Search

This paper employs digital ethnographic methods to explore the Facebook fan group for the popular podcast My Favorite Murder. We argue that the My Favorite Murder podcast and Facebook group, while providing a potentially unique feminist online space for its members in its early days, quickly devolved into a toxic space rife with conflict and ultimately destroyed by white-centred feminism and white supremacy. We explore failed gatekeeping practices in relation to other Facebook podcast fan groups that have met a similar demise. Finally, we question whether truly inclusive anti-racist feminist spaces can exist in capitalistic models of media production and consumption. [ABSTRACT FROM AUTHOR]

Doreen Massey's academic repertoire, as a human geographer and political thinker, is almost unmatched. This review essay catalogues my experience of 'meeting' Massey through the eyes of David Featherstone and Diarmaid Kelliher, the editors of this collection of selected political writings. Highlighting Massey's contributions to theories of relationality, space, place, politics and praxis, I show how the collection captures her ability to synthesise everyday struggles and global political-economic processes. We also meet Massey in her various, intersecting guises: academic, political organiser, person. Where the book brings forth a vision of Massey as scholar and as public intellectual, I further comment on how her contributions are framed within geography and particularly her influence on feminist geographies. [ABSTRACT FROM AUTHOR]

Feminist classrooms employ a variety of teaching strategies that empower students and inspire equity and justice. In this paper, we argue that integrating student-made documentary filmmaking into the college classroom is a powerful and effective form of feminist teaching. Specifically, feminist pedagogy views students as knowledge creators and demands collaborative, non-hierarchical learning experiences. These outcomes suggest that documentary filmmaking is a compelling and effective way to engage students in our increasingly visual and video-based culture. Based on our experiences teaching sociology at a women's college in the U.S., we illustrate the impact that documentary filmmaking has for student learning, empowerment, and justice work. We also develop and strengthen students' technical, multi-media skills, arguing this outcome expands feminist pedagogy to meet contemporary culture. [ABSTRACT FROM AUTHOR]

Moreover, Tripp thoroughly examines the three cases of Algeria, Morocco, and Tunisia to explain why they have diverged from the rest of the MENA yet converged with each other in adopting women's rights policies. To answer the question, Tripp argues that the authorities in the Maghreb have adopted women's rights policies to strengthen their domestic and international legitimacy. [Extracted from the article]

Isobelle Barrett Meyering's I Feminism and the Making of a Child Rights Revolution 1969-1979 i makes plain that feminism takes seriously the rights of children and especially girls, and also that feminism has never been a project led exclusively by white women. I Feminism and the Making of a Child Rights Revolution 1969-1979 i presents a rich and expansive account of the entwined movements of feminism and child rights on this continent we now call Australia. An account of a ten-year-old schoolgirl's participation in a conference captures how feminist concern with girls is expressed as concern for the I women they are expected to become. i It is significant that the "child" of central interest to the feminist movement appears as a girl not a boy, let alone a trans or non-binary child. [Extracted from the article]

The article focuses on the accomplishment of Cheryl and Nikki Bart, mother and daughter, of scaling the summit of Mt. Everest, which became a topic at the "Australia 2020 Summit." It provides the author's narrative and personal story of attending and participating in the said summit. It explores the way in which women were included in and excluded from the processes, content and discussions of the event, in the hope that the analysis may assist in formulating ways to enhance effective strategic thinking, policy development and service delivery which specifically addresses the needs of and opportunities for women in Australia over the next decade and beyond. Related issues are further duscussed.

This paper builds on prior research that establishes the connection between femininity and gay men by adding sexual position identity, or one’s sexual role as a top, bottom or versatile, to the argument. Using concepts of hegemonic masculinity and censure, the paper examines the historic link between feminine pursuits of fashion and aesthetics and gay identity as well as contemporary views of ‘gayness’ to argue that gay men are censured by other gay men in order to conform to heteronormative expectations of gender. The mechanism for the censure is invoking the word ‘bottom’ to criticise gay men who have feminine traits. Data were gathered from casual interviews, conversations, blogs and vlogs and demonstrate the underlying tension between masculinity and femininity within the gay, male community and how the community has co-opted heteronormative concepts of gender. [ABSTRACT FROM AUTHOR]

The papers of radical feminist writer Monique Wittig (1935–2003) are now available for researchers to consult in Yale University’s Beinecke Rare Book and Manuscript Library. This article provides an account of the provenance of the collection, its holdings and its passage to the Beinecke. In particular, it explores what has and has not survived and highlights the timeliness of the opening of Wittig’s papers in terms of current speculation around the history and archiving of feminism as a movement. [ABSTRACT FROM PUBLISHER]

In this paper, we expand the Foucauldian question of what is thinking doing? We approach the question in the context of reading as an entirely ontological enterprise. Aligned with the special issue theme of reading as a "long preparation," and prompted by Deleuze's discussion of "reading with love," we link the two to present how reading with love has been enacted in our work, both collective and individual, as transformative and intensive. The feminist philosopher Elizabeth Grosz, and her own readings of Deleuze and Foucault, prompts us to envisage what it is to think like a feminist and read with love after the ontological turn. As ontological, reading is neither consumption nor the acquisition of knowledge but an act of creation, an act of freedom, an act of love. [ABSTRACT FROM AUTHOR]

