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8. Devotional Cross-Roads - Practicing Love of God in Medieval Jerusalem, Gaul and Saxony

Author

Pinchover, Lotem, Röckelein, Hedwig, and Noga-Banai, Galit

Subjects
History
Abstract

The collection of essays presented in “Devotional Cross-Roads: Practicing Love of God in Medieval Gaul, Jerusalem, and Saxony” investigates test case witnesses of Christian devotion and patronage from Late Antiquity to the Late Middle Ages, set in and between the Eastern and Western Mediterranean, as well as Gaul and the regions north of the Alps. Devotional practice and love of God refer to people – mostly from the lay and religious elite –, ideas, copies of texts, images, and material objects, such as relics and reliquaries. The wide geographic borders and time span are used here to illustrate a broad picture composed around questions of worship, identity, religious affiliation and gender. Among the diversity of cases, the studies presented in this volume exemplify recurring themes, which occupied the Christian believer, such as the veneration of the Cross, translation of architecture, pilgrimage and patronage, emergence of iconography and devotional patterns. These essays are representing the research results of the project “Practicing Love of God: Comparing Women’s and Men’s Practice in Medieval Saxony” guided by the art historian Galit Noga-Banai, The Hebrew University of Jerusalem, and the historian Hedwig Röckelein, Georg-August-Universität Göttingen. This project was running from 2013 to 2018 within the Niedersachsen-Israeli Program and financed by the State of Lower Saxony.

Published
2019

19. A Medievalist’s Gaze : Christian Visual Rhetoric in Modern German Memorials (1950–2000) Ed. 1

Author

Noga-Banai, Galit, Weikop, Christian, Noga-Banai, Galit, Noga-Banai, Galit, Weikop, Christian, and Noga-Banai, Galit

Abstract

This study offers an unconventional reading of modern and postmodern German memorials from a medievalist perspective. Beginning with a memorial for German soldiers in El Alamein and continuing with memorials for victims of the Nazis in Germany, the book challenges the visual differences between modern and medieval art and transforms the interactions between the two into six productive conversations. The examples discussed move from Christian themes or visual practice directly connected to medieval art in the surrounding local urban landscape, to secular or abstract projects that seem disconnected from premodern forms and formats. The wide variety of techniques, materials, iconography, layouts, and styles demonstrates that medievalism is a method of observation, one that can underscore the links between several works of art, offer a broader context, add layers of meaning, and explore relationships with nearby visual and social environments, physical and mental landscapes, conflicts and memories. The medieval association may also contribute to a project’s potential to arouse empathy and to stand the test of time and distance from the events it is meant to recall. The book’s medieval prism will afford the reader greater insight into these works of art and a better understanding of their contribution to modern and contemporary memory culture in Germany.

Published
2021

21. 2) Local medievalism: Bernward’s doors, Hezilo’s chandelier, and the memorial fountain for the Synagogue

Author

Noga-Banai, Galit

Subjects
medievalism, historiography, Médiévisme, History, Historiographie, HBLC, HIS037010, medieval civilisation, Civilisation médiévale
Abstract

On November 9th, 1988, precisely one year before the Reunification of Germany and 50 years after Kristalnacht, a memorial fountain was inaugurated for the synagogue in Hildesheim. The new landmark was placed at Lappenberg (am Lappenberg), where the synagogue had stood since its erection in 1849 until its destruction on the Night of the Broken Glass. The 1988 fountain, a cube-like sculpture made of Verona marble and decorated with bronze and marble reliefs, was designed by Elmar Hillebrand (19...

