERIAL publications , *RETROSPECTIVE studies , *ACQUISITION of data , *CITATION analysis , *MEDICAL records , *DESCRIPTIVE statistics , *RESEARCH funding , *CONTENT analysis , *MEDICAL research - Abstract
Aims: The purpose of this study is the analysis of bibliometric studies of the medical most-cited papers. Materials and Methods: This applied and the scientometric study was conducted using retrospective bibliometric analysis methods. AScopus search was conducted and 883 articles were retrieved. After reviewing the titles and abstracts, 432 articles related to the purpose of this research were identified. Items such as year, journal, country, and institution were considered. Medical subject heading and NLM were applied for the subject categorization of articles. Given the dynamics of subject areas over time, only the content of 117 articles published in 2020 and 2021 were analyzed. These 117 articles have been reviewed with 11,700 most-cited articles. By reviewing 117 articles, the most productive journal, country, and institute in producing 11,700 articles were identified. Results: The findings have shown a significant number of these publications review 100 most-cited articles in the field of medicine. Articles pertaining to the Nervous System, Musculoskeletal System, Dentistry, Radiology, and Cardiovascular System are the most numerous among the publications. Conclusion: The results of this study allow readers to know the most productive countries, institutions, and journals of various subject areas, as well as the most influential fields and research trends in that subject area. The results of this study also identify subject areas for which the characteristics of their core articles have not yet been explored to plan future research. [ABSTRACT FROM AUTHOR]
- Published
- 2022
- Full Text
- View/download PDF
24. Perpetuation of sexism through proverbs: The case of Martínez Kleiser's Refranero General Ideológico Español.
- Author
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Tosina Fernández, Luis J.
- Subjects
- *
SEXISM , *PROVERBS -- History & criticism , *SEXISM in communication , *MALE domination (Social structure) , *DIFFUSION - Abstract
In the present paper, the most prestigious and thorough paremiographic source published in Spanish, Luis Martínez Kleiser's Refranero General Ideológico Español (1989), is analyzed to assess how misogynistic beliefs have manifested in Spanish paremiology and whether, having circulated for centuries, they were still considered relevant at the time of composition of the work. As stated in the paper, misogynist proverbs are believed to have been used by an exclusively male dominating class to shape society's point of view towards women. As shall be seen, this work was also conditioned by the socio-political context in which it was published, as well as the compiler's own political stance. • Proverb collections often rely on outdated materials and currency is not taken into consideration by the compiler. • Proverbs contribute to the establishment and diffusion of ideas that are accepted as unchallengeable by society. • Proverbs attest to a centuries-old misogyny in society. • Proverbs contribute to the justification of sexist beliefs. [ABSTRACT FROM AUTHOR]
- Published
- 2022
- Full Text
- View/download PDF
25. Korean Modernism's Transnational Epiphanies
- Author
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Walsh, Kelly S. and Choi, Yoon-Young
- Subjects
Transnationalism -- Portrayals -- Social aspects -- Political aspects ,Korean literature -- Criticism and interpretation -- History ,Colonialism -- History -- Social aspects ,Modernism (Literature) -- History -- Criticism and interpretation -- International aspects ,Prose literature -- Criticism and interpretation -- History ,Literature/writing - Abstract
The transnational turn in modernist studies has offered a corrective to the field's long-standing Eurocentric bearings, contesting the attributions of belatedness and mimicry to works from 'peripheral' traditions. For Douglas [...]