This paper argues that existing accounts of the 'post-feminist' gender regime place excessive emphasis on modes of repudiation of feminism, at the expense of analysing possibilities for the affirmation of feminism in the mainstream media. I argue that this oversight may be rectified by an assessment of the ways in which feminism is affirmed, contested and spoken about in the pages of the quality press. Consequently, the bulk of the paper consists of an analysis of articles specifically about feminism and gender in two British quality newspapers with divergent political orientations. These are The Guardian, which is left-leaning and broadly pro-feminist, and The Times, which is more conservative and ambivalent towards feminism. In so doing, the paper introduces the notion of feminist 'domestication' as central to constructions of feminism in The Guardian, and to a lesser extent in The Times. Domestication refers to the explicit or implicit affirmation of a safe, unthreatening form of feminism via a disavowal of a more radical feminist position. Strategies of domestication thus constitute an acceptable space for feminism to reside, whilst at the same time curtailing its more radical political dimensions. Introducing the notion of 'domestication' gives us a better understanding of the conditions under which feminism can be affirmed within mainstream public discourse. [ABSTRACT FROM AUTHOR]

This article examines 3 papers presented before the Cincinnati Academy of Medicine by 19th-century physician Julia W. Carpenter. The article identifies 3 strategies Carpenter used to negotiate the incompatible rhetorical expectations for women and for physicians. The published records of academy discussions provide evidence for Carpenter's colleagues' reactions to each strategy, revealing the complexity of her rhetorical situation and demonstrating the complex links among rhetorical practice, professional identity, and a communicator's social position. [ABSTRACT FROM AUTHOR]

The idea for this Special Issue, ‘Gender, Physical Education and Active Lifestyles: Contemporary Challenges and New Directions’ developed from the interest generated by a one day conference held at Leeds Beckett University in September 2017. The conference marked 25 years since the publication of Sheila Scraton’s ground breaking, feminist analysis of Physical Education. As a pivotal text that has contributed to the growth of gender research within the UK and more broadly, it seemed fitting to mark this occasion. The reach of Sheila’s work was perhaps realised through the delegate body. Early career researchers mingled with established scholars from America, Australia, New Zealand, Europe and the UK. Building on this conference and a wider call for papers, we are delighted to offer two Special Issues of Sport, Education and Society. The first issue engages explicitly with the challenge of theorising and understanding gendered subjectivities and embodiment across a range of contexts. These papers reflect the diversity of theoretical approaches being employed with some drawing on feminist perspectives, and others using Bourdieu, intersectionality, critical whiteness studies, and masculinity studies. The collection of papers in the second issue seek to examine the different ways in which gender becomes implicated in pedagogical relations and practice. These range from accounts of teachers’ struggles to use critical pedagogies to address gender inequities in PE classes, to analyses of the wider pedagogical ‘work’ of the media in constructing understandings about gender, with several papers exploring these two aspects in combination. We hope you enjoy reading the papers across these two Special Issues as much as we have enjoyed the journey as the editorial team. Collectively the papers raise alternative questions and provide new insights into gender and active lifestyles, and importantly, all seek to make a difference in moving towards more equitable physical activity experiences. [ABSTRACT FROM AUTHOR]

Black Laundry is a queer anti-occupation group which grew out of the feminist peace movement in Israel and adopted imaginative and humorous ways to re-imagine citizenship and solidarity in a nationalist militaristic context. The following essay describes the evolution of the group from the perspective of one of its co-founders, and focuses on the group's improvisational, non-exclusionary strategies, and on different reactions to the high visibility of the group's interventions during the Al-Aqsa Intifada years 2002–2003. [ABSTRACT FROM AUTHOR]

This discussion explores Wrye's deconstructive methods of feminist theory-building. Wrye contends that sociocultural factors establish Freud's construct “Anatomy is destiny” as a deforming norm and lead to an unconscious saboteur in women. Shechter applies Wrye's unconscious saboteur to clinical work with men, showing the universal pan-gender nature of Wrye's concept. Shechter proposes that Wrye's clinical ideas tap the essence of developmental theory and thus bridge schools of psychoanalytic thought; whether a psychoanalyst interprets drive, self object, or relational images, gender integration occurs when libido is satisfied in a milieu of accepting subjectivity. Gender meanings become malleable and better describe both feminine and masculine self as personal narratives transform. Roberta Ann Shechter. Die universelle Natur der Subjektivität der Geschlechter und der unbewussten Saboteure: Diskussion der Arbeit von .... Diese Diskussion erforscht Wryes Auflösung von feministischer Theoriebildung. Wrye vertritt, dass soziokulturelle Faktoren Freuds Aussage “Anatomie ist Schicksal” zur Geltung bringen und zwar als eine deformierende Norm, die zu einem unbewussten Saboteur in der Psyche der Frau wird. Shechter wendet Wyres Konzept des unbewussten Saboteurs auf die klinische Arbeit mit Männern an und weist nach, dass es sich bei Wyres Konzept um ein universelles über die Geschlechtszugehörigkeit hinausgehendes Phänomen handelt. Roberta Ann Shechter. La naturaleza universal de la subjetividad de género y los saboteadores inconscientes: Un discusión del trabajo de Harriet Kimble Wyre, “Deconstruyendo el saboteador inconsciente: Componiendo una vida con ambición y deseo”. La discusión explora el método deconstructivo de la construcción teórica feminista de Wrye. Wrye argumenta que los factores socio-culturales establecen el constructo de Freud “anatomía es destino” como una norma deformativa que conduce a un saboteador inconsciente en las mujeres. Shechter aplica el saboteador inconsciente a su trabajo clínico con hombres, mostrando la naturaleza universal del concepto de Wrye. Shechter propone que las ideas clínicas de Wrye golpean la esencia de la teoría del desarrollo y tienden un puente en las escuelas de pensamiento psicoanalítico; Sea que el analista interprete la pulsión, el objeto del self o las imágenes relationales, la integración del género ocurre cuando la libido es satisfecha en u ambiente de aceptación de la subjetividad. Los significados de género, ambos self masculino y femenino, se vuelven maleables y mejor descritos mientra la narrativas personales se transforman. (143) [ABSTRACT FROM AUTHOR]

