ART archives, COMPUTER art, INFORMATION science, BLOCKCHAINS, MACHINE learning, DIGITAL humanities, DIGITAL libraries
Abstract
Copyright of Revista Ibero-Americana de Ciência da Informação is the property of Revista Ibero-Americana de Ciencia da Informacao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
This paper clarifies Gilbert Simondon's notion of information by presenting the historical-epistemological context from which it emerges, as well as the solutions it presents to the conceptual problems of the time. I give special attention to the conceptualizations proposed by cybernetics, information theory, and biology. In addition, the conceptual changes of Simondon's notion of information are analyzed in accordance to three of the main moments of his thought (classified by Juan Manuel Heredia): a) 1944-1958, b) 1959-1968, and c) 1968-1983. This gives a fuller sense to the meaning of information in Simondon's work. [ABSTRACT FROM AUTHOR]
Vilaplana-Aparicio, Maria J., Martín-Llaguno, Marta, and Bonet-Pizarro, Natalia
Subjects
PUBLIC communication
Abstract
Copyright of Communication & Society is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)