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United States advanced technology is a national valuable. It is also a prime commodity which is transferred throughout the world with reckless abandon. Such transfers have concerned Congress. They have also been encouraged by the Executive Department. Technology transfers to the USSR and other Communist countries are occurring as a consequence, or worse, as a price for detente. The risk to the nation that technology will be transferred for inadequate consideration should not be ignored because our achievements can be dissipated. This essay explores some of the transfer methods and their potential impact on the nations security. (Author)

Includes lists of the personnel of the Mid-America Concert Orchestra, the Mid-America Symphony Orchestra, the Mid-America Concert Choir, the Mid-America Stage Band, the Mid-America Concert Band, and the Mid-America Symphony Band (all with principals).; Includes a list of the personnel of the Mid-America Music Camp, with administrators, conductors, clinicians, counselors, Mid-America office staff, Ball State Division of Music staff, and applied music instructors., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lists of the personnel of the Mid-America Concert Orchestra, the Mid-America Symphony Orchestra, the Mid-America Concert Choir, the Mid-America Stage Band, the Mid-America Concert Band, and the Mid-America Symphony Band (all with principals).; Includes a list of the personnel of the Mid-America Music Camp, with administrators, conductors, clinicians, counselors, Mid-America office staff, Ball State Division of Music staff, and applied music instructors., Series XXIII, Number 36., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lists of the personnel of the Mid-America Concert Orchestra, the Mid-America Symphony Orchestra, the Mid-America Concert Choir, the Mid-America Concert Band, and the Mid-America Symphony Band (all with principals).; Includes a list of the personnel of the Mid-America Music Camp, with administrators, conductors, clinicians, counselors, Mid-America office staff, Ball State Division of Music staff, and applied music instructors., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lists of the personnel of the Mid-America Concert Orchestra, the Mid-America Symphony Orchestra, the Mid-America Symphonic Choir, the Mid-America Swing Choir, the Mid-America Stage Band, the Mid-America Concert Band, and the Mid-America Symphony Band.; Includes a list of the personnel of the Mid-America Music Camp, with conductors, clinicians, counselors, Mid-America office staff, and Ball State Division of Music office staff., Series XXIV, Number 162., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lists of the personnel of the 1971 Concert Orchestra, the 1971 Symphony Orchestra, the 1971 Symphonic Choir, the 1971 Concert Band, the 1971 Symphony Band, the 1971 Mid-America Singers, and the 1971 Mid-America Jazz Ensemble.; Includes a list of the staff, conductors, clinicians, counselors, Mid-America office staff, and BSU School of Music office staff affiliated with the Mid-America Music Camp., Series XXV, Number 173., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lists of the personnel of the Concert Orchestra, the Symphony Orchestra, the Symphonic Choir, the Concert Band, and the Symphony Band.; Includes a list of the staff, conductors, clinicians, counselors, Mid-America office staff, and BSU School of Music office staff affiliated with the Mid-America Music Camp.; Dedicated to the memory of James E. Noble of Peru, Indiana., Series XXVII, Number 245., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Includes lists of the personnel of the Concert Orchestra, the Symphony Orchestra, the Symphonic Choir, the Concert Band, the Symphony Band, the Mid-America Singers, and the Mid-America Laboratory Jazz Ensemble.; Includes a list of the staff, conductors, clinicians, counselors, Mid-America office staff, and BSU School of Music office staff affiliated with the Mid-America Music Camp., Series XXVI, Number 164., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Appreciable concentrations of titaniferous magnetite occur in several of the ultramafic complexes that are exposed along a linear belt 350 miles in length in southeastern Alaska. Four of the larger bodies, at Klukwan, Snettisham, Union Bay, and Duke Island, are of economic interest. Large magnetite concentrations (15–20 percent of the rock by volume) of very uniform grade occur in the hornblende pyroxenite units of these complexes.

Moderate yellowish-brown (C77) smooth cloth; three triple-ruled lettered panels superimposed on lyre and leaves design, all in gilt, back cover has combined Elkin Mathews and John Lane monogram in black; spine lettered in gilt with floret; t.e.g., untrimmed. Unsigned, cover and title page design by Austin Young.