In 2011, something surprising happened in terms of Australian feminist cultural memory: a celebratory feminism arrived in the shape of the hugely popular ABC television mini-series, Paper Giants: The Birth of Cleo. Eschewing dour social realism for a stylish and ludic narrative, Paper Giants uses the story of the women's magazine Cleo to tell the story of Australian women's liberation. This essay analyses the components of the mini-series' celebratory feminist aesthetics, examining the ways in which it mobilises feminist tropes to speak an intelligible feminist language in postfeminist times. Further, I detail how women's liberation becomes central to the national historical narrative underpinning the programme. [ABSTRACT FROM AUTHOR]

Despite the claim in Miroslav Imbrišević's paper about differences between the positions of Jon Pike and myself, there are also significant overlaps. I endorsed the WR consultative process that Jon was part of, agreed that Jon had produced a compelling argument, and agreed with the lexical framework of the argument. Miroslav's major contentions with my argument appears to be that it dresses up patriarchal outcomes in feminist clothes, and that it ignores the voices of women [athletes] in coming to its conclusions. In this paper, I address the charges by suggesting that both emanate from Miroslav's attempts to see gender critical feminism as the gauge against which all positions need to be judged. My position is that this school of feminism will lead to largely conservative outcomes in the discursive and organizational hierarchies in sport, so that any individual benefits that accrue to female athletes will be less substantial than the loss of transformational potential in women's sport. [ABSTRACT FROM AUTHOR]

Both fisheries and feminism have been the subject of much research spanning academic disciplines and topics for many years. The papers in this themed issue are considered 'fishy' in the sense that they are both about fisheries and fish in diverse places, but also because they use a feminist lens, and feminism is often taken as something suspicious that can be doubted by virtue of the social bias associated with the term. Feminism has long offered an understanding of how patriarchal frameworks are embedded within larger structures of societies that maintain social inequities. In their various papers, the authors bring critical insight to understanding the significance of feminist research and its potential for understanding the connections between place and the future of our relationship with oceans and marine ecosystems. This themed issue contributes to a hopefully growing interest in feminist insights to fisheries and ocean/maritime spaces, and addresses more broadly, the argument that (feminist) geography has remained 'land-locked'. [ABSTRACT FROM AUTHOR]

This paper examines discourses of bullying in international climate politics. Drawing on two cases, first the (social) media coverage which surrounded climate activist Greta Thunberg's visits to the UK in 2019, and second Thunberg's interactions with former US President Donald Trump, alongside a theoretical framework inspired by feminist geopolitics, the paper argues that discourses of bullying can be conceptualised as a series of figurations (the 'bully', the 'bullied', and the 'anti-bully') which reproduce individuated relations of power. Overall, the paper argues that individuating bullying discourses perpetuate a politics of white innocence which preserves petro-masculine power in international climate politics. To contest these unequal power dynamics, the paper argues for an anti-bullying politics grounded in collective, intersectional challenges to climate injustice. [ABSTRACT FROM AUTHOR]

Concurrent with increasing social and legal discussions of coercive control, literary scholars are turning their attention to analyses of an emergent genre labelled 'domestic noir'. Adding to earlier work, particularly that of Deborah Philips (2021), 'Gaslighting: Domestic Noir, the Narratives of Coercive Control', Women: A Cultural Review 32:2, pp. 140–160 and Meg Vann (2019), 'Genre and Gender: Reading Domestic Noir through the Lens of Feminist Criminology', TEXT Special Issue 57, pp. n.p., this paper contributes a therapeutic history of interventions for domestic violence, highlighting the history of the concept of control contextualized by its emergence from second wave feminism. Critical analysis of two novels, Ilsa Evans' Broken (2007) and Kathryn Heyman's Storm and Grace (2017), demonstrate writers centralizing feminist critiques of coercive control in domestic noir in the Australian context. This paper highlights the significance of women's fictional representations of coercive control as sites of discursive sociocultural resistance and temporal political contextualization within the genre. [ABSTRACT FROM AUTHOR]

