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Across multiple worlds in upheaval, a curious cast of Black queer characters must choose between what they already know themselves to be and what they might yet become in the cataclysm. A shapeshifter learns to embrace their body as it changes through a lunar cycle. A stranger’s visit disturbs three sisters sheltering from monsters that stalk the land. An archivist hears an irresistible call to the rising ocean as she uncovers a surprising history. A mysterious fire sparks whispers of revolution in the mind of a vampire’s captive consort. At once tender and audacious, Nathan Alexander Moore’s debut collection tells the stories of extraordinary creatures making impossible but human decisions. Traversing apocalypses both big and small, these captivating tales vibrate with the tensions between loss and growth; self and community; precarity and possibility., https://www.librarystack.org/rupture-files-the/?ref=unknown

Across multiple worlds in upheaval, a curious cast of Black queer characters must choose between what they already know themselves to be and what they might yet become in the cataclysm. A shapeshifter learns to embrace their body as it changes through a lunar cycle. A stranger’s visit disturbs three sisters sheltering from monsters that stalk the land. An archivist hears an irresistible call to the rising ocean as she uncovers a surprising history. A mysterious fire sparks whispers of revolution in the mind of a vampire’s captive consort. At once tender and audacious, Nathan Alexander Moore’s debut collection tells the stories of extraordinary creatures making impossible but human decisions. Traversing apocalypses both big and small, these captivating tales vibrate with the tensions between loss and growth; self and community; precarity and possibility., https://www.librarystack.org/rupture-files-the/?ref=unknown

Why do we yearn to be seen when we are already far too visible? How do we want to be perceived, and how are we exposed? Could we ever really see for ourselves? In memoir, vignettes, poetry and essays, Suhaiymah Manzoor-Khan records her observations from the stands at the dizzying circus of being seen and unseen. She surveys the criminalising stadium of civic life, the open-air arenas of family, friendship and grief, the performative pageantry of the public eye and the unclad secrets of the self in solitude, paying attention to what’s on show and what goes undetected. Perhaps the strangest, most exciting possibilities are opened when we surrender to another kind of sight. Submitting to the gaze of the Unseen and the All-Seeing, Manzoor-Khan invites us to close our eyes and discover what it would mean to look with our souls instead., https://www.librarystack.org/seeing-for-ourselves/?ref=unknown

How much distance and difference can intimacy hold? How much proximity and likeness does it require? What can we learn from its capacities? And what could we salvage from its limits? Curious Affinities unravels the risks and possibilities brought forth by unconventional styles of intimacy. Across kinship, friendship, romance and community, the threads of social relation are entangled by race, class and queerness in unexpected and generative ways, as we find ourselves rent to shreds and stitched back together in the name of common feelings. In rousing poetry and incisive prose, Sophie Chauhan reflects on the bonds and boundaries that govern our collective ways of life and wonders how they might be reimagined., https://www.librarystack.org/curious-affinities/?ref=unknown

Through an Addict’s Looking-Glass is an exercise in meaning-making, a thinking-out-loud. Waithera Sebatindira unravels how it feels to live as an addict under capitalism, pondering how engaging with these experiences could bring the horizon of liberation towards us. Through embodied explorations of addiction and recovery, Sebatindira invites us to inhabit crip time, a concept that describes different temporal realities in the lives of disabled people. In this collection, the addict’s crip time is distorted, mutable and non-linear, hopping backwards and forwards through memory loops and memory loss. Blackout is time travel; sobriety is failure; finitude, freedom. An uncompromising rejection of the objectification of addicts across the political spectrum, this powerful meditation on illness, disability, solidarity and spirituality illuminates their indispensable contributions to the building of a new world., https://www.librarystack.org/through-an-addicts-looking-glass/?ref=unknown

