482 results on '"Aitken, Ian"'
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2. The root of the matter
3. Cinematic Realism: Lukács, Kracauer and Theories of the Filmic Real
4. ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968)
5. ‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960)
6. ‘Photography’ (Kracauer 1927)
7. The Specificity of the Aesthetic (Lukács 1963)
8. Introduction to Kracauer: Abstraction, Redemption and Modernity1
9. ‘On the Phenomenology of the Creative Process’ (Lukács 1914)
10. Cinematic Realism
11. Bergson, the Image and Time
12. Representation, Perception and Cinematic Realism
13. ‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)
14. Husserl, Epochē and Lebenswelt
15. Introduction to Lukács: Essence, Phenomena and Temporality
16. The Use of the Official Film in Malaya/Malaysia, Singapore and Hong Kong, 1957–1973, and the Role of the United Kingdom Information Services, British Information Services, British Council and Hong Kong Government Information Services (with Ka Yee Teresa Ho)
17. Berita Singapura (1963–9) and Hong Kong Today (1967–73)
18. The Rise of Television, Persistence of Authoritarianism, and Decline of the Official Film in Singapore, Malaya/Malaysia and Hong Kong, 1955–75
19. Diverging Jurisdictions: The Influence of ‘Griersonian’ and ‘Civil Service’ Traditions of Official Film-making on the Malayan Film Unit (1946–57) and Hong Kong Film Unit (1959–73)
20. Delusions of Regional Superintendence at the End of Empire and the Case of the Singapore Regional Information Office, 1947–61
21. The Forms of the British Official/Sponsored Documentary Film
22. The Documentary Film Movement
23. European Film Theory and Cinema
24. From the historical cinema of democratic humanism to the film Novelle
25. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition
26. Transcendental illusion and the scope for realism
27. Introduction
28. Acknowledgements
29. Contents
30. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition
31. Bibliography
32. ‘And what about the spiritual life itself ?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer
33. From the ‘true style’ to the ‘art-form of the bourgeoisie’
34. Front matter
35. Dedication
36. Authoritarianism, the struggle for current affairs public service broadcasting and Radio Television Hong Kong
37. Lukácsian film theory and cinema: A study of Georg Lukács’ writings on film, 1913-71
38. The People’s Action Party Government of Singapore and Berita Singapura
39. Introduction
40. Introduction
41. 1. The People’s Action Party Government of Singapore and Berita Singapura
42. Realist Film Theory and Cinema: The Nineteenth-century Lukacsian and Intuitionist Realist Traditions
43. Hong Kong Documentary Film
44. The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)
45. Chapter 9 The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)
46. The British Official Film in South-East Asia
47. The Documentary Film in Hong Kong
48. Lukácsian film theory and cinema : A study of Georg Lukács' writing on film 1913–1971
49. Hong Kong Documentary Film
50. The Griersonian Influence and Its Challenges: Malaya, Singapore, Hong Kong (1939–73)
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