This paper will discuss whether the sport of netball has the potential to interpellate a feminine style of body comportment through its rules. Feminine body comportment is a term popularised by Young's essay 'Throwing Like a Girl' (2005) to indicate how women typically present their bodies when participating in sports. Research into the sport of netball remains relatively low in output, and a philosophical examination is a potentially novel approach. Firstly, this paper will give a brief historical overview of netball. Secondly, it will present a critical application of Young's theory of feminine body comportment and its application to netball. Thirdly, it will critically discuss Chisholm's (2008) refutation of and amendments to Young's feminine modalities, as well as their wider implications. Finally, it will conclude that netball has the possibility to interpellate femininity through 'negative' modalities, but that it also has the potential to provide a pathway for female transcendence. [ABSTRACT FROM AUTHOR]

Professional learning is considered essential for early childhood teachers, and is frequently associated with childhood outcomes and dominant constructs of quality which perpetuate neoliberal ideals and position early childhood teachers within a framework of rationality, privileging discourses of masculinity and power. By engaging with feminist new materialist perspectives, with the concept of 'movement', and with the theory-practice of the educational project of the city of Reggio Emilia, Italy, this paper extends understandings of professional learning to include nonhuman others as worthy interlocutors, and puts forth an invitation to welcome unease and an aesthetic-ethical-political stance in early childhood education. To complicate normative conceptions of professional learning, fragments from a project that used pedagogical documentation and dialogue to transform children's relations with waste are presented. These fragments elucidate how professional learning in early childhood education might be aesthetically-ethically-politically conceptually grounded and practiced. The conclusions presented are neither simple nor linear; rather invitations are offered to problematise, to avoid being satisfied with overt, dominant and linear constructs, and to welcome uncertainty in worldly relations. [ABSTRACT FROM AUTHOR]

What do we do with emotion in biographical research: is it an end in itself, a symptom to be explained, a thread to be pulled? This paper presents an experiment in methodology within a field of biographical methods that involved revisiting a single qualitative interview after the elapse of thirty years. The interview with 22 year old Stacey was troubling at the time it was generated (as captured in fieldnotes and interview transcript) and was still troubling when these documents were reprised. Naming sadness as an emotion at play in the material took teamwork and emotionally engaged methods of analysis and interpretation. Working with psychoanalytically informed theories we show how a curiosity about emotion and a willingness to follow feelings can help connect individual stories to collective histories. The paper presents group based analyses and writing methods as a way of tracing the psychic logics of story through scenic material (what we call 'emotional bombshells'). We consider the difference that time might make to an analysis, considering the possibility that more time might produce more perspective through allowing the original context to be rendered (more) visible. We also suggest that clock time can be transcended when considering unconscious processes and experiences that resist narrative. Recontextualising research materials can enrich meaning and further realise the value of qualitative interviews that always contain more to be heard, resituated in new times and relationships. This is not simply an exercise in nostalgia but is offered as a method in its own right, reanimation as a route to the generation of new intergenerational knowledge of a thick present in which past, present and future co-exist. [ABSTRACT FROM AUTHOR]

This paper draws on a community-based participatory action research project located in Seattle - before and during the COVID-19 pandemic - to examine the unanticipated impact that the pandemic has had on reducing barriers for survivors of domestic violence seeking protection through the legal system. We draw on interviews with survivors and victim advocates, along with autoethnographic participant observation during Domestic Violence Protection Order (DVPO) hearings, to trace survivors' experiences navigating the DVPO process before and after its transition from an analogue to digital system. We situate this research at the intersection of legal and digital geographic scholarship to analyze how the law and digital technologies reinforce the spatial operation of power and exclusion, while they simultaneously provide emancipatory potential for women's experiences of security, legal subjectivity and emotional personhood. By focusing on how the courts' transition to a digital system affects the emotional personhood and legal subjectivity of domestic violence survivors, this paper advances feminist calls within legal and digital geographies scholarship that encourage more sustained engagement with feminist thought to understand the varied effects of the law and digital technologies – respectively – on gendered bodies. [ABSTRACT FROM AUTHOR]

Copyright of Gender & Development is the property of Routledge and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Presenting research findings outside of the form of a traditional research report requires different modes of making and communicating. This paper offers an account of how The #FEAS Report, a satirical news video, was made to communicate the findings from interviews and a survey as part of the mixed-methods study, Sexism, Higher Education, and COVID-19: The Australian Perspective to a wider public. Three creative tactics for research communication were used: DIY aesthetics, humour, and situated bodies. These communication tactics enabled the researchers to think differently about what research findings mean, and how to articulate them in ways that are intelligible. The paper shows how these tactics worked to bring findings to audiences beyond the academy and ask audiences within the academy to think differently about research reporting and knowledge communication. The paper considers how performing research in this way generates different conversations that compliment those started by more common ways of presenting research findings, and most importantly, how crucial it is for feminist researchers to make space for the creative within contemporary higher education. [ABSTRACT FROM AUTHOR]

This paper sheds light on the feelings of exclusion and insecurity among female members of Catholic groups in contemporary Poland. It is based on data gathered in the years 2019–2020 within the research project Resistance and Subordination. Religious Agency of Roman Catholic Women in Poland, which involved 48 in-depth interviews with university-educated Catholic women living in large Polish cities and engaged in various religious groups. The conducted analysis indicates that the interviewees resorted to defensive actions, representing a cultural backlash. Taking into consideration the numerical and institutional dominance of Roman Catholicism in Poland, the overarching question of the paper is: why do the interviewed women feel excluded and at what or at whom is their resentment directed? The analysis draws upon a wider discussion on the ongoing ideological polarisation of contemporary societies, showing the case of a country that is religiously homogenous. The interviewed women recognise some external threats, such as liberal culture and feminism, but also internal ones, namely ritualised, habitual, 'mainstream' Catholicism. [ABSTRACT FROM AUTHOR]

