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This article examines the construction of a multifaceted collective memory through the main female protagonists in Song of the Water Saints (2002) by the Dominican American author Nelly Rosario. By bridging memory studies, Latin American studies, and Afro-Latinx studies, the book examines racial and gendered constructs, intergenerational struggles, US imperialism, and Rafael Trujillo’s dictatorship to show the interconnected nature of memorial articulations for subaltern subjects. Through a literary close reading, this article dissects the lives of three generations of female characters—Graciela, her daughter Mercedes, and Graciela’s great-granddaughter Leila—and how they challenge, reinforce, and suffer racialized, political, and gendered subjectivities. By examining intersectional and historical trauma simultaneously, this study contributes to the field of memory, Afro-Latinx, and Latin American studies by showing the muddled construct of memory for Dominicans and Dominican Americans. [ABSTRACT FROM AUTHOR]