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Rokopisne pesmarice spadajo med zvrsti, v katerih se je rokopisna tradicija ohranjala najdlje kljub številnim tiskanim izdajam. V arhivu Glasbenonarodopisnega inštituta ZRC SAZU so neraziskane rokopisne pesmarice, ki datirajo od konca 18. do sredine 20. stoletja. V prispevku so predstavljene rokopisne pesmarice iz zapuščine duhovnika Ivana Kokošarja, in sicer iz Cerkna, Podmelca in Medane. Manuscript songbooks are among the genres in which the manuscript tradition has been preserved the longest, in spite of various printed editions. In the archive of the Institute of Ethnomusicology at ZRC SAZU there are manuscript songbooks from the late 18th to the mid-20th century that have not yet been researched. The article presents manuscript songbooks from the legacy of the priest Ivan Kokošar, originating from Cerkno, Podmelec and Medana.

Opisane so nekatere manj znane koroške rokopisne pesmarice, nastale v obdobju od okoli leta 1760 do 1860 (skupno 710 pesmi), ki so se ohranile v bohoričici. Pisec rokopisa je moral znati brati in pisati, zapustil pa je obenem pesmi, ki so bile dejansko v rabi in so mnogokrat narečno obarvane. Največ pesmi (skoraj polovica pregledanega gradiva, 304 od 710 pesmi) uporablja kitično obliko s štirimi ali osmimi verzi, po 10 % jih je v kitičnih oblikah sedmih ali šestih verzov, nekaj jih ima kitice z več kot 10 verzi. V opisanih pesmaricah je približno 15 % štirivrstičnic od teh sta slovenska "alpska" poskočnica ter daktilski deseterec starejša, kot se je do zdaj domnevalo. Some of the less-known Carinthian manuscripts written in the period from 1760 to 1860 (a total of 710 songs) are preserved in the Bohorič alphabet. The majority of the songs (almost half of the reviewed material, 304 of the 710 songs) have four-line or eight-line verses, 10% of them have seven or six line verses, and some verses have more than 10 lines. Approximately 15% consist of four lines, whereby the "Slovene Alpine" four syllabic poem and the dactylic ten syllables seem to be much older than hitherto assumed.

V prispevku1 obravnavam vidnejše jezikovne značilnosti štajerske rokopisne pesmarice iz sredine 18. stoletja, ki prinaša prve slovenske zapise marijinoceljskih pesmi, ter podajam tudi opis rokopisa. Z analizo in primerjanjem z drugimi tedanjimi pisci slovenskih cerkvenih pesmi (Stržinar, Lavrenčič, Paglovec, Plohel, Andohtlive pejsme) je potrjen vzhodnoštajerski izvor pesmarice, čeprav so se nekateri pisci ozirali k osrednjeslovenskemu jezikovnemu prostoru. The article deals with the prominent linguistic characteristics of a handwritten Styrian hymnbook from the mid-eighteenth century. It is the first Slovene record of the so-called Mariazell Songs. A manuscript description is also provided. Through analysis and comparison with other Slovene hymn writers (Stržinar, Lavrenčič, Paglovec, Plohel, Andohtlive pejsme), the Eastern Styrian source of the hymnbook is confirmed, though some writers from the Central Slovene linguistic area imitated the works.

Pri zbiranju slovenskih pesmaric iz 18. stoletja je bil v Rokopisni zbirki NUK najden fragment rokopisne pesmarice. Pisava dopušča možnost, da bi bila pesmarica lahko delo Adama Skalarja, avtorja Skalarjevega rokopisa. Primerjava obeh rokopisov kaže podobnosti in razlike v duktusu oboje je na kratko predstavljeno v prispevku. Predstavljenih je tudi vseh devet pesmi iz fragmenta (nekaj je okrnjenih) in omenjena povezava z nekaterimi drugimi znanimi tiskanimi in rokopisnimi pesmaricami. While searching for Slovene songbooks from the 18th century in the Manuscript Collection of the National University Library NUK, a fragment of a manuscript songbook was found. The manner of the writing suggests the author of the songbook could be Adam Skalar, the author of Skalar's Manuscript. A comparison of the two manuscripts shows similarities and differences in the ductus, which will be presented in brief. The paper further presents the nine church songs from the manuscript fragment (some fragmentary) and noted its connection to some other well-known printed and manuscript songbooks.