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Exploring how young people engage with, share, and are influenced by news has long captivated academic interest. It is crucial for comprehending how young people are informed and develop critical thinking skills amid evolving media landscapes, and for predicting potential impacts on the industry and democracy. Given the increasing complexity of the news field, this paper conducts a systematic literature review from 2010 to 2022, focusing on journals within SCImago's top 100 list for journalism, media, and communication. The review categorises the 232 academic papers based on origin, methods, and types of youth studied. First, this article systematises geographical origin, methods used, ages and types of youth studied in the 232 academic papers comprising the final sample. Second, it summarises key findings concerning how the most cited papers frame "youth" and "news". Last, the article concludes by pointing out research gaps and possible future challenges. The study reveals that user studies are prominent, while production studies on news media reaching young people are scarce. There is a strong Western bias in current research, with a prevalence of U.S. college student survey studies. The terms "youth" and "news" lack in-depth exploration. This article discusses challenges arising from these findings. [ABSTRACT FROM AUTHOR]

Western liberal media theories often neglect to recognize “news translation” as one of the journalistic practices. This paper problematizes this dominant understanding of journalistic practice and expands the Bourdieusian media sociology project beyond western media systems by applying it to Indian agency journalism. A case study of the United News of India Urdu (UNIU) serves as the basis for this examination, drawing on an ethnography of news production practices, and supplemented with in-depth interviews conducted with Muslim journalists from 2018 to 2020 across four major Indian cities. Through this investigation, the paper asserts that “news translation” is indeed a vital but contested component of media work within the sphere of Indian-language journalism. The paper uses “media work” as a key concept to demonstrate that UNIU’s journalists are anchored in the field of journalism, as is evidenced by their institutional-cum-organizational location and their application of the elements of journalistic practice to their work. [ABSTRACT FROM AUTHOR]

This paper is a systematic literature review on slow journalism, whose aim is to analyse and understand all previously done research on the subject. The review focused on four databases—Web of Science Core Collection, SCOPUS, B-ON and Communication Abstracts—and, after applying the protocol and the analysis model, a corpus of 37 papers was obtained. Data collection ended on 31 January 2022 and no starting date was defined. This analysis shows that, although the concept designation is somewhat recent it is deeply rooted in journalism, it places itself between tradition and innovation. Among other considerations, one should stress the strengthening of the connection with the audience and the idea of being an alternative way of doing, recognising, still, the need for other processes and temporalities. [ABSTRACT FROM AUTHOR]

Pictorial journalism in the latter nineteenth century faced a temporal conundrum: whereas words could travel by telegraph and hence at the speed of electricity, the accompanying illustrations had to travel as material objects and were chronically belated. This article analyzes the strategies with which two prominent Victorian weekly papers—Illustrated London News and Punch—sought to deal with the slowness of illustration and reconcile the speed differentials between textual and visual news with their printing deadlines and production cycles. The most striking of these strategies was to deploy an 'oracular pencil' to work up an illustration before an event had taken place. These pre-produced illustrations relied on specific visual codes that shaped the illustrations' 'truth.' The article shows that, contrary to the self-positioning of pictorial journalists as reporting truthfully and speedily on the world 'out there,' the pictorial press had its own temporal and epistemological laws. [ABSTRACT FROM AUTHOR]

As newsrooms build new audiences and revenue streams, there are considerations around the impact of digitalization on journalistic labour. This paper explores journalists' perceptions of how digital technologies influence their work, and the role of technology in furthering managerial control and extracting labour power. Building on an earlier study of freelance workers in the Republic of Ireland this exploratory paper examines if the concept of digital labour, can be expanded to include the work of salaried journalists. Specifically, the article considers how digital technologies are shifting the boundaries and the nature of work in journalism. The research is informed by a theoretical framework, drawn from labour process theory. Using this theory, the linkages between digital labour and work processes are considered to explore the perceived effects of digitalization on how journalists work. The main findings suggest organizations are increasingly extracting more labour power, requiring journalists to produce more over longer hours. Salaried journalists also report an implicit rather than a contractual obligation to participate in additional and unpaid digital labour to meet employer expectations. These developments, it is argued, have not only shifted the boundaries of news work but also further tilted the balance of power in favour of news organizations. [ABSTRACT FROM AUTHOR]