Published
2021

22. Middle Ages without borders: a conversation on medievalism

Author

Aali, Heta, Aiello, Cristian, Aitcheson, James, Ayed, Tasnime, Barbagallo, Matteo, Barbero, Alessandro, Barratt-Peacock, Ruth, Battistini, Alessandro, Berger, Matthias D., Bertholet, Marion, Breton, Justine, Broche, Laurent, Brookman, Helen, Brown, Elizabeth A.R., Carannante, Arianna, Carlucci, Lorenzo, Cavazzini, Laura, Conti, Aidan, Corona, Martina, Cossar, Roisin, Coulomb, Clarisse, Cusimano, Fabio, Czarnowus, Anna, Devaux, Michaël, Dijk, Mathilde van, di Carpegna Falconieri, Tommaso, Di Fabio, Clario, Dubois, Danielle, D’Arcens, Louise, Elliott, Andrew B.R., Facchini, Riccardo, Fishburne, James, Fraulini, Fabiana, Fraysse, Patrick, Gally, Michèle, Gammeltolft, Peder, Gargova, Fani, Gerraert, Dustin, Giardina, Antonella, Gorgievski, Sandra, Grévin, Benoît, Griffiths, Toni, Grosen Jørgensen, Lea, Grossman, Heather E., Heelan, Carla, Hildebrand, Kristina, Iacono, Davide, Innocenti, Alessio, Irwin, Dean A., Jakobsen, Johnny Grandjean Gøgsig, Jeffries, Neil, Jovanović, Jelena, Kamčevski, Danko, Kolassa, Alexander, Leardi, Geraldine, Ledru, Thomas, Lees, Clare A., Li, Jianing (Ivy), Linford, Sarah, Locke Perchuk, Alison, Longo, Umberto, Machado, Ana, Marino, Laura, Martins, Pedro, Mazza, Edmund J., Merete Kjærulff, Berit, Merli, Sonia, Molinier, Muriel, Møller, Lis, Monagle, Clare, Morris, Sharon, Muresu, Marco, Noga-Banai, Galit, Nolan, Linda, Nuzzo, Mariella, Panzanelli, Giulia, Parker, Jayne, Pascolini-Campbell, Claire, Polidoro, Luca, Ragnard, Isabelle, Rahman, Sabina, Richards, Stephanie, Rideal, Liz, Roversi Monaco, Francesca, Rowland, Ingrid D., Saguar, Amaranta, Savy, Pierre, Settis, Salvatore, Shumate, Michal Lynn, Stella, Federico, Tagliente, Antonio, Théodore, Simon, Tolkien-Gillett, Charles John, Tomedi, Andrea, Toswell, Margaret Jane, Trafford, Simon, Traxel, Oliver M, Usai, Nicoletta, Varennes, Bruno, Victorin, Patricia, Viglianisi, Federica, Vishnuvajjala, Usha, Vitolo, Paola, Volley, Jo, Watterson, Tess, Wild, Esther Robinson, Woolf, Jeffrey R., Woosnam-Savage, Robert C., Yawn, Lila, Zedda, Corrado, Zerbi, Tommaso, Zupka, Dušan, di Carpegna Falconieri, Tommaso, Savy, Pierre, and Yawn, Lila

Subjects
medievalism, historiography, Médiévisme, History, Historiographie, HBLC, HIS037010, medieval civilisation, Civilisation médiévale
Abstract

This book presents the proceedings of the international conference “The Middle Ages in the Modern World,” held in Rome November 21-24, 2018. Attended by more than a hundred participants of different ages, educational backgrounds, and places of origin, the conference constituted a landmark in the study of medievalism: the historical discipline, now in full bloom, that investigates the ways in which the thousand-year period between 500 and 1500 was, and continues to be, presented, reconstructed, and imagined in successive eras. The book opens with a substantial bibliography drawn from all of its components, followed by the seven keynote lectures and ninety-three shorter texts - abstracts of the individual conference papers - organized along eight thematic pathways, which together provide a vivid image of the current state of the field.

Published
2021

24. The Bornplatz synagogue or Margrit Kahl's mosaic? An art historical appeal to preserve Hamburg's place in German postwar memory culture.

Author

Noga-Banai, Galit

Subjects
*SYNAGOGUES, *JEWISH communities
Abstract

In recent months, debate has been swirling in Hamburg over the rebuilding of the Bornplatz synagogue. My concern is a work of art, 'Synagogue Monument,' a memorial created by local artist Margrit Kahl (1942–2009) to mark the fiftieth jubilee of the November pogrom. Kahl traced the synagogue's outline with cobblestones, on its original scale, as well as its complex domed ceiling and vaulted spaces. At present, the inclination is to integrate the mosaic into the new synagogue. If this plan is carried out, the decisive features of this work of art would be destroyed, and with it the memory of the old local Jewish community. Moreover, it would come at the expense of the significant place Hamburg holds in German postwar memorial culture. [ABSTRACT FROM AUTHOR]

Published
2023
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25. Introduction

Author

Kühnel, Bianca, primary, Noga-Banai, Galit, additional, and Vorholt, Hanna, additional

Published
2014
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28. Devotional Cross-Roads

Author

Röckelein, Hedwig, Noga-Banai, Galit, and Pinchover, Lotem

Subjects
religion, Christian devotion, Middle Ages, bic Book Industry Communication::H Humanities::HB History
Abstract

