85 results on '"Zhang, A. P."'
Search Results
2. Longitudinal automatic carrier-landing control law rejecting disturbances and coupling based on adaptive dynamic inversion
- Author
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Lipeng Wang, Zhi Zhang, Qidan Zhu, and Zixia Wen
- Subjects
carrier-based aircraft ,automatic landing ,nonlinear dynamic inversion ,lateral decoupling ,parameters adaptation ,Technology ,Technology (General) ,T1-995 - Abstract
The longitudinal automatic carrier landing system (ACLS) control law is designed based on nonlinear dynamic inversion (NDI), which can reject air wake, decouple lateral states, and track the dynamic desired touchdown point (DTP). First of all, the nonlinear landing model of F/A−18 aircraft in the final approach is established, in which the parameters of the aerodynamic, control surfaces, and limited states are acquired. Second, the strategy of tracking the desired longitudinal trajectory through pitch angle control is adopted. The automatic power compensation system (APCS), pitch angle rate, pitch angle, and vertical position control loops are developed based on the adaptive NDI. The stable analysis and the principal description are derived in detail. Deck motion compensation (DMC) algorithm is designed by frequency response method. Third, the control parameters are optimized through the genetic algorithm. A fitness function integrated with velocity, angle of attack (AOA), pitch rate, pitch angle, and vertical position of the aircraft are proposed. Finally, integrated simulations are conducted on a semi-physical simulation platform. The results indicate that the adopted automatic landing control law can achieve both excellent performance and the ability to reject the air wake and lateral coupling.
- Published
- 1921
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3. A DC Signal Injection-Based Thermal Protection Scheme for Soft-Starter-Connected Induction Motors
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Zhang, Pinjia, Du, Yi, Lu, Bin, and Habetler, T.G.
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- 1974
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4. Xenon Discharge-Produced Plasma Radiation Source for EUV Lithography
- Author
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Zhang, C H, Lv, P, Zhao, Y P, Wang, Q, Katsuki, S, Namihira, T, Horta, H, Imamura, H, Kondo, Y, and Akiyama, H
- Published
- 1974
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5. A Low-Intrusion Load and Efficiency Evaluation Method for In-Service Motors Using Vibration Tests With an Accelerometer
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Zhang, He, Zanchetta, Pericle, Bradley, Keith J, and Gerada, Chris
- Published
- 1974
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6. Novel CT-guided coil localization of peripheral pulmonary nodules prior to video-assisted thoracoscopic surgery: a pilot study
- Author
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Liu, Li, Zhang, Long, Chen, Bo, Cao, Jian, Lu, Guang, Yuan, Lei, Li, Kai, and Xu, Jian
- Abstract
BackgroundSmall peripheral lung nodules detected on computed tomography (CT) scans are often difficult to find during thoracoscopic resection, and the present localizing techniques are inefficient or impractical.PurposeTo evaluate a novel marking procedure for small peripheral pulmonary nodules using an embolization coil.Material and MethodsPatients with small peripheral pulmonary nodules underwent preoperative CT-guided nodule localization using an embolization coil and then resection by fluoroscopically-guided video-assisted thoracoscopic surgery (VATS; group A, n = 22), or, underwent conventional VATS without prior location procedures (group B, n = 16). Comparisons were made between group A and group B concerning operative time, hospitalization, postoperative drainage, and complications. Histopathological diagnoses were made immediately after resection of pulmonary nodules.ResultsAll CT-guided embolization coil fixations were successful. No patient in group A and eight (50%) in group B required conversion to open thoracotomy (P < 0.0001). No severe complications occurred in either group. Compared with group B, group A had a significantly shorter mean operative time and hospitalization, and less postoperative drainage.ConclusionPreoperative localization of small peripheral pulmonary nodules using CT-guided embolization coil insertion and subsequent fluoroscopically-guided VATS resection is safer and more effective than conventional VATS.
