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Standing on the cusp of a global transition from a Western-dominated world to one experiencing the effects of the "economic renaissance of East Asia," as Giovanni Arrighi calls it, Ngũgĩ's wa Thiong'o's 2006 novel Wizard of the Crow reiterates the author's well-known critique of neocolonialism but also, perhaps more importantly, registers the growing presence of Asia in Africa and offers a thought-provoking consideration of the meaning of that presence in an era of global capital. Though commonly identified as a "dictator novel," Wizard is only partly about "The Ruler" of the fictional African nation of Aburĩria. Through the titular character, Ngũgĩ develops a narrative that explores the opportunities and dangers of embracing the paths of modernization marked out by the advancing economic powers of East Asia. This paper analyzes that narrative, focusing in particular on the thematic and formal elements that reflect and are relevant to China's all-important ambitions in Africa and its core policy of offering aid "without political conditions." These issues ultimately involve the novel in contemporary debates specific to the China-in-Africa phenomenon. [ABSTRACT FROM AUTHOR]