Research on women/gender in host communities has shifted towards a feminist perspective. In line with this trend, this paper further explores women's self-awakening and self-growth in a host community by considering feminine subjectivity based on Foucault's perspective, which is a critical feminism topic. This paper presents the case of the Cheongsam Sisters, a local women's group that participates in leisure activities in Yangshuo, China. Based on longitudinal and anthropological research, this work describes and interprets Cheongsam Sisters' feminine subjectivities at the individual level and the collective level. It is found that tourism development not only changes the gender structure in the host community but also provides conditions for the formation of feminine subjectivities. Furthermore, in the tourism context, the emergence of feminine subjectivities is a dynamic process, which means the feminine subjectivity iterate from the individual level to the collective level along with Cheongsam Sisters' practices. With these findings, this paper contributes to the literature on tourism impact by linking feminine subjectivity, women and tourism, which is critical to endogenous and sustainable development in underdeveloped destinations. [ABSTRACT FROM AUTHOR]

Human activities are being increasingly regulated by means of technologies. Smart borders regulating human movement are no exception. I argue that the process of digitization – including through AI, Big Data and algorithmic processing – falls short of respecting (fundamental) rights to the extent to which it ignores what I term to be the problem of indeterminacy. While adopting a data feminist approach in this paper, assuming that data is the 'new oil', that is power, I begin theorizing indeterminacy from the imminent risks of datafication as a new instrument of oppression perpetuating injustice and widening inequality gaps. I conclude that technologies regulating human activities must stand ethical scrutiny, especially if they can and do result in (human) rights violations. Unlike the oil being extracted from the ground, data is de facto extracted from people endowed with agency, autonomy, rights and contexts – all which ought to be respected and protected. [ABSTRACT FROM AUTHOR]

In this paper, we present an exploration of arts-based knowledge translation through photography highlighting the lived experience of Osteogenesis Imperfecta (OI), a genetic disorder. It forms part of our larger photovoice research project that involved six female photographers with physical impairment. This group of women shared their personal experiences through photographic stories to challenge pervasive, limiting negative attitudes and assumptions that surround disability. In this paper, we focus on the data, analysis and discussion to one type of impairment, OI, and two photographers' work to present their: embodied expertise and knowledge of living with OI; self-portraits as contemporary disability identity, contributing to intersectionality in feminist and disability arenas; authentic voice as co-authors of this paper using Drew and Guillemin's interpretive engagement framework; original arts-based research insights currently absent in the meagre qualitative research on OI. By presenting, analysing and interpreting self-portraits of OI as valuable arts-based knowledge, we hope to provide readers with a better understanding of disability and femininity as a pathway to greater inclusion. [ABSTRACT FROM AUTHOR]

Caste in the South Asian context is a deeply felt phenomenon, practised through bodily and sensory regimentation, and the prescriptive social organization of bodies in space. These relationships between caste and embodiment have historically been closely regulated in norms around the partaking, sharing and cooking of food, and meat in particular. This paper examines how these gastronomic prescriptions endure and take on new meanings in digital food media, which disrupts physical space and food's relationships to the body and sensory experience. Drawing on two years of ethnography with creators who produce home-cooking content in the emerging Indian "creator economy," this paper considers how caste is embodied, articulated and remediated online during a time of violent Hindu nationalist food politics in India. How is caste articulated even when it is not explicitly named by creators in their posts? How are caste-based disgust and humiliation, and conversely, caste intimacy elicited by creators as they labor for the creator economy? Bringing together feminist and anti-caste theories of experience, articulation and embodiment, the paper theorizes caste as affect, and in doing so, illuminates how it comes to have a digital life. [ABSTRACT FROM AUTHOR]

With its proclamation of universal suffrage in 1952, Bolivia fits into Samuel Huntington's "second short wave of democratization" (1943–1963). In 1952, all women and men gained the right to vote, marking a significant step towards democratization by including previously excluded groups. Literate women had already obtained municipal voting rights in 1945 under a populist government aiming for broader political participation. However, women first voted in 1947, after the oligarchy overthrew this government in 1946 and sought to regain power by repressing the opposition parties and previously marginalized sectors. Unexpectedly, it supported women's suffrage for national elections by the late 1940s. What prompted various political parties to support women's suffrage in the late 1940s? This paper explores how women in Bolivia gained the right to vote and what role the feminist movement and power struggles played in obtaining women's suffrage. Beginning in the 1920s with a study of the emergence of the feminist movement and its evolution during the decades of the 1930s (the Chaco War) and 1940s, the paper culminates with an assessment of feminism's impact on public opinion as well as the importance of the growing politicization of women in the 1940s. [ABSTRACT FROM AUTHOR]

