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In the Fourth Industrial Revolution, journalism cannot remain oblivious to the innovations brought about by the socio-technological reality. Artificial intelligence (AI) is one of the technologies on the rise, although the Spanish media have incorporated it little, experimentally and in specific sections. This research has two objectives: 1) to know the state of development of AI in the Spanish digital media and the industry's perception of the impact of this technology on the profession; 2) to explore a human vs synthetic text generation detection method to assess whether generative AI is being used in media. A comparative study was carried out between two media of reference in Spain, one matrix and conservative ideology (El Mundo), and another digital native and progressive trend (eldiario.es). The methodology was based on methodological triangulation and included a survey and an experiment with ChatGPT to detect whether a sample of texts published in these two media was created by humans or machines. The results diagnose that none of these newspapers apply AI, although they are designing plans to do so, and that there seems to be a lack of AI experts in the newsrooms, although a significantly higher predisposition towards AI in the native media is not confirmed as opposed to the matrix. The analyses carried out confirm that generative AI is not used to create texts. The method applied can be used in other studies because its validity is confirmed to provide clues about the human or artificial origin of journalistic texts. [ABSTRACT FROM AUTHOR]

News media and journalists must adapt to emerging platforms in order to respond to changing news consumption habits. This article addresses the trend of Social Media Live Streaming on Twitch, a platform that has experienced significant growth since 2020. The research pursues the main objective of finding out how Spanish media and journalists are adapting to this platform and what possibilities it offers to the journalistic profession, in terms of business model as well as in communicative style, formats and relationship with the audience. An exploratory analysis made it possible to identify 55 channels and to establish, in the first phase of the research, two categories of study: channels driven by journalists --with a background in digital or legacy media-- or by news media --digital natives or legacy ones--. In a second phase, seven representative cases were studied through content analysis of their profiles and streams, as well as interviews with the promoters. The results reflect an initial stage in the development of news initiatives on Twitch, characterized by experimentation and diversity of projects. In general, there is no great innovation in content and formats, which are based on conversation. There is a hybridization of information and entertainment in live broadcasts which, although providing rigorous information and featuring experts, maintain a relaxed tone and make use of humor. The relationship with the audience is built through the chat, a central element during broadcasts, and subscriptions from viewers, which are the main source of income for the channels. [ABSTRACT FROM AUTHOR]

The war in Ukraine has grabbed headlines around the world. This analysis asks who is covering it and what this says about war reporting. The advent of the Web and the subsequent polarization of the media pits the constant demand for information against the journalistic expectation of calm analysis. While traditional media seem to guarantee credibility, more and more people are turning to alternative information providers. To explore these changes' repercussions on war correspondents, this study analyzes 11,268 bylines of the news on Ukraine published digitally by the most widely read newspapers in Spain (El País, El Mundo, El Correo, and La Vanguardia) and the USA (The Wall Street Journal, The New York Times, USA Today and New York Post), during the first week of the conflict, from February 24 to March 2, 2022. Through these, the authors' working relationship with each newspaper is investigated, employing LinkedIn or Twitter when necessary. While relevant literature suggests that freelancers and agencies dominate international news, this analysis concludes that most of the war coverage (65,64%) has been generated in newsrooms, away from the frontline. While confirming the significant contribution of agencies and a decreasing presence of freelancers, it also confirms the survival of foreign bureaus. [ABSTRACT FROM AUTHOR]

Media reporting greatly influences the civilians’ mentality, which further exacerbates or mitigates outbreaks of infectious diseases, prolongs or shortens the pandemic process. Adopting corpus linguistic methods and Discursive news values analysis (DNVA) framework, this study examined the news values through key words, naming strategies and photographs in monkeypox-themed news reporting in Spanish and the US media, to analyse how they constructed the monkeypox pandemic in their news reporting, sold it to the public and exacerbated the pandemic in the two societies. The results show that the Spanish media constructed the monkeypox pandemic predominantly as an international medical event, distancing the monkeypox pandemic from the Spanish indigenous context and depriving the domestic audiences from the sense of urgency to take prevention actions. On the other hand, the US media mainly packaged the monkeypox pandemic as a political event which isolated this public health crisis from the life of the common people and hindered the US citizens’ understanding of the requisite medical information about the monkeypox virus. It is concluded that the lack of indigenous focus of the Spanish media, and the excessively politicised focus of the US media are important factors that lead to the exacerbation of the monkeypox epidemic. [ABSTRACT FROM AUTHOR]