Political Satire has changed the way we view comedy. It would be accurate to say that real journalism is more evident in stand-up comedies and less in productive news channels that are also known as the fourth pillar of democracy. Journalism has turned into a laughingstock with all the unnecessary screaming, shouting and pointless/baseless debates. Digital platform has opened its arms wide to memes, stand-up comedies and sitcoms which are not only a visual treat to the audience but has in a way affected day to day lives of people reigning from different walks of life. Political satire through the digital ground has changed the way we perceive politics. Today's political satire, put forth in the form of stand-up comedies, situational comedies and memes, debunks the status quo. They have revolutionised the content and our perception as to how we perceive important political events. Satire carries the ability to bring about a change in society. This paper is an attempt to understand the journey of Indian Stand-up comedy as an important tool for political satire and how in recent years this has taken the form of alternative journalism. [ABSTRACT FROM AUTHOR]

While research on journalism in social media is extensive and approaches the topic from different perspectives, the consideration of what contributes to quality journalism in social media is underdeveloped. Our paper addresses this by providing a comprehensive literature review of journalism research relating to aspects of quality in social media. Based on a systematic Scopus search, 54 peer-reviewed, English-language papers published between 2015 and 2022 were selected for in-depth textual analysis using MAXQDA. Two important takeaways emerge from the analysis. First, the literature suggests that journalists and media organizations adapt work routines, norms, and values in a context-sensitive manner when producing content for social media. By enabling many-to-many communication, social media platforms force journalists and media outlets to reflect on audience demands and to develop audience engagement strategies. Second, the findings underscore that journalistic social media activities diverge depending on how individual journalists and organizations approach journalistic quality in social media. As these findings are only pieces to the puzzle of what quality journalism in social media entails, we hope to encourage further research in this area. [ABSTRACT FROM AUTHOR]

Now over a decade since the influential paper Understanding Social Media Logic by van Dijck and Poell was published, the total number, sheer variety and penetration of social media apps in everyday media consumption and production behaviour has exploded. This poses risks and opportunities for legacy media corporations as well as scholars attempting to make sense of the various affordances each individual social media platform offers to facilitate the production, dissemination and consumption of novel types of news content. Drawing on insights from the articles published in this special issue on the characteristics, constraints and contingencies of social media journalism, we seek to advance scholarship by challenging and expanding existing frameworks. We synthesise the current state of research and propose a research agenda for peers. [ABSTRACT FROM AUTHOR]

The rise of social media has spawned private news organizations in China that are encountering problems regarding how to gain public and journalistic acceptance and recognition as newcomers and how to survive without a news license. Drawing on organizational legitimacy theory, this paper investigates the strategies employed by private news organizations to construct multiple layers of legitimacy including regulatory, normative and cognitive legitimacy in China's unique context and the social media era. Based on in-depth interviews with 20 practitioners of private news organizations and participant observation in one private news agency, findings showed that private news organizations (1) gain regulatory legitimacy through news production methods including "misplacing registration", "playing with official hats" and "depoliticization"; (2) establish normative legitimacy by emphasizing their adherence to traditional journalistic values, norms, and routines, and their similarities to state-owned media; (3) obtain cognitive legitimacy through the creation of "hot news" with reliance on professional reputation. This study thereby explores these strategies to reflect the path of "dependent autonomy" of private news organizations and provides an institutional and organizational perspective to understand the constraints and characteristics of social media journalism in China. [ABSTRACT FROM AUTHOR]

AbstractA 1968 complaint by a black, blue-collar worker, Wendall A. Payne, at the Times-Picayune in New Orleans, led to a federal appeals court in 1976 issuing a consent decree that required the newspaper, one of the major dailies in the South, to hire more black employees including journalists. At other dailies nationally in the late 1960s to early 1970s, racial integration occurred in the newsroom because newspapers were affected by provisions of the Civil Rights Act of 1964, the Equal Employment Opportunity Commission, the need for black reporters to cover urban uprisings, the Kerner Commission report, and/or a “moral imperative.” Notwithstanding, litigation was not necessary to induce the dailies to hire black full-time reporters. The Picayune, however, required pressure from Payne’s complaint that led to an EEOC employment discrimination lawsuit against the paper. Subsequently, the Picayune diverted from its white-centered trajectory and traveled on a path leading to racial inclusiveness. [ABSTRACT FROM AUTHOR]