This paper analyses the process of co-producing an animated film about the migration journeys of Colombian women resident in Antofagasta, Chile. It first establishes the relationship between feminist epistemologies and arts-based methodologies, which hinges on embodiment. It then turns to a detailed discussion of using film co-production as a research method for accessing and expressing embodied experiences of migration. This discussion highlights how moments of discomfort (Gokariksel, Hawkins, Neubert, and Smith, 2021) experienced by the researcher motivated the search for a more collaborative methodological approach that was better attuned to lived experience. This included striving towards more inclusive practices with respect to recruitment, anonymity, and confidentiality. Moments of discomfort also revealed how care and caring responsibilities are entangled with research, and how they gender possibilities of participation and production for community co-producers and artists, as well as for researchers. Finally, through discomfort, lessons were learned about the politics of representing experiences of migration, violence, and endurance, as well as joy. The paper concludes that, whilst by no means a panacea, collaborative arts-based research methods can offer an innovative toolset for exploring embodied experience and for navigating the relational and representational complexities attendant to research. [ABSTRACT FROM AUTHOR]

This paper explores how research on gendered violence among Brazilian migrant women in London has been translated through a range of creative engagements. It argues that these can challenge traditional forms of knowledge production, and advance intersectional feminist struggles through a logic of translocation. Yet it also challenges homogenous artistic encounters through developing 'creative translation pathways' which delineate different configurations of how researchers, artists, and participants using varied art forms. The paper focuses on two 'creative translation pathways' that capture different interpretative framings around the same research project. The first reflects a curatorial perspective through Gaël Le Cornec's verbatim theatre play, Efêmera, which foregrounds her interpretation of Brazilian women's stories adding a metatheatrical dimension to strengthen the narrative and connection with the audience. The second is a co-produced collaborative engagement, We Still Fight in the Dark, with community drama group, Migrants in Action, based around experimental workshops to produce an audio-visual film and installation where survivors' perspectives and well-being are paramount. While both creative translation pathways reflected translocational feminist goals in raising awareness around gendered violence with a view to transform them, each had tensions around the individual, collective, artistic and therapeutic logics in the process of knowledge production. [ABSTRACT FROM AUTHOR]

French law 2004-228 and Quebec's Bill 21 has prohibited wearing conspicuous religious symbols while discharging public duty, especially as teachers in public school. This has aroused robust public debate because it disproportionately affects Muslim women wearing hijabs. This paper investigates the philosophical/ethical argument on both sides of the debate. The key research question is whether liberal feminists have the justification to support the hijab ban. The paper outlines different types of liberal feminism and their views on just social arrangements. The paper uses Gheaus's concept of gender justice and Kabeer's definition of gender empowerment to structure the debate, stating that feminists will support the ban if it enhances empowerment and makes society more gender-just or internal working of social arrangements, at least procedurally just. The paper draws on the utilitarian argument, Nussbaum's and Sen's articulation of the Capability Approach and the importance of identity, and Bourdieu's concept of Habitus, Doxa, and Symbolic Violence. The paper argues that there are strong arguments on both sides. Still, liberal feminists concerned about structural inequalities, economic empowerment, and individual freedom may not be convinced that the Hijab ban makes society more gender-just or improves individual empowerment. [ABSTRACT FROM AUTHOR]

Drawing on findings from 15 focus group interviews held with 65 young (aged 18–25) women university students in Turkey who describe themselves as feminists, this paper attempts to reconcile gender and youth studies and introduces social generation as a theoretical tool. The paper demonstrates how these feminist university students, as the members of a generation who had lived all their lives under the Justice and Development (Adalet ve Kalkınma Partisi- AKP) governments, articulated the difficulties of being young and a woman at a specific conjuncture in Turkey during which the gender regime has been going through a period of deterioration. They discussed their process of transition from childhood to youth, and expressed how in this process they became aware of a social gaze that repositioned them as 'young women' and thus forced them to face the social and political challenges of being a young woman at this specific conjuncture. Feminism did not only empower them to confront these challenges but also turned them into subjects of opposition in a political regime which had adopted an anti-gender agenda and which at the time of the research decided to withdraw from the Council of Europe Convention on preventing and combatting violence against women, also known as the Istanbul Convention. [ABSTRACT FROM AUTHOR]

This paper explores the changes to art on artefacts attributed to females in the Late Nordic Bronze Age (ca. 1100–500 BC) from a gender critical, feminist perspective. Traditionally, Scandinavian research has focussed on the art of male artefacts, which is believed to represent a cosmological narrative, whilst female art has been considered devoid of cosmological motifs – concomitantly, it is often assumed that prominent social standing was reserved males. Through analytical discussion, the paper shows how the same motifs as are considered cosmological in male objects can be found on female objects, too, in compositions diverging from the male use, suggesting a gender differentiated use of art and association to cosmology. Through a gender theoretical lens, the paper explores what the social use of the art on these objects may suggest regarding identity and power relations in society, linking up with a reconfiguration of female identity at this time. [ABSTRACT FROM AUTHOR]

This paper investigates how gendered spaces are configured within local socio-cultural systems of beliefs and in what way energy interacts with cultural constructions in an Indigenous village of the Brazilian Amazon. Particularly, this paper explores the perceived changes brought by fuel availability and affordability on gendered division of space and local cosmologies. Ethnographic techniques were adopted in the collection of primary data, particularly participant observation and in-depth interviews were best suited to understand the lived experiences of these changes. This paper found that access to cooking gas and fuel for transportation can partially shift pre-existing gendered spaces and, in turn, gendered practices. However, this shift does not challenge pre-existing hierarchies of power which still limit women's freedom of movement. [ABSTRACT FROM AUTHOR]