- Published
- 2023
- Full Text
- View/download PDF
26. Feasibility of an Assessment Tool as a Data-Driven Approach to Reducing Racial Bias in Biomedical Publications.
- Author
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Wescott, Siobhan, Johnson, Ronn, Lamba, Sangeeta, Olson, Devon, Haywood, Yolanda, Meltzer, Carolyn C, and Correa, Ricardo
- Subjects
- *
PREVENTION of racism , *MEDICAL literature -- History & criticism , *NATIONAL competency-based educational tests , *PILOT projects , *USER-centered system design , *PROFESSIONS , *HEALTH services accessibility , *SERIAL publications , *RESEARCH methodology , *EVALUATION research , *HEALTH status indicators , *CONCEPTUAL structures , *SURVEYS , *HUMAN services programs , *AUTONOMY (Psychology) , *TERMS & phrases , *DECISION making , *INFORMATION storage & retrieval systems , *MANAGEMENT , *MEDICAL research - Abstract
The editorial independence of biomedical journals allows flexibility to meet a wide range of research interests. However, it also is a barrier for coordination between journals to solve challenging issues such as racial bias in the scientific literature. A standardized tool to screen for racial bias could prevent the publication of racially biased papers. Biomedical journals would maintain editorial autonomy while still allowing comparable data to be collected and analyzed across journals. A racially diverse research team carried out a three-phase study to generate and test a racial bias assessment tool for biomedical research. Phase 1, an in-depth, structured literature search to identify recommendations, found near complete agreement in the literature on addressing race in biomedical research. Phase 2, construction of a framework from those recommendations, provides the major innovation of this paper. The framework includes three dimensions of race: 1) context, 2) tone and terminology, and 3) analysis, which are the basis for the Race Equity Vetting Instrument for Editorial Workflow (REVIEW) tool. Phase 3, pilot testing the assessment tool, showed that the REVIEW tool was effective at flagging multiple concerns in widely criticized articles. This study demonstrates the feasibility of the proposed REVIEW tool to reduce racial bias in research. Next steps include testing this tool on a broader sample of biomedical research to determine how the tool performs on more subtle examples of racial bias. [ABSTRACT FROM AUTHOR]
- Published
- 2022
- Full Text
- View/download PDF
27. 'A Hymn', Hymnody and Anne Brontë's Religious Poetry.
- Author
-
Butterworth, Robert
- Subjects
- *
HYMNS -- History & criticism , *HUMANITY , *GOD - Abstract
Anne Brontë's 'A Hymn' was written at a time when hymns were 'of the moment' and many women were engaged in hymnody. It shares with Anne's other religious poems a vision of God as mighty, powerful, loving, merciful and actively interventionist, and a vision of humanity as feeble, inadequate, inconstant and inconsistent. It is distinguished by its exploration of two versions of the universe: one informed by God its Creator and the other its Godless alternative. 'A Hymn' has many traditional stylistic features of hymns and on one level belongs to a familiar class of hymn, the hymn of doubt; but it is also radical in facing head-on an atheistic vision emerging in the nineteenth century. [ABSTRACT FROM AUTHOR]
- Published
- 2022
- Full Text
- View/download PDF
28. Zones of Occult Instability: The Birth of the Novel in Africa.
- Author
-
WENZEL, JENNIFER
- Subjects
- *
AFRICAN literature -- History & criticism , *CHRISTIAN missionaries , *CONVERTS , *AFRICAN languages - Abstract
The article focuses on the history of novel in Africa and the role of author Thomas Mofolo in the transition from mission-sponsored literacy to the emergence of a modern Black African literary tradition. It mentions that European Christian missionaries used early converts as native informants to help translate and disseminate the Bible and other religious texts in African languages, as part of an ambitious project to remake every aspect of African life.
- Published
- 2021
- Full Text
- View/download PDF
29. Die Opera buffa in Europa : Verbreitungs- und Transformationsprozesse einer neuen Gattung (1740-1765)
- Author
-
Zedler, Andrea
- Subjects
Music / History & Criticism - Abstract
Die Etablierung der Opera buffa veränderte die Opernlandschaft des 18. Jahrhunderts maßgeblich. Sie stellte einen inhaltlichen Kontrapunkt zur höfisch geprägten Opera seria dar und löste diese zunehmend in den Spielplänen ab. Wie aber ging die europaweite Verbreitung der komischen italienischen Oper vor sich? Wo konnte sie sich rascher als anderswo etablieren und wer waren die zentralen Akteurinnen und Akteure? Welche Rolle spielten mobile Operntruppen und wie verhielten sich die Höfe zu dem neuen Genre? Erstmals nehmen die Autorinnen in einer systematischen Analyse der Opera buffa in Europa Migration, Mobilität, Netzwerke und Transformationsprozesse zwischen 1740 und 1765 in den Blick. Mit einem Gastbeitrag von Tom Brökel und Heike Brökel.