The collection of essays presented in “Devotional Cross-Roads: Practicing Love of God in Medieval Gaul, Jerusalem, and Saxony” investigates test case witnesses of Christian devotion and patronage from Late Antiquity to the Late Middle Ages, set in and between the Eastern and Western Mediterranean, as well as Gaul and the regions north of the Alps. Devotional practice and love of God refer to people – mostly from the lay and religious elite –, ideas, copies of texts, images, and material objects, such as relics and reliquaries. The wide geographic borders and time span are used here to illustrate a broad picture composed around questions of worship, identity, religious affiliation and gender. Among the diversity of cases, the studies presented in this volume exemplify recurring themes, which occupied the Christian believer, such as the veneration of the Cross, translation of architecture, pilgrimage and patronage, emergence of iconography and devotional patterns. These essays are representing the research results of the project “Practicing Love of God: Comparing Women’s and Men’s Practice in Medieval Saxony” guided by the art historian Galit Noga-Banai, The Hebrew University of Jerusalem, and the historian Hedwig Röckelein, Georg-August-Universität Göttingen. This project was running from 2013 to 2018 within the Niedersachsen-Israeli Program and financed by the State of Lower Saxony.

Published
2019
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30. Local Medievalism: Bernward’s Doors, Hezilo’s Chandelier, and the Memorial Fountain for the Synagogue at Lappenbergin Hildesheim

Author

Noga-Banai, Galit

Abstract

This article discusses a fountain erected in 1988 in memory of the Hildesheim Synagogue at Lappenberg, which was destroyed during Kristallnacht. It traces the relationship between this modern monument and Hildesheim’s rich artistic heritage, mostly from the Middle Ages and centered around the Christian Church. Based on the artists’ choice of technique and materials, as well as on an analysis of some of the monument’s iconography, the layout of its motifs, and its overall composition, the article argues that, although (and because?) the fountain commemorates a synagogue, it must have been expressly designed to evoke Hildesheim’s (Christian) cultural and historical memory so as to elicit the empathy of the local population.

Published
2019
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39. Workshops with style: minor art in the making

Author

Noga-Banai, Galit

Abstract

In his book Byzantine Art in the Making; Main Lines of Stylistic Development in Mediterranean Art 3 rd–7 thCentury, Ernst Kitzinger describes three types of subjects represented in a group of ivory plaques most likely executed in the same Roman workshop c. 400. He begins with the famous pair of ivory panels inscribed with the names Nicomachi (Paris, Musée Cluny) and Symmachi (London, Victoria and Albert Museum), two of the old Roman senatorial families known for their efforts and actions to preserve and protect pagan rites during the final decades of the fourth century in Rome [fig. 1]. Each of the two panels shows a priestess performing a rite before an altar. Kitzinger's main interest was in the classicistic style of the settings and figures, recruited to emphasize the patrons' purposes. He compares the priestess diptych with the official ivory diptych of Rufius Probianus. There in each part Probianus, vicariusof the city of Rome, is seen seated on a throne flanked by two notaries [fig. 2]. Below, two patricians stand in acclamation pose. The devotional pair of ivories and the official one, says Kitzinger, are closely related. The borders of the first diptych, made of “delicately wrought palmette ornament” are identical with the frames of the second one, including the borders dividing the Probianus panels into upper and lower zones.

Published
2004
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40. From Sanctified Topos to Iconic and Symbolic Model : Two Early Pictorial Representations of Holy Sepulcher From Croatia

Author

Vicelja-Matijašić, Marina, Kuhnel, Bianca, Noga-Banai, Galit, and Vorholt, Hanna

Subjects
Holy Sepulcher, arly Christian art, medieval art, iconography
Abstract

The paper discusses the role of the Holy Sepulcher in recreating the range of symbolical and iconographic forms in the visual arts with special accent on the art in Croatia during the early Middle Ages and Middle Ages with special reference to the iconography of Resurrection. The Sepulcher of Christ was a holy place of the unique significance and its substance as well as its form developed symbolism which was materialized in architectural or pictorial „copies“ throughout the Christian world from the early Christian period up to the Middle Ages. The visual arts held a privileged position in representing „holy places“ of Jerusalem and through these representations they incorporated biblical references, iconic powers and, the most important, expectation of end of time and heavenly Jerusalem.

Published
2015

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