The COVID-19 pandemic was a major challenge for journalism. In the case of Germany, critics very early on voiced concerns over the quality of mainstream media coverage. Mainstream media were attacked for the intensity of their coverage, for reporting too much and unnecessarily frightening audiences, for not presenting a diversity of viewpoints on the pandemic and the measures taken to mitigate it, and for being one-sided and too close to the government. Against this background, this paper examines the intensity and viewpoint diversity of the coverage of 13 mainstream and two alternative media in Germany in 2020 and 2021. Based on a comprehensive manual content analysis of almost 9000 news stories, we conclude that the mainstream media did not cover the pandemic in a fundamentally exaggerated or one-sided way. However, they did not always report intensively when the pandemic was particularly severe, and they tended to warn against the pandemic rather than criticize the measures taken. In contrast, alternative media coverage tended to be more one-sided and generally biased against government measures. [ABSTRACT FROM AUTHOR]

This bilingual, cross-national study analyzes stories about the Colombian peace process that were engaged with on social media to understand the use of peace and war framing in news reporting. Using content analysis as a method, this paper operationalized Galtung's classification of peace journalism and follows framing methodological adjustments and improvements suggested by previous peace journalism scholars. Results show that, even during peace talks, media use war narratives more often than peace frames, and social media users amplify more war than peace-oriented content. Proximity to conflict also was shown to be an important factor, as Colombian media used more war frames than foreign media. These findings are relevant for their implications about how national media consistently emphasized a war frame that social media users amplified, which we argue has implications for how citizens viewed the Colombian peace process, ultimately potentially influencing the decision to vote down the referendum. [ABSTRACT FROM AUTHOR]

Editorial statutes are standardizing documents that organize and structure the media. They are a legal provision allowing them to define their ethical principles and conduct, establish their identity and ideology, and create a communication pact with their audiences. Editorial statutes can thus be considered mechanisms of media responsibility, accountability, and transparency. In Portugal, such statutes are legally required and are often perceived as formal, general, and bland documents. This paper presents a study of sixteen editorial statutes of the Portuguese press, designed to understand the issues and values of these documents. Thirty-eight categories were identified across three key dimensions: self-definition, normative values, and ideological elements. While these dimensions seek to address the requirements set out in the Portuguese Media Law, this analysis defies the common concepts of superficiality and homogeneity of editorial statutes. [ABSTRACT FROM AUTHOR]

This introductory paper will (a) review the intersection between science, journalism and development from a historical perspective, (b) propose normative directions for science journalism of the Global South, (c) contrast that normative framework with the rather weak state of science journalism across the South, (d) identify potential solutions to current problems, and (e) propose a research agenda for the future. Throughout, I will advance a framework of theoretical and practical principles to transform the science–journalism–development relationship in the Global South, which entails four normative dimensions: glocalisation, decolonisation, indigenisation and dewesternisation. [ABSTRACT FROM AUTHOR]

Journalism has been suffering a crisis of trust in recent years and in order to re-engage with disconnected audiences, media organisations have turned to creative forms of communication. Some of these draw on the concept of "live journalism", where both journalists and their stories are presented to a live audience. Various examples in the US and Europe have already been examined; this paper looks at the emergence of live journalism in the UK, and its potential in creating engagement in the public sphere. The authors reflect on two online events they produced as part of their "News on Stage" project during the Covid-19 pandemic, in which journalists presented previously unpublished stories, using dramatic techniques such as verbatim theatre, stand-up comedy, and soundscapes. Using creative, practice-based research, considered relevant to the study of journalism today, they discuss the experience of staging these events to analyse themes of dramatisation, truthfulness, and connection. The authors use ethnographic research, supplemented with audience and participant feedback, to show that this kind of fusion of journalism and theatre can increase interest and trust in journalism and build closeness with audiences. [ABSTRACT FROM AUTHOR]