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- 1961
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7. Detection of prostate cancer in peripheral zone: comparison of MR diffusion tensor imaging, quantitative dynamic contrast-enhanced MRI, and the two techniques combined at 3.0 T
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Li, Chunmei, Chen, Min, Li, Saying, Zhao, Xuna, Zhang, Chen, Luo, Xiaojie, and Zhou, Cheng
- Abstract
BackgroundPrevious studies have shown that the diagnostic accuracy for prostate cancer improved with diffusion tensor imaging (DTI) or quantitative dynamic contrast-enhanced magnetic resonance imaging (DCE-MRI) only. However, the efficacy of combined DTI and quantitative DCE-MRI in detecting prostate cancer at 3.0 T is still indeterminate.PurposeTo investigate the utility of diffusion tensor imaging (DTI), quantitative DCE-MRI, and the two techniques combined at 3.0 T in detecting prostate cancer of the peripheral zone (PZ).Material and Methods: DTI and DCE-MRI of 33 patients was acquired prior to prostate biopsy. Regions of interest (ROIs) were drawn according to biopsy zones which were apex, mid-gland, and base on each side of the PZ. Apparent diffusion coefficient (ADC), fractional anisotropy (FA), volume transfer constant (Ktrans), and rate constant (kep) values of cancerous sextants and non-cancerous sextants in PZ were calculated. Logistic regression models were generated for DTI, DCE-MRI, and DTI + DCE-MRI. Receiver-operating characteristic (ROC) curves were used to compare the ability of these models to differentiate cancerous sextants from non-cancerous sextants of PZ.ResultsThere were significant differences in the ADC, FA, Ktrans, and kepvalues between cancerous sextants and non-cancerous sextants in PZ (P < 0.0001, P < 0.0001, P < 0.0001, and P < 0.0001, respectively). The area under curve (AUC) for DTI + DCE-MRI was significantly greater than that for either DTI (0.93 vs. 0.86, P = 0.0017) or DCE-MRI (0.93 vs. 0.84, P = 0.0034) alone.ConclusionThe combination of DTI and quantitative DCE-MRI has better diagnostic performance in detecting prostate cancer of the PZ than either technique alone.
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- 1961
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8. Characteristics and Electrochemical Reaction Kinetics of Polyaniline Nanofibers as a Promoter of Pt Electrode for Methanol Electrocatalytic Oxidation
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Wang, Jun, Ning, Yege, Wen, Yufeng, Wen, Yang, Dong, Ting, Wang, Dongmei, Chen, Jinmei, and Zhang, Lijun
- Abstract
The addition of La2O3to an aniline polymerizing system to promote the formation of polyaniline nanofibers (PANI-La2O3) is herein demonstrated. The fiberization rate is significantly increased by the inducing of La2O3. Only trace amounts of lanthanum advantageously remain in the product, which therefore negligibly influence the electrochemical characteristics of the resulting polyaniline fibers. Research for the electrochemical reaction kinetics of PANI-La2O3nanofiber indicates that the redox rate of polyaniline between leucoemeraldine and emeraldine is controlled by electron transfer and proton (H+) diffusion. The standard rate constants of the redox and the diffusion coefficients of H+are measured at 20 ºC. Cyclic voltammetric (CV) results indicate that PANI-La2O3nanofibers are resistant against electrochemical degradation. Moreover, the modification of Pt electrode with PANI-La2O3nanofibers promotes the efficiency of methanol electro-oxidation.
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- 1964
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9. Interfacial Charge Transfer Behaviors of Nanoparticulate CdSe Thin Film Electrodes
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Lin, Y., Zhang, J. B., Yin, F., and Xiao, X. R.
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- 1960
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10. Quantitative 3-dimensional profiling of channel networks within transparent lab-on-a-chip microreactors using a digital imaging method
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Broadwell, Ian, Fletcher, Paul D. I., Haswell, Stephen J., McCreedy, T., and Zhang, Xunli
- Abstract
We have developed a method for the quantitative 3-dimensional profiling of micron sized channel networks within optically transparent lab-on-a-chip microreactor devices. The method involves capturing digitised microscope images of the channel network filled with an optically absorbing dye. The microscope is operated in transmission mode using light filtered through a narrow bandpass filter with a maximum transmission wavelength matching the wavelength of the absorbance maximum of the dye solution. Digitised images of a chip filled with solvent and dye solution are analysed pixel by pixel to yield a spatially resolved array of absorbance values. This array is then converted to optical path length values using the BeerLambert law, thereby providing the 3D profile of the channel network. The method is capable of measuring channel depths from 10 to 500 µm (and probably even smaller depths) with an accuracy of a few percent. Lateral spatial resolution of less than 1 µm is achievable. It has been established that distortion of the measured profiles resulting from a mismatch in refractive index between the dye solution and the glass of the microreactors is insignificant. The method has been successfully used here to investigate the effects of thermal bonding and etch time on channel profiles. The technique provides a convenient, accurate and non-destructive method required to determine channel profiles; information which is essential to enable optimisation of the operating characteristics of microreactor devices for particular applications.
