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1. 18. Representation and Value in Michael Daugherty's Las Vegas Works

2. Back Cover

3. Contributors

4. Index

5. 16. The Real Deal: Impersonation and the American Dream in Branson and Vegas

6. 15. For Adult Audiences Only: A History of LGBTQ Performers on the Las Vegas Stage

7. 19. Specters of Mine: Musicological Research in the Desert of the Opera

8. 14. Trouble Is, We Don't Make the Rules: The Las Vegas Years of Jazz and Classical Violinist Ginger

9. 17. Salaciously Family Friendly: The Unlikely Porousness of Sin City and the American Boob Tube

10. Part VI: Leaving Vegas

11. Part V: Making Book

12. 12. Liberace's Surfaces: Democratic Virtuosity, American Fantasies, and Vegas Pianism

13. 13. Comedy Tonight: Broadway Musicals on the Las Vegas Strip

14. 11. Shall We Go for It? The Viral Hermeneutics of Céline Dion's Las Vegas Show

15. Part IV: Virtuoso Fantastique

16. 9. Céline Dion's and Cher's Vegas Residencies: The Envoiced and Embodied Spectacle of Feminine Aging

17. 10. Viva Viagra: Vegas, Elvis, and a Little Blue Pill

18. 8. Elvis in Vegas: The King of Rock 'n' Roll and the City of Second Chances

19. 7. The Master and the Mob: Noël Coward's Musical Identity in the Golden Age of Las Vegas

20. Preface

21. Part III: Second Chances

22. 6. Pura Alegría: Young Adult Musicians Learning Mariachi in Schools and Participating in the Las Vegas Strip

23. Introduction: Flash!—Splash

24. Part I: The Road to Vegas

25. 3. It Was Better When the Mob Ran the Town

26. Half Title Page, Series Page, Title Page, Copyright

27. 1. On the Edge of the Desert

28. 4. Music as Misdirection

29. 2. Reimagining the Popular on the Vegas Circuit: Helen Traubel, Diva Populism, and the Labor of Publicity

30. Part II: Overheard

31. 5. Presence, Absence, and Live Virtuality: Soundscapes in Cirque du Soleil on the Las Vegas Strip

33. Back cover

34. Index

40. Notes

41. Epilogue

43. Prologue

44. Contents

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