The algorithmic turn has fundamentally transformed journalistic work. Academic interest in the implication of automated algorithms for journalism has grown hand-in-hand with their everyday use. This paper presents a literature review of peer-reviewed research reports (N = 62) on automated algorithms in the context of journalistic work. Our review focuses on the first decade (2010–2019) during which automated journalism gained traction. The study identifies the most prominent perspectives or themes that studies in automated journalism have explored and the future directions for research that researchers have proposed. Based on the analysis, the dominant themes that studies in automated journalism have covered include (1) testing and developing algorithmic tools, (2) developing practices and policies for journalistic work, (3) attitudes and technology acceptance, and (4) societal and macro-level discourses concerning AI and journalism. The new directions for research that studies on automated algorithms have recognized relate to (1) target groups and stakeholders—that is, who to study in the future; (2) emergent themes and phenomena—that is, what to study in the future; and (3) approaches and methodologies—that is, how to study these topics in the future. These findings help create a holistic picture of possible future directions for the field. [ABSTRACT FROM AUTHOR]

The coronavirus pandemic brought immense challenges to journalists worldwide, including new threats to media freedom, journalism safety and practice. The impact of the pandemic on journalism is yet to be fully understood and examined but this paper contributes to the field by focusing on the impact of the COVID-19 health crisis on the media in countries with democratic deficits, such as Bulgaria. Studies on former Eastern bloc countries have become few and far between recently so this research aims to fill this gap by examining how the coronavirus pandemic and associated restrictions have impacted journalism practice in Bulgaria and how journalists, and independent media organisations responded and adapted to the pressures in 2020. Our findings from semi structured interviews with media practitioners show that it is the independent media that has borne the brunt of the crisis. In addition to existing challenges to press freedom, many Bulgarian journalists encountered new limits to their daily practice in reporting on a topic of significant public importance. [ABSTRACT FROM AUTHOR]

In his study Storycraft, the veteran American journalist Jack Hart asks the following questions about reportage, memoir and other forms of nonfiction writing that proceed from the first-person perspective of their author: 'Where's the storyteller standing? What can he see and hear? Whose story is it, anyway?' (Hart, 2021, Storycraft: The complete guide to writing narrative nonfiction (p. 39). University of Chicago Press). The questions are suggestive of the formal and creative decisions reportage practitioners must make, but also of their ethical obligations to fairly represent their human subjects, especially if they are vulnerable, underprivileged and/or marginalized. The hinting at viewpoint – 'whose story...' – might also make us think about how identity is constructed from the stories we tell about ourselves and about our interactions with the world. This paper addresses all these issues primarily, though not exclusively, through the prism of Coast of Teeth, a practice-based visual and textual reportage project we completed in late 2022. [ABSTRACT FROM AUTHOR]

"The Times: How the Newspaper of Record Survived Scandal, Scorn, and the Transformation of Journalism" by Adam Nagourney is a comprehensive history of the New York Times from 1977 to 2017. Nagourney, a reporter for the Times, explores the paper's business strategies, journalistic missteps, and internal politics. The book highlights the Times' record on race, gender, and sexuality, revealing instances of discrimination and bias. It also delves into notable controversies, such as the Jayson Blair scandal and Judith Miller's reporting on the threat posed by Saddam Hussein. Additionally, Nagourney examines the Times' efforts to adapt to the digital age and the challenges it faced. Overall, the book provides a detailed and balanced account of the newspaper's history. [Extracted from the article]

