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With changing socio-economic conditions, some men choose to become stay-at-home fathers in Hong Kong. Although they constitute only about .5% of the total male population, they have captured widespread media attention in recent years. This paper is an exploratory study on the gender representation of stay-at-home fathers in newspapers, and their identity and practice in real life in relation to the construction of masculinity in the Asian context, with particular focus on the intersection of masculinity and social class. Although stay-at-home fathers have given up their traditional breadwinner role, the media continue to portray them in terms of conventional masculinity. Contrary to the findings in Western society, this paper, which is based on Bourdieu’s practice theory, reports that middle-class men in Hong Kong with social and cultural capital are less reflexive in their gender habitus to accept their carer identity, whereas working-class fathers, who lack the appropriate capital to resume their provider status, define themselves as carers who are responsible to the family. As the identity of provider is still central to men, the emergence of this new fatherhood is only a refashioning of the traditional role of fathers and thus does not challenge the existing gender structure. [ABSTRACT FROM PUBLISHER]

This paper explores the impact of gender on the employment of men in early childhood education and care (ECEC) centres through the voices of male and female early childhood teachers (ECTs) working in China. Gender imbalance in the ECEC workforce is a global phenomenon, and there has been little research about it in countries such as China. This study was based on online interviews with 16 ECTs from three major cities in China. Findings indicated that ECTs’ perceptions conformed largely with traditional gender stereotypes in Chinese culture. Western expectations that men’s participation in ECEC could challenge traditional gender stereotypes and promote gender diversity were not reflected in either Chinese academic literature reviewed or the participants’ views captured in this research. The appreciation of masculinity in Chinese culture and implied disadvantages are considered within a global context of empowering women and girls. [ABSTRACT FROM AUTHOR]

In 18th-century Sweden, Chinese porcelain, and in particular armorial services, became one of the most desirable material markers of the social status of the elite and was consciously used to promote dynastic or personal power and aspirations. This article discusses social, affective and gendered relations that developed around acquisition, ordering and display of armorial porcelain and the resulting nexus between porcelain traded by the Swedish East India Company and processes of cultural and gendered identity-making of the male Swedish elite. This paper alludes to 18th-century male anxieties about the gender order in relation to Chinese objects (such as porcelain) and also Chinese subjects (such as the visiting Chinese merchant Afock). [ABSTRACT FROM PUBLISHER]

In China, although “general interest” magazines can be said to have existed during the Maoist and early post-Maoist eras, Western-style magazines that promote a consumerist lifestyle came into being and gained widespread popularity only in the past two decades. Among them, an entire group of titles consists of localised Chinese editions of internationally popular lifestyle magazines. This paper explores the interaction of global trends and influences with local cultures and realities in men's lifestyle magazines published in China. In particular, it discusses the Chinese “variations” of the Western “new man” and “new lad” types of male image. Despite the superficial similarities with Western images, critical readings and quantitative studies of the verbal and visual content of these magazines reveal some distinctive “Chinese” features. As a form of popular culture, the men's lifestyle magazine lends expression to the fantasies, desires and needs of “new rich” men in China. With consumerism and aspirationalism at the centre of its ideological construction, it serves as an interesting site of negotiation between what Lisa Rofel calls the two aspects of “cosmopolitanism with Chinese characteristics” – namely, a self-conscious transcendence of locality and a domestication of cosmopolitanism by way of renegotiating China's place in the world. [ABSTRACT FROM PUBLISHER]

Globally, mainstream digital gaming has long been marked by compulsory (hetero)sexuality and hypermasculine gender norms, making it an ideal arena for exploring gendered power relations. This article critically examines how the participation of Chinese women digital gamers has taken on a distinctive shape in the context of newly emerging local online games that serve as an extension of the market mechanism. We examine the players' experience of two games: namely, a multiplayer online battle arena (MOBA) game, King of Glory (wangzhe rongyao), and an otome love simulation game, Evol LoveR (lian yu zhizuoren). Results of 31 in-depth qualitative interviews with Chinese women gamers show that Chinese women's gaming experience has been profoundly shaped by both changes and continuities in the norms governing Chinese women's participation in play, romance and sex. We conclude that Chinese MOBA and otome games are not isolated new media products, but actually part and parcel of a broader digital media economy which provides audiences and players with information and cues that reinforce the dominant view that women and men have fundamentally different characteristics. [ABSTRACT FROM AUTHOR]