- Published
- 2023
30. Deep Polyphony in the Hymns of Julien Jouga.
- Author
-
THU NHI DANG, CHRISTINE
- Subjects
- *
HYMNS -- History & criticism , *COUNTERPOINT , *MUSLIMS , *CHRISTIANS - Abstract
Arguably the foremost pioneer of indigenized hymnody in Senegal, Julien Jouga composed hymns that achieved remarkable popularity beyond the Catholic Church, beloved by Muslims and Christians alike. In his compositions, Jouga did not limit himself to conventional Catholic materials but drew extensively upon the practices of mystical Islam and African traditional religions. Amalgamating divergent musical, cultural, and spiritual sources, Jouga entered into dialogue with the voices of religious others, voices whom he confronted as equals within the polyphonic lines of his hymns. Through this radically dialogic approach, Jouga's compositions became performances of deep polyphony: of inclusive hymnody that recognizes the truths of others and celebrates the simultaneity of moral and spiritual paths in the midst of religious difference. [ABSTRACT FROM AUTHOR]
- Published
- 2021
- Full Text
- View/download PDF
31. Shop of the Pops: Socialist Consumers, Capitalist Performers, and the Record Market That United Them.
- Subjects
- *
POPULAR music , *SOCIALISM & music , *COLD War, 1945-1991 , *CONSUMER preferences , *WESTERN influences on music , *SOUND recording industry , *HISTORY of capitalism ,HISTORY & criticism - Abstract
The article focuses on the consumption of Western popular music within communist countries during the Cold War. Topics include the German Democratic Republic (GDR) and their economic gains from exploiting Western culture, the role of the record company Deutsche Schallplatten, and the popularity of rock, pop, and dance music.
- Published
- 2021
- Full Text
- View/download PDF
32. Beowulf's Monster Discourse Now: Grendel in Twenty-First-Century Film.
- Author
-
Valdés-Miyares, J. Rubén
- Subjects
- *
FILM adaptations , *MONSTERS in motion pictures , *MEDIEVALISM in motion pictures ,HISTORY & criticism - Abstract
Drawing on Monster Studies, this paper develops its own syncretic theoretical approach to focus on recent transformations of Beowulf's archetypal plot of the Hero Overcoming the Monster in film discourse, as part of the broad popularity that Beowulf still enjoys in different art forms. Significantly preceded by McTiernan's The 13th Warrior (1999), an attempt to adapt Michael Crichton's literary ambition to make Beowulf's story appealing to modern audiences, the new century opens with a revisionist approach to it in Hartley's No Such Thing (2001), whose heroine empathises with the monster. While crude adaptations such as Lyon's Grendel and McCain's Outlander (2008) still abound, Gunnarson's Beowulf & Grendel (2005) and Zemeckis's Beowulf (2007) enhance the story by focalising it from Grendel's mother's perspective without renouncing its grotesque and sublime elements. Similar elements are likewise present in monster movies which are not ostensibly Beowulf adaptations, such as Ridley Scott's Prometheus (2012), Bayona's A Monster Calls (2016), and del Toro's The Shape of Water (2017), yet whose monster discourse is sustained by ingredients ultimately deriving from the Anglo-Saxon poem: the monster as a tester of moral fibre, the cultural syncretism which gives sociohistorical meaning to the alien entity, and its human kinship. [ABSTRACT FROM AUTHOR]
- Published
- 2021
- Full Text
- View/download PDF
33. Relatos de prision/ficcion: Escritura, materialidad y visualidad en el diario Critica (1922-1933)
- Author
-
de los Angeles Mascioto, Maria
- Subjects
Critica (Newspaper) -- History -- Criticism and interpretation ,Crime novels -- Media coverage -- Criticism and interpretation -- History -- 1930s (Decade) AD -- 1920s (Decade) AD ,Criticism, Textual -- 1920s (Decade) AD -- 1930s (Decade) AD ,Detective and mystery stories -- Media coverage -- Criticism and interpretation -- History -- 1930s (Decade) AD -- 1920s (Decade) AD ,Humanities ,Regional focus/area studies - Abstract