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- 1905
11. General Summary of Ideological Remolding in the Central Research Institute since the Start of Rectification—Report on Party Rectification in the Central Research Institute, September 1942
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Ruxin, Zhang
- Abstract
Since rectification began this year on March 18 in this Institute, it has gone on for exactly half a year. In the initial stage, there appeared erroneous tendencies (pianxiang) and we exposed Wang Shiwei's antiparty activities. Afterward, the erroneous tendencies were corrected. This period is merely six months time, but it is undoubtedly comparable to a few years in terms of its content and effect on our comrades. Everyone thinks this half year has provided us with much valuable experience and has taught us many lessons. These experiences and lessons need to be carefully summarized to guide our future practice.
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- 1933
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12. The New Romanticism in the Reagan Administration's Asian Policy: Illusion and Reality
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Jia-Lin, Zhang
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- 1955
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13. Twisted Graded Algebras and Equivalences of Graded Categories
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Zhang, J. J.
- Abstract
Let A= ⊕ n⩾0Anbe a connected graded k‐algebra and let Gr‐Adenote the category of graded right A‐modules with morphisms being graded homomorphisms of degree 0. If {τn∣ n∈ Z} is a set of graded k‐linear bijections of degree 0 from Ato itself satisfying τn(yτm(z))=τn(y)τn+m(z)for all l, m, n ∈ Zand all y ∈ Am, z ∈ Al, we define a new graded associative multiplication * on the underlying graded k‐vector space ⊕n⩾0Anby y * z = yτm(z)for all y ∈ Am, z ∈ Al. The graded algebra with the new multiplication * is called a twisted algebra of A. Theorem. Let A and B be two connected graded algebras generated in degree 1. Then the categories Gr‐A and Gr‐B are equivalent if and only if A is isomorphic to a twisted algebra of B. If algebras are noetherian, then Gelfand‐Kirillov dimension, global dimension, injective dimension, Krull dimension, and uniform dimension are preserved under twisting. Moreover, we prove the following: Theorem. The following properties are preserved under twisting for connected graded noetherian algebras: Artin‐Schelter Gorenstein (or Artin‐Schelter regular);Auslander Gorenstein (or Auslander regular) and Cohen‐Macaulay. Artin‐Schelter Gorenstein (or Artin‐Schelter regular); Auslander Gorenstein (or Auslander regular) and Cohen‐Macaulay. Some of these results are also generalized to certain semigroup‐graded algebras.
- Published
- 1955
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14. Evaluation of Antibacterial Activities of 4-Hydroxycoumarin Derivatives
- Author
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Hu, Yue, Li, Jing, Lv, Chang-Wei, Qu, Di, Hou, Zheng, Jia, Min, Li, Jiang-Tao, Zhang, Zi-Dan, Luo, Xiao-Xing, Yuan, Zhi, and Li, Ming-Kai
- Abstract
Three kinds of 4-hydroxycoumarin derivatives, namely, biscoumarins (1–4), epoxydicoumarins (5–8) and dihydropyrans (9–12), were synthesized and the antibacterial activity of each of them was evaluated. The result of preliminary bioassay shows that the lowest minimal inhibitory concentration (MIC) of compounds 1 and 2 against drug-sensitive S. aureus(ATCC 29213) and methicillin-resistant S. aureus(MRSA XJ 75302, Mu50, ATCC 700699 and USA 300) is 4–64 ug/mL. Additionally, there are two classical intramolecular O—H⋯O hydrogen bonds (HBs) in the structures of biscoumarins (1–4), and their corresponding HB energies were further calculated by the density functional theory (DFT) [B3LYP/6-31G*] method.
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- 1965
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15. Infrapopliteal angioplasty with a long over-the-wire (OTW) balloon in the treatment of severe limb ischemia in diabetic patients: a retrospective study.
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Wang, Jue, Zhu, Yue-Qi, Zhao, Jun-Gong, Wang, Jian-Bo, Cheng, Ying-Sheng, Li, Ming-Hua, Wang, Wu, Zhang, Pei-Lei, and Du, Zhuo-Ying
- Abstract
The use of short balloons in the treatment of infrapopliteal arterial occlusive disease in diabetic patients often has a poor clinical outcome.
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- 1958
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16. B-type natriuretic peptide for prevention of contrast-induced nephropathy in patients with heart failure undergoing primary percutaneous coronary intervention.