Alcohol and Other Drug Facilitated Sexual Violence (AODFSV), known as "drink-spiking," is the administration of alcohol or other drugs to someone without their consent, with the intent to harm them. Investigation into portrayals of AODFSV in the Australian news media is needed. Using feminist critical discourse analysis, this paper investigated the portrayal of AODFSV in the Australian news media in the past ten years. 226 articles were included for analysis and three themes were identified. Firstly, "how the media constructs the drink spiking narrative," uses the "cautionary tale" that warns women about the dangers of the night-time economy and reinforces and perpetuates victim-blaming and rape myths. Secondly, "how the media normalises the drink spiking discourse" focuses on the substances used in drink spiking, the settings, the construction of the perpetrator and the victim as well as the depictions of sexual violence. Thirdly, "how the media shapes responses from emergency services" including police and hospital staff. This paper highlights the way the media creates and reinforces drink-spiking discourse, which constructs drink-spiking as individual behaviour rather than a culturally embedded issue. Such ideology perpetuates victim blaming and rape myths. We argue for critical and thoughtful reporting on AODFSV. [ABSTRACT FROM AUTHOR]

This paper focuses on Nwapa and Emecheta's transformative representation of their heroines in Efuru and The Joys of Motherhood, respectively. In these two works, the authors seek to reposition 'woman' and inaugurate her as a formidable force of change. They carve female protagonists whose mission is to transform a culture that downplays the role of women by overlooking their value in society. Nwapa parades Efuru as a 'femme fatale' empowered by the lake goddess Uhamiri and endorsed by female revolutionaries such as Ajanupu. Emecheta, on the other hand, represents her revolutionary female characters in the form of Ona, long-suffering Nnu Ego alongside Adaku and Kehinde who measure up to women free from male subjugation. These heroines defy various forms of sexism often veiled in patriarchy. There is a deliberate attempt to prolong the lives of these characters in the novels to champion their transformative influence in their villages of origin. Moreover, Emecheta advances the need for the emancipation of African women who still depend on men. By posturing 'barren' women in their works, the two authors appear to reject conformity to patriarchal tenets whose view of women is centred on childbearing. [ABSTRACT FROM AUTHOR]

Recent writing by Latin American feminists offers a unique political philosophy based on a novel and transformative analysis of the relationship between capitalism, coloniality, patriarchy, and terracide. Focusing on the work of Rita Segato, Julieta Paredes, Lélia Gonzalez, Raquel Gutiérrez-Aguilar, and Moira Millán, this paper introduces the term "Rooted-South feminism" and outlines its epistemic-rationality. I first show how these thinkers root their epistemological frame in the collective struggle of racialized women. Through this account I then make explicit the relational political ontology that grounds their thinking, paradigmatically expressed in the notions of "territory-body-land" and "terracide." In describing how patriarchy functions as a system of domination that desensitises subjects to the suffering of the Other, I argue that Rooted-South feminists expose the structural relationship between capitalism, coloniality, violence against women, and the destruction of the Earth. Here, the feminine is conceived as a social function produced throughout the long histories of women. This "politics in a feminine key" uniquely understands the sphere of reproduction not simply as a vector of domination, but as the foundation for the liberation and regeneration of life in its totality. Rooted-South feminists propose an authentic historical pluralism engaged in the co-construction of an inhabited earth. [ABSTRACT FROM AUTHOR]

The article encourages scholars from economics and other disciplines to consider submitting abstracts for papers for a special issue of "Feminist Economist." The special issue will focus on unpaid work, time use, poverty and public policy. Moreover, the paper is expected to be completed and submitted by August 15, 2007.

The article encourages scholars in all disciplines to submit papers for a special issue of "Feminist Economics. The special issue will provide a forum for analyzing inequality, redevelopment and growth in developing, industrial and transitioning countries. Moreover, the abstracts for papers is expected to be completed and submitted by December 1, 2006 however, if the abstract is accented, the completed manuscript is due April 15, 2007.

In this article the journal "Feminist Economics" invites submissions of papers, short discussions, and book reviews for a special issue on "Gender, China, and the World Trade Organization" to be published in 2007. The editors encourage scholars in all disciplines to consider submitting abstracts for papers on the gender implications of China's entry into the WTO. The deadline for submission of abstracts was October 1, 2004. Late abstract submissions may be considered at the discretion of the editors. If the editors accept an abstract, the completed manuscript will be due by April 1, 2005. China's accession to the WTO at the end of 2001 is having far-reaching effects on people and institutions in China and on the country's trading partners around the world.