What do we do when the world breaks our hearts? Racial capitalism in the age of pandemic continues to crush ever more lives and spirits. Yet, we are told repeatedly to master, to overcome, to be resilient. Beneath this fragile pretence of coping, many of us have grown used to living with profound and fathomless sorrow. In graceful prose, Gargi Bhattacharyya navigates collective grief and how it mingles with personal tragedy. Alongside love and joy, perhaps grief is what makes us human―and while its pain scrapes our wounds, its presence can help us renounce that which exists and build anew. Heartbreak is the class consciousness of our times. So, it is up to us, the heartbroken, to learn again to heal—and remake the world., https://www.librarystack.org/we-the-heartbroken/?ref=unknown

Through an Addict’s Looking-Glass is an exercise in meaning-making, a thinking-out-loud. Waithera Sebatindira unravels how it feels to live as an addict under capitalism, pondering how engaging with these experiences could bring the horizon of liberation towards us. Through embodied explorations of addiction and recovery, Sebatindira invites us to inhabit crip time, a concept that describes different temporal realities in the lives of disabled people. In this collection, the addict’s crip time is distorted, mutable and non-linear, hopping backwards and forwards through memory loops and memory loss. Blackout is time travel; sobriety is failure; finitude, freedom. An uncompromising rejection of the objectification of addicts across the political spectrum, this powerful meditation on illness, disability, solidarity and spirituality illuminates their indispensable contributions to the building of a new world., https://www.librarystack.org/through-an-addicts-looking-glass/?ref=unknown

What do we do when the world breaks our hearts? Racial capitalism in the age of pandemic continues to crush ever more lives and spirits. Yet, we are told repeatedly to master, to overcome, to be resilient. Beneath this fragile pretence of coping, many of us have grown used to living with profound and fathomless sorrow. In graceful prose, Gargi Bhattacharyya navigates collective grief and how it mingles with personal tragedy. Alongside love and joy, perhaps grief is what makes us human―and while its pain scrapes our wounds, its presence can help us renounce that which exists and build anew. Heartbreak is the class consciousness of our times. So, it is up to us, the heartbroken, to learn again to heal—and remake the world., https://www.librarystack.org/we-the-heartbroken/?ref=unknown

How much distance and difference can intimacy hold? How much proximity and likeness does it require? What can we learn from its capacities? And what could we salvage from its limits? Curious Affinities unravels the risks and possibilities brought forth by unconventional styles of intimacy. Across kinship, friendship, romance and community, the threads of social relation are entangled by race, class and queerness in unexpected and generative ways, as we find ourselves rent to shreds and stitched back together in the name of common feelings. In rousing poetry and incisive prose, Sophie Chauhan reflects on the bonds and boundaries that govern our collective ways of life and wonders how they might be reimagined., https://www.librarystack.org/curious-affinities/?ref=unknown

Why do we yearn to be seen when we are already far too visible? How do we want to be perceived, and how are we exposed? Could we ever really see for ourselves? In memoir, vignettes, poetry and essays, Suhaiymah Manzoor-Khan records her observations from the stands at the dizzying circus of being seen and unseen. She surveys the criminalising stadium of civic life, the open-air arenas of family, friendship and grief, the performative pageantry of the public eye and the unclad secrets of the self in solitude, paying attention to what’s on show and what goes undetected. Perhaps the strangest, most exciting possibilities are opened when we surrender to another kind of sight. Submitting to the gaze of the Unseen and the All-Seeing, Manzoor-Khan invites us to close our eyes and discover what it would mean to look with our souls instead., https://www.librarystack.org/seeing-for-ourselves/?ref=unknown

Objects from April and May is a rumination on the sanctity and significance of cherished possessions. Informed by the loss of precious gold in an armed robbery, these poems trace each taken item across years and borders, from a supermarket in Brooklyn to a checkpoint in Occupied Palestine to an American compound in Iraq. Yet they return, irrevocably, to a violent interaction on a quiet street in Oakland, California, gathering its shattered fragments. Formally inventive and politically astute, Zena Agha’s poems bristle with a controlled melancholy. As she unspools one traumatic encounter and its reverberations, she shows how much material loss can teach us about love, attachment and sorrow., https://www.librarystack.org/objects-from-april-and-may/?ref=unknown

