355 results on '"JOHNSON, JAKE"'
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2. Back Cover
3. Contributors
4. Index
5. 16. The Real Deal: Impersonation and the American Dream in Branson and Vegas
6. 15. For Adult Audiences Only: A History of LGBTQ Performers on the Las Vegas Stage
7. 19. Specters of Mine: Musicological Research in the Desert of the Opera
8. 14. Trouble Is, We Don't Make the Rules: The Las Vegas Years of Jazz and Classical Violinist Ginger
9. 17. Salaciously Family Friendly: The Unlikely Porousness of Sin City and the American Boob Tube
10. Part VI: Leaving Vegas
11. Part V: Making Book
12. 12. Liberace's Surfaces: Democratic Virtuosity, American Fantasies, and Vegas Pianism
13. 13. Comedy Tonight: Broadway Musicals on the Las Vegas Strip
14. 11. Shall We Go for It? The Viral Hermeneutics of Céline Dion's Las Vegas Show
15. Part IV: Virtuoso Fantastique
16. 9. Céline Dion's and Cher's Vegas Residencies: The Envoiced and Embodied Spectacle of Feminine Aging
17. 10. Viva Viagra: Vegas, Elvis, and a Little Blue Pill
18. 8. Elvis in Vegas: The King of Rock 'n' Roll and the City of Second Chances
19. 7. The Master and the Mob: Noël Coward's Musical Identity in the Golden Age of Las Vegas
20. Preface
21. Part III: Second Chances
22. 6. Pura Alegría: Young Adult Musicians Learning Mariachi in Schools and Participating in the Las Vegas Strip
23. Introduction: Flash!—Splash
24. Part I: The Road to Vegas
25. 3. It Was Better When the Mob Ran the Town
26. Half Title Page, Series Page, Title Page, Copyright
27. 1. On the Edge of the Desert
28. 4. Music as Misdirection
29. 2. Reimagining the Popular on the Vegas Circuit: Helen Traubel, Diva Populism, and the Labor of Publicity
30. Part II: Overheard
31. 5. Presence, Absence, and Live Virtuality: Soundscapes in Cirque du Soleil on the Las Vegas Strip
32. Bibliography
33. Back cover
34. Index
35. 3. Exoticized Voices, Racialized Bodies: Lineage and Whiteness on Stage
36. 4. “I’ve Heard That Voice Before': Reprising the Voice in Sacred Time
37. 5. Voice Interrupted: Book of Mormon and the Failed Voice of Correlated Mormonism
38. Acknowledgments
39. 2. Promised Valley, Integration, and the Singing Voice
40. Notes
41. Epilogue
42. 1. “Come, Listen to a Prophet’s Voice, and Hear the Word of God': The Voice and Mormon Theatricality
43. Prologue
44. Contents
45. Introduction: Vicarious Voices
46. Title Page, Copyright
47. “That’s Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline
48. The Mormon Tabernacle Choir: A Biography by Michael Hicks (review)
49. The Elocutionists: Women, Music, and the Spoken Word by Marian Wilson Kimber (review)
50. Harry Partch: Hobo Composer by S. Andrew Granade (review)
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