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2. Before the Paris Fire: Projecting the Cinematograph in London from 1889-4th May 1997, Part IV of the London County Council and the Cinematograph: TONY FLETCHER, 2022, London, London History Publications, pp. 180, £15 (paper).
3. 'Society with spectacles': cultural memory, business risk and the revival of 3D. [Paper in themed section: Cinema-going, Audiences and Exhibition. Aveyard, Karina and Moran, Albert (eds).]
4. From animism to digital animation: puppetry in New Zealand/Aotearoa [Paper in: Puppetry and Visual Theatre in Australia and New Zealand.]
5. The secret diary of a cinematograph addict. -Harry Graham's journal is a working class man's experience of cinema at the beginning of the 20th century, which is eventually exposed as partially fictional. Paper presented at the Australian History and Film Conference (7th: 1995: Canberra )
6. 'I wouldn't have changed my life for anything': some notes on the cult of the cameraman. -Paper presented at the Australian History and Film Conference (7th: 1995: Canberra )
7. Historical Equipment Collections: A Report of the SMPTE Archival Papers and Historical Committee
8. Rewriting the History of Early Film - Andre Gaudreault. Film and Attraction: From Kinematography to Cinematography. Translated by Timothy Bernard, foreword by Rick Altman. Urbana: University of Illinois Press, 2011. xiv + 224 pp. $75.00 (cloth), ISBN: 0252035836; $30.00 (paper) ISBN: 978-0252035838
9. Soviet Cinematography, 1918-1991: Ideological Conflict and Social Reality. By Dmitry Shlapentokh and Vladimir Shlapentokh. Communication and Social Order. New York: Aldine de Gruyter, 1993. xvi, 278 pp. Illustrations. Filmography. Index. $21.95, paper
10. Carl Louis Gregory: Life through a Lens
11. THE PHENOMENON OF TIME TRAVEL AND SCIENCE FICTION.
12. SMPTE Tutorial Paper: Static Electricity: An Introduction to the Problems and Their Solutions in the Film and Television Industries
13. Historical Paper: The Development of CinemaScope by Twentieth Century-Fox
14. SMPTE Tutorial Paper: Guidelines for the Design of Effective Cine Theaters (Part I of a Proposed SMPTE Engineering Guideline)
15. Formas de irse de casa: el tiempo propio de Romina Paula.
16. Criticism of Javacentrism from the Historical Parody of the Film Nagabonar (1986).
17. FRAGMENTION AND SEGMENTATION IN THE LUMIÈRE "ANIMATED VIEWS"
18. ROBERT BENTON interviewed by Christian Keathley
19. Photography and the Visible Arts
20. LITERATURA ÎN CINEMATOGRAFIA ROMÂNEASCĂ: ECRANIZĂRI ALE OPEREI LITERARE SAU SURSE DE INSPIRAȚIE REGIZORALĂ?
21. Reframing Luchino Visconti: Film and Art: IVO BLOM, 2017, Leiden, Sidestone Press, pp. 314, illus., €39.95 (paper).
22. Kamen, škare, papir: prošireni oblici animacije, njezina upotreba u okviru scenske produkcije i uloga razmjene znanja u sklopu scenskih projekata.
23. Mascaradas satíricas de un Luis Buñuel performer.
24. Il cinema dei dati. Strategie cinematografiche per rappresentare la società contemporanea.
25. Employing animation-based TE to activate Chinese children' cognitive-involvement in L2 feature acquisition.
26. Implementation of Richard Wagner's Ideas in Cinematography: Music as an Important Component of the Screen Work.
27. THE ARES PENDULUM: AN ETHICAL PERSPECTIVE.
28. NOVI HOLLYWOOD - SOCIOPOLITIČKI KONTEKST I ŽANROVSKI ASPEKT.
29. Postmodern Film and Fiction Intermediating: Texture, Spectacle, Theatricality, and Violence in Robert Coover's Texts.
30. Beyond the Whiteness: Environmental Concerns in the Visual Narratives of Carrara Marble Quarries.
31. Memórias, cinema e o fim do mundo: análise do filme Melancolia, de Lars von Trier.
32. DETERMINANTS AND MODERN GENRES OF AUDIO-VISUAL ART.
33. Il caso editoriale Pitigrilli e il romanzo L'esperimento di Pott (1929) tra iguratività ed intermedialità.
34. Hear, Now, Today: Active Analysis for the working actor:A "special guest workshop" delivered at The S Word, Prague, 12 November 2022.
35. PORTRETIRANJE OSOBA S INVALIDITETOM U SUVREMENIM FILMSKIM OSTVARENJIMA.
36. Film and Caste Anxieties in Early Twentieth-Century India.
37. The Rhythms of More-Than-Human Matter in Azucena Losana's Eco-Developed Film Series Metarretratos.
38. PROBLEMS OF TRANSLATION OF PHRASEOLOGICAL UNITS IN TEXTS OF MEDIA DISCOURSE AND CINEMATOGRAPHY.
39. A new source of history.
40. A influência do cinema na formação da imagem internacional do Brasil.
41. LA SEMIOTIQUE DE LA COIFFURE DANS LE CADRE DE LA CINEMATOGRAPHIE.
42. Sustaining cultures through cinematic space -- the historical continuance of art and architectural traditions in 20 C Film.
43. Aliens, Monsters, and Beasts in the Cultural Mapping of Nollywood Cinematography.
44. Bratislava v slovenských filmoch prvej dekády nového milénia.
45. El diálogo hipertextual en la trilogía fílmica de Lucrecia Martel.
46. The Documentaries and Short Films of Ratko Đurović and Velimir Stojanović.
47. El Delta del Po en la cinematografía italiana de los años 40 y 50: Visconti, Rossellini, De Santis, Antonioni y Casadio.
48. EL UNIVERSO DE AUTORÍA COMERCIAL DE MARVEL.
49. O CINEMATÓGRAFO EM PELOTAS: Consolidação de uma modernidade no sul do Brasil.
50. Construction of Denominational Reality: A Theo-Political Discourse Analysis of "Muhammad: The Messenger of God".
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