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Artefacts can evoke stories. This article explores the use of artefacts in narrative pedagogies in the context of teachers' professional development during the induction phase. The research question is: What kind of stories about beginning teachers' work does the use of artefacts in narrative pedagogies evoke? The article is based on two peer group meetings in which nine Finnish teachers working in day care centres and primary schools participated. The findings illustrate how the use of artefacts offers an entrance into teachers' daily routines, relationships and practices as well as how artefacts can become important actors in teachers' classrooms. This article contributes to the emerging literature on the meaning of artefacts in educational practices and beginning teachers' professional development. Additionally, the article contributes to the still not fully recognised potential that artefacts can have in narrative pedagogies in pre-service and in-service teacher education.

Prior research has shown that touch has an important role in preschools. However, less is known about early childhood educators' views on touch in their work. Hence, we ask what different views of touch early childhood educators narrate as a part of their work. The research material consists of three multiprofessional group discussions with educators working in Finnish preschools. The findings show how educators balanced between different views of touch. Occasionally they spoke from personal points of view: touch is intimate while an important part of their work. However, educators also spoke from professional and practical points of view: circumstances and practices influence touch, and they must tolerate touch because of the nature of their work. Additionally, educators spoke about how culture, rules, habits, and other people affect touch. The study suggests that practices of touch must be intertwined with tactful practice and treated as a multisided phenomenon in education.

This article explores how student teachers use moral imagination when writing about an ethical dilemma. Moral imagination refers to the ability to consider a situation from a distance and to understand different perspectives through imagination. An ethical dilemma was presented in the form of a framing story, which the participating Austrian and Finnish student teachers continued writing as they chose. Through positioning and narrative analyses, we uncovered how the students' moral imagination on the ethical dilemma centred on one or more of the following foci: (1) the pupil; (2) themselves as teachers; or (3) other actors. This moral imagination manifested through different storylines. The implications of these results and the relevance of the method for teacher education are discussed.

This article focuses on what student teachers tell about the emotional dimension of their identities with self-portraits. Narrative interviews with self-portraits were conducted with two student teachers in the final stages of their studies. The interviews were analysed by using narrative analysis, followed by a thematic cross-analysis of the two emplotted stories. The findings emphasise the importance of vulnerability as a significant emotional dimension of student teachers' identities, showing them to be vulnerable in relation to themselves, to others and to cultural teacher stories. From the perspective of student teacher identity construction, it was notable that the student teachers described moments of feeling unsuited to being a teacher, which made them feel vulnerable. The article discusses the meaning of self-portraits for research and for teacher education; telling stories with self-portraits can be used to understand the emotional dimension of student teachers' narrative identities.

Prior research has shown that touch has an important role in preschools. However, less is known about early childhood educators' views on touch in their work. Hence, we ask what different views of touch early childhood educators narrate as a part of their work. The research material consists of three multiprofessional group discussions with educators working in Finnish preschools. The findings show how educators balanced between different views of touch. Occasionally they spoke from personal points of view: touch is intimate while an important part of their work. However, educators also spoke from professional and practical points of view: circumstances and practices influence touch, and they must tolerate touch because of the nature of their work. Additionally, educators spoke about how culture, rules, habits, and other people affect touch. The study suggests that practices of touch must be intertwined with tactful practice and treated as a multisided phenomenon in education. [ABSTRACT FROM AUTHOR]

Artefacts can evoke stories. This article explores the use of artefacts in narrative pedagogies in the context of teachers' professional development during the induction phase. The research question is: What kind of stories about beginning teachers' work does the use of artefacts in narrative pedagogies evoke? The article is based on two peer group meetings in which nine Finnish teachers working in day care centres and primary schools participated. The findings illustrate how the use of artefacts offers an entrance into teachers' daily routines, relationships and practices as well as how artefacts can become important actors in teachers' classrooms. This article contributes to the emerging literature on the meaning of artefacts in educational practices and beginning teachers' professional development. Additionally, the article contributes to the still not fully recognised potential that artefacts can have in narrative pedagogies in pre-service and in-service teacher education. [ABSTRACT FROM AUTHOR]

This article focuses on what student teachers tell about the emotional dimension of their identities with self-portraits. Narrative interviews with self-portraits were conducted with two student teachers in the final stages of their studies. The interviews were analysed by using narrative analysis, followed by a thematic cross-analysis of the two emplotted stories. The findings emphasise the importance of vulnerability as a significant emotional dimension of student teachers' identities, showing them to be vulnerable in relation to themselves, to others and to cultural teacher stories. From the perspective of student teacher identity construction, it was notable that the student teachers described moments of feeling unsuited to being a teacher, which made them feel vulnerable. The article discusses the meaning of self-portraits for research and for teacher education; telling stories with self-portraits can be used to understand the emotional dimension of student teachers' narrative identities. [ABSTRACT FROM AUTHOR]

This article explores how student teachers use moral imagination when writing about an ethical dilemma. Moral imagination refers to the ability to consider a situation from a distance and to understand different perspectives through imagination. An ethical dilemma was presented in the form of a framing story, which the participating Austrian and Finnish student teachers continued writing as they chose. Through positioning and narrative analyses, we uncovered how the students' moral imagination on the ethical dilemma centred on one or more of the following foci: (1) the pupil, (2) themselves as teachers or (3) other actors. This moral imagination manifested through different storylines. The implications of these results and the relevance of the method for teacher education are discussed. [ABSTRACT FROM AUTHOR]