During the first half of the twentieth century, the Argentine newspaper Critica was one of the most notable spaces for the spread and consolidation of crime stories. At the same time, it was the newspaper that gave the most prominence to the situation of prisoners in local jails. This article hypothesizes that the popular press--inextricably linked to detective literature--was not only the first publishing platform for the circulation of numerous stories and novels of the genre but was also an optimal place for the construction and consolidation of the representations and procedures implemented in detective and crime literature. This article works to identify the textual features in which informative and fictional components are combined in a set of articles published in Critica between 1922 and 1933. It also analyzes the ways in which Critica presented these articles in its print space to give them relevance among others. Keywords: Argentine literature; periodicals; detective literature; iconotext Durante la primera mitad del siglo XX, el diario Critica fue uno de los espacios mas relevantes de difusion y afianzamiento de la noticia policial en Argentina. Fue, al mismo tiempo, el medio periodistico que mayor relevancia otorgo a la situacion de los presos en las carceles locales. Este articulo parte de la hipotesis de que la prensa, medio con el cual la literatura policial se encuentra indefectiblemente ligada, no solo se ha constituido en muchos casos como el primer soporte de circulacion de numerosos relatos y novelas del genero, sino que ademas fue un espacio de construction y consolidation de las representaciones y procedimientos implementados en las historias del crimen. A partir de esto se propone, en primer lugar, identificar los rasgos escriturarios en los que se hace evidente una combination de componentes referenciales y ficcionales en un conjunto de notas carcelarias publicadas por entregas en Critica entre 1922 y 1933. Y, en segundo lugar, analizar los modos en que, desde su misma materialidad y visualidad, Critica monto y expuso estos articulos en el espacio impreso. Palabras clave: literatura argentina; publicaciones periodicas; literatura policial; iconotexto, Durante la primera mitad del siglo XX, el diario Critica fue uno de los espacios mas relevantes de difusion y afianzamiento de la noticia policial en Argentina. (1) Fue, al [...]
- Published
- 2022
- Full Text
- View/download PDF
34. King's letter to an unfaithful church: Sixty years later, 'Letter from Birmingham Jail' is still waiting for a proper response
- Author
-
Lischer, Richard
- Subjects
Letter from Birmingham City Jail (Letter) -- History -- Criticism and interpretation ,Civil rights movements -- Portrayals -- Public opinion ,Civil rights workers -- Records and correspondence ,Philosophy and religion - Abstract
On Good Friday 1963 Martin Luther King Jr. and 50 others were charged with violating a court order against mass demonstrations. He was arrested and taken to the city jail [...]
- Published
- 2023
35. Women's Leadership in Music : Modes, Legacies, Alliances
- Author
-
Nenic, Iva and Cimardi, Linda
- Subjects
Music / History & Criticism - Abstract
Various modes of women's contemporary cultural, social and political leadership can be found in music. Informed by different histories and culturally bound social mores but also by a comparative perspective, the contributors of this volume ask what can be considered leadership in culture from women's point of view. They deconstruct the notion of leadership as corporative and career-related modes of success by showing how women's agency, power and negotiation in and through music can and should be considered as empowering, transformative and role-modeling. By interweaving several disciplinary perspectives - from ethnomusicology, musicology and cultural management to sociology and anthropology - this volume aims to substantially contribute to the study of women's leadership.