This paper explores the relationship between the articulation of the 15-M movement in Spain and the expansion of Feminist Economics (FE) at the feminist base of this movement, in particular, in Feminism Committees (FC-15 M). We assert that this expansion was due to FE's capacity to explain the 2008 crisis beyond its economic-financial dimensions and to analyse the effects of the political-economic austerity measures on the sustainability of life. We claim that a differentiating feature of FE in Spain is its permeability to dialogue with social movements. Therefore, it has become more politicized and critical than other academic fields. This influence has also been reflected in the structure and contents of the most recent FE national conferences, which from 2013 on included not only the classic academic strand but also training and political action strands. In order to explore this development, our methodology includes interviews with key informants; document analysis of material generated in the conferences and the Feminism Committees of 15-M; questionnaires to activists, academics, and practitioners of FE; and informal observation as direct participants of the described processes and events. The paper begins with an introduction to FE thought and its connections with so-called 'Feminism for the 99%' and continues with a methodological section. The twofold results section analyzes the dialogues between FE and FC-15 M. It concludes with a summary of the key ideas presented and some final remarks. [ABSTRACT FROM AUTHOR]

This paper focuses on the working relationship between the director of an HE institute in the UK, and an artist-researcher navigating the higher education dance working environment and motherhood. The paper draws on personal experiences, sections labelled vignettes that highlight a tension faced by the individual and reflects on how the director of a HE institution in the UK facilitated egalitarian work environments through her charismatic leadership style. Such leadership from a senior female colleague allowed me to live out my Romani feminism and encouraged an inclusive work culture within higher education and the dance sector. [ABSTRACT FROM AUTHOR]

This paper explores some of the institutional and theoretical silences within debates on infrastructural violence with reference to migrant women survivors of gendered violence. Drawing from feminist thinking around structural and symbolic oppression, it develops the notion of gendered infrastructural violence to help understand how migrant women survivors navigate statutory and non-statutory institutions when seeking support. Empirically, the paper elucidates how diverse Brazilian migrant women in London negotiate multiple forms of passive and active infrastructural violence played out in terms of xenophobia, discrimination and a hostile immigration environment. Such experiences can dissuade them from reporting due to actual and perceived fear of further violence being perpetrated against them. While infrastructural violence perpetrated by an oppressive racial state can exacerbate Brazilian migrant women's suffering of direct gendered abuse, migrant and/or feminist organisations provide invaluable support and an essential protective bulwark. Yet these experiences are mediated differently depending on women's social locations in terms of intersecting race, class, occupational and immigration status and language competencies. [ABSTRACT FROM AUTHOR]

Women in the criminal justice system are a diverse yet marginalised group, living with the most dangerous of intersectional oppressions. Women from the Global Majority face a "double disadvantage" (Agenda, 2017). Prison is evidenced as the least effective place for women, yet prison places have increased and gender-informed services are inadequate. These obstructions to healing from trauma have created a spiralling crisis, leading to preventable deaths and the destruction of families. As a white, female art therapist, I argue that an intersectional framework is critical to understanding and supporting this service-user group. I maintain the established perspective generated by Black feminists and marginalised groups, that focusing on the most ostracised and working from the 'ground up', is an effective way of tackling social injustice. A gap in research for art therapy with this service-user group and evidence of epistemological racism within the existing literature presents an opportunity for development and growth within the profession. I discuss the possibilities of using an intersectional framework as intertwined with this service-user group, and with re-establishing ways of knowing within art therapy to ensure anti-oppressive practices. Through a summary of the existing literature developed through research in my final year of training, I will demonstrate how resistance to art therapy occurs at systemic and individual levels and that this cannot be disentangled from the neoliberal status quo. A call to action is proposed for white art therapists to increase their curiosity about their complicity in white supremacy and find ways to develop alternative epistemologies. The criminal justice system (CJS) provides care for people who are confined in institutions, such as prison or secure hospital, because they pose a significant risk to themselves or others. It also includes people who now live in the community but still need continued support when they leave hospital or prison. Most people in the CJS are men, and facilities have therefore been designed around male needs. The needs of women within the CJS have been persistently ignored by UK government, and women from the Global Majority – Black, Asian, Dual-Heritage, Indigenous and 'Ethnic Minority' communities (Campbell-Stephens MBE, 2020) – face particular disadvantages. Race, class and gender oppressions overlap and cause significant harm to the women and their families. Art therapy has been offered within these services for many years; however, there is not much research to support therapy with women in these settings. As an art psychotherapy trainee on placement at a hostel in the community for women leaving secure hospital, I wanted to find out what literature was available to support this work. I searched online databases and found only 24 published articles and book chapters. It was difficult to relate the findings to my community work as the literature was based mostly in high security settings. Most of the authors were white women in professional roles so other people's perspectives were not represented. This meant that what I found was not a fair description and therefore, not very reliable. However, art psychotherapy was shown to offer positive benefits and respond to existing recommendations for this client group. This paper presents an argument for the need for art therapy services for women in forensic services and proposes a call to action for white art therapists to increase their curiosity about their complicity in white supremacy and find ways to develop alternative intersectional, anti-oppressive practices. The paper also highlights the need for more research from art psychotherapists from different backgrounds that is developed in collaboration with service-users. [ABSTRACT FROM AUTHOR]

The article announces the call for papers by the journal "Feminist Economics" for its special issue on gender and international migration. This issue intends to motivate both research and action, generating a discussion on the ways in which gender is an important dimension from which general and specific migration issues can be analyzed. Themes include rethinking theory on labor and capital mobility, the care economy, women and migration, and the challenges of social protection for migrant workers.

The article presents an invitation from the Feminist Economics for contributions. Papers may be submitted containing the special issue on inequality, development, and growth. All scholars in all disciplines are encouraged to submit abstracts by October 1, 2006. Some specific topics for submission are enumerated.