Everyone, even when asserting unchallengeable authority from God or Science, thinks in language, in words and phrases, in expressions of moral, social and political impact, fighting words and words with and over which we fight. However, debates among the educated can be irrelevant elsewhere, ineffective against the highly motivated whose dogma instructs and guides them, their voting and their arming. The degeneration of "democracy" to "tyranny" such as Plato's Republic postulated threatens in some lands "of the free," while in others it seems inexorably in progress. Today "democracy," republic," "liberty/freedom," "justice," "law and order" are adduced by their actual enemies to complement "nationalism," "patriotism," and frightening "empire." Extremists on both sides decry "Tyranny!" each in fact seeking authoritarian power. All of which have instructive ancient precedents: in the History of the Peloponnesian War Thucydides offers horrific accounts of ancient nation-states "long ago and far away," more or less democratic, that abandoned common sense, moral sense, and with them regard for value words and truth itself. In the early 2020s CE many persons and governments have done little better during the still lingering pandemic. A second horror is prompted by Thucydides' report of civil war on Corcyra, telling how faction spawned riots, coups d'état, and outright civil war. The twenty-first-century media are uniquely potent, yet mechanics of seduction are timeless. Likewise techniques for winning true believers and votes, as illustrated by passages in Mein Kampf on the language of propaganda, its production and reception. Our hope is therefore Education for a New Era to help students to discover pitfalls of media(ted) "information," to achieve independent critical thinking at levels of basic language use and foundations of argument. Besides recognizing mis- and disinformation as harmful, they must learn themselves to judge thoughtless use, cynical abuse, or, worse yet, brazen disdain of vocabulary indicating moral/ethical value. Scientists have key roles in this drama; humanists larger ones yet. [ABSTRACT FROM AUTHOR]

Political journalism often tries to predict the future, especially the outcomes of elections. This has historically been accomplished through written articles or opinion pieces. A more recent development involves the publication of data-driven predictions in online news media. These news items not only contain an estimate for the election results but also often try to visualize potential uncertainties of the prediction. However, the ways in which users react to these forms of journalism have not yet been studied extensively. In this work, we survey users of a predictive journalism piece on the 2021 German federal elections published by the German newspaper Süddeutsche Zeitung to better understand their reactions. While we found an alignment between the designers' intention to show the inherent uncertainty of election predictions with the audience's reception, we encountered mixed results in users' ability to interpret the uncertainty visualizations presented. Most respondents indicated that the predictions did not influence their thinking about the race, and some remained skeptical toward such predictions published by journalists for various reasons. Based on these findings, we suggest the need for rigorous user testing of visualizations for election prediction and increased awareness and future research on ways to increase the transparency of methods and data to develop appropriate trust toward predictive journalism. [ABSTRACT FROM AUTHOR]

Recent terrorism research has explored jihadist groups' discourse surrounding different countries by exploring the content of various magazines. We build on existing literature by examining al-Masra, an Arabic-language newspaper linked to Al Qaeda in the Arabian Peninsula (AQAP). We created an original dataset from 1,250 articles in fifty-eight al-Masra editions, utilizing content analysis to code for each article's main country of focus. Overall, we found that fifty-four countries formed the central focus of at least one al-Masra article. Although the United States was the most covered country, the combined coverage provided to countries in the Middle East and North Africa, South Asia, and sub-Saharan Africa far outweighed al-Masra's concentration on "the West." Despite al-Masra's stated commitment to covering global Muslim affairs, however, a number of countries with large Muslim populations, including Bangladesh, Indonesia, and Nigeria, received little attention. Interestingly, al-Masra's focus on certain countries varied over time. While coverage of Libya, Somalia, and Syria decreased during 2017, al-Masra's concentration on the United States increased over time, especially following Donald Trump's electoral victory. This article contributes to research on terrorist media campaigns and framing strategies by examining an understudied Arabic-language jihadist publication and its propaganda related to dozens of countries. [ABSTRACT FROM AUTHOR]

Academic library collections have traditionally prioritized and valued white voices, resulting in a lack of representation of authors who have marginalized racial, ethnic, and gender identities. Diversity audits can make the whiteness of collections visible and inform collection development practices that prioritize the work of marginalized scholars to make libraries more inclusive spaces for patrons, workers, students, and scholars. In a diversity audit of author racial, ethnic, and gender identities in an academic library's journalism monograph collection, the results show that the collection overwhelmingly reflects authors who are white men. Collection development librarians can increase the diversity of authors in their collections by creating a protocol for identifying, purchasing, and marketing works by marginalized authors. [ABSTRACT FROM AUTHOR]