- Published
- 2023
36. Trial by Farce : A Dozen Medieval French Comedies in English for the Modern Stage
- Author
-
Enders, Jody
- Subjects
Literary Criticism / European / French ,Performing Arts ,Performing Arts / Theater / History & Criticism - Abstract
Was there more to comedy than Chaucer, the Second Shepherds’ Play, or Shakespeare? Of course! But, for a real taste of medieval and Renaissance humor and in-your-face slapstick, one must cross the Channel to France, where over two hundred extant farces regularly dazzled crowds with blistering satires. Dwarfing all other contemporaneous theatrical repertoires, the boisterous French corpus is populated by lawyers, lawyers everywhere. No surprise there. The lion’s share of mostly anonymous farces was written by barristers, law students, and legal apprentices. Famous for skewering unjust judges and irreligious ecclesiastics, they belonged to a 10,000-member legal society known as the Basoche, which flourished between 1450 and 1550. What is more, their dramatic send-ups of real and fictional court cases were still going strong on the eve of Molière, resilient against those who sought to censor and repress them. The suspenseful wait to see justice done has always made for high drama or, in this case, low drama. But, for centuries, the scripts for these outrageous shows were available only in French editions gathered from scattered print and manuscript sources. In Trial by Farce, prize-winning theater historian Jody Enders brings twelve of the funniest legal farces to English-speaking audiences in a refreshingly uncensored but philologically faithful vernacular. Newly conceived as much for scholars as for students and theater practitioners, this repertoire and its familiar stock characters come vividly to life as they struggle to negotiate the limits of power, politics, class, gender, and, above all, justice. Through the distinctive blend of wit, social critique, and breathless boisterousness that is farce, we gain a new understanding of comedy itself as form of political correction. In ways presciently modern and even postmodern, farce paints a different cultural picture of the notoriously authoritarian Middle Ages with its own vision of liberty and justice for all. Theater eternally offers ways for new generations to raise their voices and act.
- Published
- 2023
37. FILM SOCIETIES in GERMANY and AUSTRIA 1910-1933 : Tracing the Social Life of Cinema
- Author
-
Cowan, Michael
- Subjects
Social Science / Media Studies ,Performing Arts / Film / History & Criticism ,History / Europe / Germany - Abstract
This study traces the evolution of early film societies in Germany and Austria, from the emergence of mass movie theaters in the 1910s to the turbulent years of the late Weimar Republic. Examining a diverse array of groups, it approaches film societies as formations designed to assimilate and influence a new medium: a project emerging from the world of amateur science before taking new directions into industry, art and politics. Through an interdisciplinary approach—in dialogue with social history, print history and media archaeology—it also transforms our theoretical understanding of what a film society was and how it operated. Far from representing a mere collection of pre-formed cinephiles, film societies were, according to the book’s central argument, productive social formations, which taught people how to nurture their passion for the movies, how to engage with cinema, and how to interact with each other. Ultimately, the study argues that examining film societies can help to reveal the diffuse agency by which generative ideas of cinema take shape.
- Published
- 2023
38. Dirigierende Maschinen : Musik mit technikgestützter Tempovermittlung
- Author
-
Kocher, Philippe
- Subjects
Music / History & Criticism - Abstract
In der musikalischen Aufführungspraxis ist es normalerweise der Mensch, der das Tempo erzeugt. Innerlich ein Tempo zu etablieren und es an das der mitmusizierenden Personen anzugleichen, ist eine grundlegende musikalische Fähigkeit. Was bedeutet es also, wenn das Tempo von einem technischen System vorgegeben wird? Philippe Kocher unterzieht diese besondere Art der Mensch-Maschine-Interaktion einer musikgeschichtlichen, technikgeschichtlichen und medienarchäologischen Betrachtung. Darüber hinaus entwickelt er innerhalb seiner wissenschaftlich-künstlerischen Studie ein eigenes System zur technikgestützten Tempovermittlung und beschreibt dessen Einsatz in der Praxis.