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Zhang, Jing, Fu, Xianghua, Jia, Xinwei, Fan, Xinna, Gu, Xinshun, Li, Shiqiang, Wu, Weili, Fan, Weize, Su, Jianling, Hao, Guozhen, Jiang, Yunfa, and Xue, Ling
- Abstract
Contrast-induced nephropathy (CIN) is one of the leading causes of hospital-acquired renal failure and increase in the mortality and length of hospital stay after percutaneous coronary intervention (PCI).
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- 1959
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17. Computed tomography and magnetic resonance imaging findings of inflammatory myofibroblastic tumors of the head and neck
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Gao, Fei, Zhong, Rui, Li, Guo-hong, and Zhang, Wei-dong
- Abstract
BackgroundInflammatory myofibroblastic tumor (IMT) is a rare tumor of mesenchymal origin that commonly occurs in the lung. Because of its non-specific clinical and imaging features, IMT is often misdiagnosed as a malignant tumor. There have been few imaging reports on IMT of the head and neck.PurposeTo analyze the computed tomography (CT) and magnetic resonance imaging (MRI) findings of inflammatory myofibroblastic tumors (IMTs) of the head and neck.Material and MethodsSix patients with IMTs of the head and neck confirmed by histopathologic examination were analyzed retrospectively.ResultsThe mean patient age was 40 years. The tumor locations in the six patients were as follows: left bridge of the nose (one), right infratemporal fossa (two), and left parotid gland (three). Three patients who underwent CT all had soft tissue masses or nodules and no calcification. Bridge of the nose tumor showed a homogeneous isodense nodule and mild homogeneous enhancement. Infratemporal fossa tumor showed a homogeneous low density mass and intermediate homogeneous enhancement. Left parotid gland tumor showed a heterogeneous, mostly low density mass, and intermediate heterogeneous enhancement. T1-weighted images of the parotid gland tumors were hypointense; the infratemporal fossa tumor was isointense. T2-weighted images were mildly hypointense and of mixed hypo- and isointensity in the two parotid gland tumors; the infratemporal fossa tumor was homogeneously mildly hypointense. Heterogeneous intermediate enhancement was demonstrated in one parotid gland and the infratemporal fossa patients and mild homogeneous enhancement in another parotid gland patient.ConclusionThe imaging features of IMTs of the head and neck are non-specific. An ill-defined, aggressive mass and variable enhancement on CT and MRI may suggest the diagnosis of IMT. IMT should be included in the differential diagnosis of regional tumors.
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- 1961
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18. Changes of the Surface State of TiO2in the Preparation of Sulfate Promoted Titanium Oxide
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Rongsheng, Li, Hua, Yang, Wuyang, Zhang, and Quan, Wei
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- 1935
- Full Text
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19. Quantitative evaluation of the axonal degeneration of central motor neurons in chronic cerebral stroke with diffusion tensor imaging
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Lai, Can, Zhou, Hai-Chun, Ma, Xiao-Hui, and Zhang, Hong-Xi
- Abstract
BackgroundConventional magnetic resonance imaging (MRI) can only show the degeneration-induced morphological changes but fail to quantitatively reveal the degree and extent of the axonal damage of nerve fibers. Diffusion tensor imaging (DTI) has the ability to detect the diffusion of water molecules and thus suitable to the study of axonal degeneration of central motor neurons.PurposeTo illustrate and quantitatively evaluate the axonal degeneration of central motor neurons in patients with chronic cerebral stroke.Material and MethodsDTI and conventional MRI were carried out with 10 normal control subjects and 25 patients who suffered from chronic cerebral stroke in the region supplied by middle cerebral artery and had varying degrees of limb movement disorders (the mean time of onset was 2.5 months), to measure the fractional anisotropy (FA), volume ratio (VR), apparent diffusion coefficient (ADC), tensor eigenvalues (λ1, λ2, and λ3), and signal intensity (SI) on T2-weighted images, of the central motor fibers (pyramidal tract) in the plane of cerebral peduncle. Results from the ipsilateral side were compared with those from the contralateral side in the same patient and with those from normal control.ResultsThe axonal degeneration of central motor neurons manifests in DTI as the decline of FA of the pyramidal tract and the reduction and distortion of the high signal area. While all the FA, VR, ADC, and λ1 in the ipsilateral side reduce on DTI, λ3 increases; the T2-weighted signals exhibit no significant differences among groups.ConclusionThe changes and diffusions of water molecule associated with the axonal degeneration of central motor neurons after chronic cerebral stroke can be detected by DTI, which can directly quantitatively reflect the degree and extent of axonal degeneration of central motor neurons and can compensate the shortcomings of conventional MRI and diffusion-weighted imaging (DWI).
