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The paper offers a new reading of the argument against poetry in Plato's Republic 10. I argue that Socrates' corruption charges rely on the tripartite theory of the soul, and that metaphysical doctrines play a role only in the first charge, which demonstrates that the poets are not qualified to teach by reducing tragic poetry to mimetic skill. This accusation clears the way for two corruption charges: the strengthening of appetite, and the softening of spirit (i.e., 'the greatest charge'). The former focuses on the dangerous association between the poets and the largest appetitive class in the city (hoi polloi), while the latter focuses on the corruption of the educated elite (hoi epieikeis). [ABSTRACT FROM AUTHOR]

Two tablets from the the Michael C. Carlos Museum at Emory University contain excerpts of literary texts celebrating Šulgi: an excerpt of the praise poem Šulgi A, with two previously unknown lines, and a manuscript from a new hymn to Šulgi, paralleling Ni 13227. [ABSTRACT FROM AUTHOR]

"The Poem as Icon: A Study in Aesthetic Cognition" by Margaret Freeman explores the cognitive and aesthetic aspects of poetry. The book challenges the use of the term 'cognitive' in relation to aesthetics, arguing that beauty is not solely a cognitive experience. Freeman delves into the depths of poetic experience, emphasizing the importance of emotions and sensations. The book examines the concept of 'icon' in poetry, discussing its semiotic, religious, and linguistic meanings. It also explores the role of metaphor, schema, and affect in creating poetic iconicity. Overall, the book offers a fresh perspective on the functionality of poetry and the arts. [Extracted from the article]

This document is an inventory of African literary journals and little magazines, providing information on their publishing history, editors, and content summaries. It lists a total of 90 African-published magazines, with 46 still in publication today. The document acknowledges the important role that small magazines played in the development of African writing and recognizes the challenges they face. It also includes links to websites and profiles for most of the journals. The document highlights the oldest surviving journal on African literature, African Literature Today, as well as other notable magazines such as Agbowó, Ake Review, Black Orpheus, and The Bloody Horse. It provides a comprehensive list of various literary magazines from Africa, each with its own unique characteristics and contributions to African literature and culture. The document also mentions Saraba Magazine, a Nigerian literary magazine that aims to provide a platform for emerging voices and promote African literature. Overall, this document serves as a valuable resource for library patrons conducting research on African literature. [Extracted from the article]