This book is built of stories and provocations—like the birth of a pearl, it transforms that which irritates, layer by layer. Through speculative fiction and critical essays, Pear Nuallak explores what happens when messy, desiring bodies collide with the hard edge of power. The world’s neat categories are unmade and rewritten, revealing that racial capitalism’s myths are just as much fantasies as Thai bird princesses and transgender magic. Moving playfully across folktale, horror, satire and critique, Nuallak examines how different beings are formed politically, bodily and emotionally. We discover interdimensional fungi resisting colonisation, queer monsters living on Hampstead Heath, and a mysterious canal running through the ruins of capitalism into interstitial realms. We test the borders of queer diasporic nationalism and take apart the racially melancholic memoir. In this fiery yet delicate collection, we aren’t bound by truth, but flow with it into new worlds., https://www.librarystack.org/pearls-from-their-mouth/?ref=unknown

Twenty years after she first chanted in Tahrir, Hanan’s son is living under military rule in Egypt. Though he is both a disciple of the national Sufi institute and a swimmer representing the Armed Forces, proximity to power cannot undo his revolutionary birthright: like his mother and grandmother before him, Shahed is an undercover rebel. When a general arrives at the Sufi institute looking for help with a military assignment, Shahed accepts, all while concealing his own plans for resistance. The mission takes him behind the walls of a prison town, inside a secret army barracks in the Sinai desert, and deep into the murky waters of the past. As he wades through his mother’s repressed memories and the state’s repressed histories, Shahed grapples with the traumas of the revolution and the weight of authoritarian rule, searching for new ways to revolt for freedom., https://www.librarystack.org/you-must-believe-in-spring/?ref=unknown

This book is built of stories and provocations—like the birth of a pearl, it transforms that which irritates, layer by layer. Through speculative fiction and critical essays, Pear Nuallak explores what happens when messy, desiring bodies collide with the hard edge of power. The world’s neat categories are unmade and rewritten, revealing that racial capitalism’s myths are just as much fantasies as Thai bird princesses and transgender magic. Moving playfully across folktale, horror, satire and critique, Nuallak examines how different beings are formed politically, bodily and emotionally. We discover interdimensional fungi resisting colonisation, queer monsters living on Hampstead Heath, and a mysterious canal running through the ruins of capitalism into interstitial realms. We test the borders of queer diasporic nationalism and take apart the racially melancholic memoir. In this fiery yet delicate collection, we aren’t bound by truth, but flow with it into new worlds., https://www.librarystack.org/pearls-from-their-mouth/?ref=unknown

Twenty years after she first chanted in Tahrir, Hanan’s son is living under military rule in Egypt. Though he is both a disciple of the national Sufi institute and a swimmer representing the Armed Forces, proximity to power cannot undo his revolutionary birthright: like his mother and grandmother before him, Shahed is an undercover rebel. When a general arrives at the Sufi institute looking for help with a military assignment, Shahed accepts, all while concealing his own plans for resistance. The mission takes him behind the walls of a prison town, inside a secret army barracks in the Sinai desert, and deep into the murky waters of the past. As he wades through his mother’s repressed memories and the state’s repressed histories, Shahed grapples with the traumas of the revolution and the weight of authoritarian rule, searching for new ways to revolt for freedom., https://www.librarystack.org/you-must-believe-in-spring/?ref=unknown

Objects from April and May is a rumination on the sanctity and significance of cherished possessions. Informed by the loss of precious gold in an armed robbery, these poems trace each taken item across years and borders, from a supermarket in Brooklyn to a checkpoint in Occupied Palestine to an American compound in Iraq. Yet they return, irrevocably, to a violent interaction on a quiet street in Oakland, California, gathering its shattered fragments. Formally inventive and politically astute, Zena Agha’s poems bristle with a controlled melancholy. As she unspools one traumatic encounter and its reverberations, she shows how much material loss can teach us about love, attachment and sorrow., https://www.librarystack.org/objects-from-april-and-may/?ref=unknown