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- 1961
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20. Pearl Spring
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Zhang, Ke, 1930 and Zhang, Ke, 1930
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This photograph was taken by the famous photographer Qian Sijie, likely during the travels of the Southwest Nationalities Visiting Team. The location of this photograph is Pearl Spring., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZK00062%5DZK00062, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZK00062/ZK00062/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
21. You yi wei xiao gu niang
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Zhang, Ziying. and Zhang, Ziying.
- Subjects
- Communism Comic books, strips, etc. China, Communisme Bandes dessinées. Chine, Communism., China.
- Published
- 1952
22. Sanmao cong jun ji
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Zhang, Leping. and Zhang, Leping.
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- Caricatures and cartoons., Caricatures et dessins humoristiques., cartoons (humorous images), caricatures., Caricatures and cartoons.
- Published
- 1949
23. China's only hope.
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Zhang, Zhidong and Zhang, Zhidong
- Abstract
We have determined this item to be in the public domain according to US copyright law through information in the bibliographic record and/or US copyright renewal records. The digital version is available for all educational uses worldwide. Please contact HathiTrust staff at hathitrust-help@umich.edu with any questions about this item., Education--China., China--Politics and government., China--Religion., (LCCN)00006367., (OCoLC)ocm17248765., Sdr-ia-srlf980032., DS709 .C45., DS 763 .C4 A3213., Http://hdl.handle.net/2027/mdp.39015004109842., Http://hdl.handle.net/2027/uc2.ark:/13960/t23b66t5n.
- Published
- 1900
24. Zhang Jun in India
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Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00053%5DZJ00053, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00053/ZJ00053/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1955
25. Zhang Jun training Oriental Song and Dance Ensemble performers
- Author
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Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. She studied in India again in 1968-87, 1993, and 2003. An avid teacher, she also took students to study and perform in India during the latter two trips. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00079%5DZJ00079, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00079/ZJ00079/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1970
26. Zhang Jun
- Author
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Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00090%5DZJ00090, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00090/ZJ00090/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1960
27. Picking Tea and Catching Butterflies
- Author
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Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00047%5DZJ00047, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00047/ZJ00047/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
28. Zhang Jun
- Author
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Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00088%5DZJ00088, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00088/ZJ00088/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
29. Zhang Jun in the countryside
- Author
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Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00093%5DZJ00093, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00093/ZJ00093/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1960
30. Zhang Jun
- Author
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Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00092%5DZJ00092, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00092/ZJ00092/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1957
31. Lotus Dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00052%5DZJ00052, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00052/ZJ00052/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
32. “Apsaras in the Garden'
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00050%5DZJ00050, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00050/ZJ00050/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1965
33. Impromptu Burmese dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00111%5DZJ00111, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00111/ZJ00111/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1961
34. Burmese classical dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00106%5DZJ00106, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00106/ZJ00106/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1961
35. Flower Hat Dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00120%5DZJ00120, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00120/ZJ00120/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1960
36. “Wisteria Maiden'
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00121%5DZJ00121, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00121/ZJ00121/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1960
37. Pendet
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00103%5DZJ00103, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00103/ZJ00103/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1962
38. Classical Partner Dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00108-1%5DZJ00108-1, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00108-1/ZJ00108-1/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1961
39. Classical Partner Dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00114%5DZJ00114, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00114/ZJ00114/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
40. Dance with Ball
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00005%5DZJ00005, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00005/ZJ00005/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1958