- Published
- 2023
39. Thinking with an Accent : Toward a New Object, Method, and Practice
- Author
-
Rangan, Pooja
- Subjects
Social Science / Media Studies ,Music / History & Criticism ,Language Arts & Disciplines / Linguistics - Abstract
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Everyone speaks with an accent, but what is an accent? Thinking with an Accent introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care.
- Published
- 2023
40. Klöster als Konsumenten am Wiener Musikalienmarkt : Distribution und Transformation von Instrumentalmusik, 1755-1780
- Author
-
Hornbachner, Christiane Maria
- Subjects
Music / History & Criticism - Abstract
Archive zahlreicher österreichischer und tschechischer Klöster beherbergen heute einige der wertvollsten Abschriften von Instrumentalwerken Wagenseils, J. Haydns, Vanhals und Ditters'. Dieses Vermächtnis ist größtenteils das Resultat eines in den 1750er Jahren aufkommenden Trends, dessen von Wien ausgehende Breitenwirkung bislang unterschätzt wurde. Christiane Maria Hornbachner macht auf die musikgeschichtliche Relevanz interregionaler Distributionsprozesse aufmerksam. Sie zeichnet in ihrer institutionenübergreifenden Analyse die weitverzweigten Netzwerke von Klostervorstehern, Mönchen, Komponisten und Kunsthändlern nach. Deren nachhaltiges Wirken als Musikvermittler lässt tief in die klösterliche Lebenswelt des 18. Jahrhunderts blicken - in eine Welt, die kulturell keineswegs so streng von ihrer Umgebung isoliert war, wie uns die mächtigen Gemäuer der großen Stifte glauben machen könnten.
- Published
- 2023
41. Schulmusik für alle? : Zur Legitimation des Unterrichtsfachs Musik
- Author
-
Cslovjecsek, Markus
- Subjects
Music / History & Criticism - Abstract
Warum obligatorischer Musikunterricht? Musikunterricht wird oft als ›nice-to-have‹ betrachtet und im Rahmen knapper Ressourcen in Frage gestellt. Der Begründungsdruck führt dazu, dass der Musik Wirkungen zugesprochen werden, die wissenschaftlich nicht haltbar sind. Ist das Schulfach Musik tatsächlich zu begründen? Wie soll es ausgerichtet sein? Gelingender Unterricht ist nicht nur von Lehrplan und Qualifikation der Lehrpersonen abhängig. Vielmehr spielen Haltungen und Überzeugungen von Lehrenden und Lernenden eine entscheidende Rolle. Markus Cslovjecsek zeigt auf, wo die Beteiligten die Legitimation von Musikunterricht sehen und richtet sich damit an alle, die an schulischem (Musik-)Unterricht und seiner Begründung interessiert sind - ein ›must-have‹ für alle Bildungsverantwortlichen.
- Published
- 2023
42. Racing the Great White Way : Black Performance, Eugene O'Neill, and the Transformation of Broadway
- Author
-
Johnson, Katie N.
- Subjects
Performing Arts ,Performing Arts / Theater / History & Criticism ,Social Science / Cultural & Ethnic Studies / American / African American & Black Studies - Abstract
The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic writing—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O’Neill’s texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie N. Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O’Neill’s plays such as The Emperor Jones and All God’s Chillun Got Wings make ideal case studies because of the way these works stimulated traffic between Broadway and Harlem—and between white and Black America. These investigations of O’Neill and Broadway productions are enriched by the vibrant transnational exchange found in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.
