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Unprecedented rapid urbanization, accompanied by growing urban informality, have positioned housing delivery at the frontline of national political agendas in the Global South. This paper analyzes the housing redevelopment of the Joe Slovo informal settlement in Cape Town, South Africa (2004 to present) to shed light on the role of architecture and urban design in democracy building and city production. As an alternative framework to the ideas of 'normalization' and 'resistance', this case offers insights into the importance of situating spatialized political tensions and conflict at the heart of the analysis of city production. The Joe Slovo redevelopment initially deployed an inclusionary welfare-state policy that resulted in exclusionary housing design practices, causing political contestation among the residents of the informal settlement. The community materialized their struggle for housing and urban rights in creative examples of 'design from below'. These practices not only re-defined the spatial control over Joe Slovo's territory, but also, by the production of alternative urban space, they challenged institutional spaces, re-defining who plays what role in housing delivery. The findings reveal multidirectional design politics between governments and communities that occur when the state loses control over design decision-making processes. The community's right to not be displaced to distant locations was guaranteed by reducing the state's implementation and delivery capacity, exposing the challenges of city co-production and inviting us to rethink who has the right to design, code and imagine our cities. This case opens a window into understanding design as a political device of urban governance. [ABSTRACT FROM AUTHOR]

This essay considers public art practice in post- apartheid Cape Town within the notion of symbolic reparations—a concept deriving out of South Africa's Trust Reconciliation Commission. The paper situates developments in public arts practice in the context of developments in cultural politics in South Africa and globally. More especially, it discusses new genre arts projects, which focus on a range of issues related to identity, space and place. The projects—the District Six Museum, District Six Sculpture Project, PTO, Y30, BLAC, Returning the Gaze, and the In Touch Poetry Bus Tour—focus on issues such as rethinking monuments, the memorialising of ‘hidden histories’, engagements with racism and the abuse of power, and the reimagining of the city. The paper asks how these contemporary and often ephemeral projects, critically engage with issues of history, geography, memory and transformation and, in so doing, mark the landscape of Cape Town, making spaces for dialogue and/or standing as poetic symbols and challenges to the inequalities of the city. [ABSTRACT FROM AUTHOR]