41. Peacock Dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00117%5DZJ00117, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00117/ZJ00117/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1970
42. Lotus Dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00002%5DZJ00002, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00002/ZJ00002/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1955
43. Sword Dance
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam. Zhang studied in India again in 1986-87, 1993, and 2003, the last two times with her students. Zhang was recognized by Indian presidents and cultural leaders for her accomplishments in Indian dance., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00010%5DZJ00010, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00010/ZJ00010/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
44. Drinking From the Same River
- Author
-
Zhang, Jun, 1935-2012 and Zhang, Jun, 1935-2012
- Abstract
Zhang Jun (张均 1935-2012) was a pioneer of the genre known as "Oriental Dance" (东方舞), in particular the dances of South and Southeast Asia. Born in Hubei, Zhang joined the "New Peace" (新安) performance ensemble (later the Shanghai Experimental Opera Theater) in Shanghai in 1950. From late 1954 to mid-1955, Zhang travelled to India, Burma, and Indonesia on a Chinese Cultural Delegation led by Dai Ailian. In 1956, Zhang entered the Beijing Dance School, where she became a founding member of the Oriental Music and Dance Course, and in 1962, she was a founding member of the Oriental Song and Dance Ensemble (东方歌舞团, est. 1962), a national-level ensemble based in Beijing that specialized in the dances of Asia, Africa, and Latin America. Between 1980-1981, Zhang received intensive training in multiple styles of Indian classical dance at the Darpana Academy in India. In China, she pursued advanced study in Indian religious history at Peking University and published one of the first Chinese-language books on bharata natyam., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZJ00008%5DZJ00008, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZJ00008/ZJ00008/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1962
45. Southwest Nationalities Visiting Team in Gejiu
- Author
-
Zhang, Ke and Zhang, Ke
- Abstract
In 1950, Zhang Ke (张苛 b. 1930) was recruited to join the Southwest Visiting Team (西南访问团) tasked with carrying out diplomatic activities with minority communities in Southwest China. Here, members of the Team are shown with local Yi people in Gejiu, Yunnan., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZK00063%5DZK00063, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZK00063/ZK00063/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
46. Nei Er's Grave
- Author
-
Zhang, Ke and Zhang, Ke
- Abstract
In 1950, Zhang Ke (张苛 b. 1930) was recruited to join the Southwest Visiting Team (西南访问团) tasked with carrying out diplomatic activities with minority communities in Southwest China. Here, members of the Team are shown visiting the grave of the renowned Chinese musician, Nie Er. Nie Er's mother served as their host., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZK00069%5DZK00069, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZK00069/ZK00069/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
47. Yunnan Guishan Yi Nationality Region Cultural Work Troupe
- Author
-
Zhang, Ke, 1930 and Zhang, Ke, 1930
- Abstract
In 1950, Zhang Ke (张苛 b. 1930) was recruited to join the Southwest Visiting Team (西南访问团) tasked with carrying out diplomatic activities with minority communities in Southwest China. Here, members of the Team are shown with members of the Yunnan Guishan Yi Nationality Cultural Work Troup. Zhang Ke (张苛 b. 1930) is in the front row far right. Others shown in the photo include Guo Shuzhen (郭淑珍, second row left), Hu Songhua (胡松华, back left)., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZK00067%5DZK00067, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZK00067/ZK00067/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
48. Zhang Ke and He Qirong
- Author
-
Zhang, Ke and Zhang, Ke
- Abstract
Zhang Ke (张苛 b. 1930) entered Huabei University in 1949. After graduating, he became a performer in the Central Drama Academy Opera Ensemble. Here, Zhang is pictured at Huabei University with ensemble party secretary He Qirong., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZK00064%5DZK00064, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZK00064/ZK00064/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
49. Zhang Ke
- Author
-
Zhang, Ke and Zhang, Ke
- Abstract
Zhang Ke (张苛 b. 1930) entered Huabei University in 1949 and became a founding choreographer of the Central Nationalities Song and Dance Ensemble (formerly the Central Nationalities Institute attached cultural work troupe) in 1952. He helped create early minority dance pieces such as "Harvest" 《丰收》, "Festival" 《节日》, and "Reba on the Grassland" (草原上的热吧). Unfortunately, he was labeled a "rightist" in 1957 and was not allowed to participate in major creative work for many years. After the Cultural Revolution, Zhang taught at the Central Nationalities Institute and became a close advisor to many rising minority nationality dance stars of the 1980s, including Yang Liping (杨丽萍 b. 1958). He conducted extensive field research on minority dance and participated in the creation of several minority-themed dance dramas., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZK00071%5DZK00071, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZK00071/ZK00071/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1951
50. Great Nationality Unity' Opening Danc
- Author
-
Zhang, Ke and Zhang, Ke
- Abstract
This is the opening dance for a gala show called "Great Nationality Unity" performed by the Central Drama Academy Song and Dance Ensemble in 1950. Zhang Ke (张苛 b. 1930) and Jin Liqin (金立勤 b. 1934) were both members of this ensemble. The Ensemble Director was Dai Ailian (戴爱莲 b. 1916)., http://name.umdl.umich.edu/IC-DANCE1IC-X-ZK00065%5DZK00065, http://quod.lib.umich.edu/cgi/i/image/api/thumb/dance1ic/ZK00065/ZK00065/!250,250, Please note that the information provided in the 'Description' field is the scholarly work of Professor Emily Wilcox and subject to a Rights/Permissions., http://quod.lib.umich.edu/t/text/accesspolicy.html
- Published
- 1950
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