- Published
- 2023
43. Dirigierende Maschinen : Musik mit technikgestützter Tempovermittlung
- Author
-
Kocher, Philippe
- Subjects
Music / History & Criticism - Abstract
In der musikalischen Aufführungspraxis ist es normalerweise der Mensch, der das Tempo erzeugt. Innerlich ein Tempo zu etablieren und es an das der mitmusizierenden Personen anzugleichen, ist eine grundlegende musikalische Fähigkeit. Was bedeutet es also, wenn das Tempo von einem technischen System vorgegeben wird? Philippe Kocher unterzieht diese besondere Art der Mensch-Maschine-Interaktion einer musikgeschichtlichen, technikgeschichtlichen und medienarchäologischen Betrachtung. Darüber hinaus entwickelt er innerhalb seiner wissenschaftlich-künstlerischen Studie ein eigenes System zur technikgestützten Tempovermittlung und beschreibt dessen Einsatz in der Praxis.
- Published
- 2022
44. Die Geschichte des türkisch-deutschen Theaters und Kabaretts : Vier Jahrzehnte Migrantenbühne in der Bundesrepublik (1961-2004)
- Author
-
Boran, Erol M.
- Subjects
Performing Arts / Theater / History & Criticism - Abstract
Die Geschichte des türkisch-deutschen Migrant*innentheaters ist fast so alt wie die der türkischen Arbeitsmigration in die BRD. Von Beginn an befanden sich unter den Ankömmlingen nämlich auch Künstler*innen, die frühzeitig nach artistischen Ausdrucksmöglichkeiten suchten. Bald entstanden so erste Bühnenprojekte fernab der öffentlich subventionierten Theaterlandschaft, und über die Jahrzehnte entwickelte sich eine vitale Kultur, die weitgehend unbemerkt von der breiteren deutschen Öffentlichkeit stattfand. Erol M. Boran präsentiert die Vorgeschichte des zeitgenössischen postmigrantischen Theaters in Deutschland und liefert damit eine unentbehrliche Grundlage für dessen weitere Betrachtung.
- Published
- 2022
45. Theatermaschinen - Maschinentheater : Von Mechaniken, Machinationen und Spektakeln
- Author
-
Menke, Bettine and Struck, Wolfgang
- Subjects
Performing Arts / Theater / History & Criticism - Abstract
Theater sind Maschinen des Erscheinens. Und Theatermaschinen, die erscheinen lassen, verbergen sich selbst und bezeugen sich in ihren Effekten. Das teilen sie mit den Machinationen, wie Intrigen bis ins 19. Jahrhundert hießen. Sie widerstreiten dem Primat der dramatischen Handlung und ermöglichen in Verbindung mit Musik und anderen Illuminationen Theater als Spektakel. Die Beiträger*innen des Bandes fragen nach dem Zusammenhang von Maschine, Machination, Schauspiel und Schauraum. Mit der Figur der Maschine denken sie das Theater von seinen Rändern her und arbeiten heraus, wie ein maschineninduziertes Spektakel auch in Theaterformen (weiter-)lebt, denen das Spektakuläre suspekt geworden ist.
- Published
- 2022
46. Horror Noire : A History of Black American Horror from the 1890s to Present (Edition 2)
- Author
-
Means Coleman, Robin R.
- Subjects
Social Science / Media Studies ,Performing Arts / Film ,Performing Arts / Film / History & Criticism - Abstract
From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day.In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films, including mainstream Hollywood fare, art-house films, Blaxploitation films, and U.S. hip-hop culture-inspired Nollywood films. This new edition also explores the resurgence of the Black horror genre in the last decade, examining the success of Jordan Peele’s films Get Out (2017) and Us (2019), smaller independent films such as The House Invictus (2018), and Nia DaCosta’s sequel to Candyman (2021). Means Coleman argues that horror offers a unique representational space for Black people to challenge negative or racist portrayals, and to portray greater diversity within the concept of Blackness itself.This book is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
- Published
- 2022
47. "She Was Raised on Blood": Technological Anxieties, Animal Intimacies, and Evolutionary Impulses in Marebito.
- Author
-
DUMAS, RAECHEL
- Subjects
- *
HORROR films -- History & criticism , *JAPANESE films , *CAPITALISM in motion pictures ,HISTORY & criticism - Abstract
Contemporary Japan has been widely identified as a scene of crisis marked by the breakdown of established sociocultural institutions and the subordination of identity and desire to ever-evolving technocapitalist whims. Japanese-horror (J-horror) media of this period reveals a collective concern with these cultural themes, routinely employing haunted technologies to elaborate the perils and possibilities of existence in a world of incertitude. This article examines Shimizu Takashi's 2004 Marebito with attention to how the film develops a critique of the estranging forces of late capitalism and elaborates an alluring alternative, located in a return to what Derrida describes as the scene of humanity's second trauma: "the Darwinian." In doing so, the article traces how the drive for self-annihilation emerges in Marebito not only as a terrifying prospect but also as an occasion to forge intimate relationships with the repressed of culture. [ABSTRACT FROM AUTHOR]
- Published
- 2021
- Full Text
- View/download PDF
48. Spanish Civil War Horror and Regional Trauma: The Politics of Painful Remembrance in Juan Carlos Medina's Insensibles (Painless, 2012).
- Author
-
REYES, XAVIER ALDANA
- Subjects
- *
HORROR films -- History & criticism , *SPANISH films , *WAR films , *SPANISH Civil War, 1936-1939 , *HISTORICAL trauma , *REGIONALISM ,HISTORY & criticism - Abstract
This article unpacks the cultural work that Juan Carlos Medina's Insensibles, released in English as Painless, carries out in relation to Spain's modern history and argues that the film's painless children are an allegory of the country's postdictatorship generations. The rendering of fascism as monstrous is less interesting than the connection of insensitivity to the Pacto del Olvido (Pact of Forgetting) and its suppression of painful memory. The fact that the children speak Catalan is a significant overlooked aspect, because Catalonia was the last region to succumb to Nationalist military forces during the Spanish Civil War (1936-39) and is known for its independentist fervor. A regionalist reading of the film does not simply connect the present and the past; it proposes that the children of the war mediate Spain's current troubled relationship with historical trauma and act as an artistic response to centralist ideas of a unified and stable nation-state. Such a rethinking demonstrates that the horror genre continues to offer a language of anxiety capable of negotiating and contributing to debates around the importance of national accountability, war reparations, and the condemnation of genocide. [ABSTRACT FROM AUTHOR]
- Published
- 2021
- Full Text
- View/download PDF
49. Noise as a Constructive Element in Music : Theoretical and Music-Analytical Perspectives
- Author
-
Delaere, Mark
- Subjects
Music / History & Criticism ,Music / Philosophy & Social Aspects ,Music - Abstract
Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment.In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a ‘defect’, this volume aims at studying its aesthetic and cultural potential.Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume offers contributions by music analysts.
- Published
- 2022
50. Contingent Encounters : Improvisation in Music and Everyday Life
- Author
-
DiPiero, Dan
- Subjects
Music / History & Criticism ,Performing Arts / Improvisation ,Music - Abstract
Contingent Encounters offers a sustained comparative study of improvisation as it appears between music and everyday life. Drawing on work in musicology, cultural studies, and critical improvisation studies, as well as his own performing experience, Dan DiPiero argues that comparing improvisation across domains calls into question how improvisation is typically recognized. By comparing the music of Eric Dolphy, Norwegian free improvisers, Mr. K, and the Ingrid Laubrock/Kris Davis duo with improvised activities in everyday life (such as walking, baking, working, and listening), DiPiero concludes that improvisation appears as a function of any encounter between subjects, objects, and environments. Bringing contingency into conversation with the utopian strain of critical improvisation studies, DiPiero shows how particular social investments cause improvisation to be associated with relative freedom, risk-taking, and unpredictability in both scholarship and public discourse. Taking seriously the claim that improvisation is the same thing as living, Contingent Encounters overturns long-standing assumptions about the aesthetic and political implications of this notoriously slippery term.
- Published
- 2022
Catalog
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