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The article focuses on Charlie Parker's assertion that bebop (bop) is distinct from traditional jazz, emphasizing its independence and innovation. Topics include Parker's views on bebop's minimal connection to jazz roots, its preference for small band settings, and its emphasis on clean, rhythmic complexity over traditional jazz's steady beat.

An interview with musician, Joe Perry is presented. He discusses several aspects of his musical journey and career with Aerosmith. He talks about his early influences, his experience learning to play guitar, his creative partnerships within the band, key moments in Aerosmith's career, and the significance of guitars in his music. He also shares insights into his approach to guitar playing, emphasizing the importance of open-mindedness and experimentation.

An interview with rock guitarist, Joe Bonamassa is presented. He discusses his experiences and creative approach within the band Black Country Communion, highlighting the collaborative dynamics and musical influences shaping their latest album. He reflects on the band's sound and his role as a guitarist, emphasizing the influence of fellow band members and the unique opportunities the group provides for his musical expression.

An interview with lead guitarist, Emily Roberts is presented. She discusses the band's success, their unique sound blending influences from artists like Kate Bush and Queen, and their achievements, including supporting The Rolling Stones and performing at major festivals. She highlights her experiences with various guitars and effects, offering insights into the creative process behind their acclaimed debut.

The purpose of this descriptive research study was to examine collegiate instrumentalists' applications of practice strategies and their motivation orientations to practice. Respondents (N = 128) were music majors who enrolled in concert band or orchestra. Results indicated that pianists spent more time in practice followed by percussionists, brass, other instrumentalists (e.g., organ), woodwind, and string players. Collegiate instrumentalists used systematic practice strategies most frequently, followed by error correction techniques, using a metronome and listening to recordings, concentration control, analytic strategies, and the organization of practice sessions. In addition, collegiate instrumentalists were more motivated by intrinsic factors than extrinsic factors. Weekly practice hours were negatively correlated with Extrinsic Motivation: Avoid Failure, but positively correlated with Intrinsic Motivation: Growth. Implications for instrumental teaching and learning are discussed. [ABSTRACT FROM AUTHOR]

This article discusses the completion of a new concert organ in Helsinki's Music Centre. The project was made possible through funding from various sources, including a generous donation from composer Kaija Saariaho. The organ was built by Rieger Orgelbau and features innovative technical and visual elements. It has multiple divisions and registers, including a microtonal division. The organ is housed in a visually striking facade and is being used for concerts and educational purposes. [Extracted from the article]

An interview with several members of the band Slade including guitarist Dave Hill, bassist Jim Lea and drummer Don Powell is presented. They discuss various aspects of their career, including their early days forming the band, their rise to fame with hit songs like "Cum On Feel The Noize" and "Mama Weer All Crazee Now," their experiences with fame and success, their struggles to break into the American market, and their evolution as a band over time.

An interview with the members of "Viera Blech," a successful small brass band celebrating its 20th anniversary, is presented, discussing their development over the years and their approach to music. Topics include their growth as a band, their experimentation with different styles and arrangements, and their commitment to creating their own unique sound.

The article presents an interview with Kim Thayil of Soundgarden, reflecting on the band's rise during the grunge era and the impact of their pivotal album "Superunknown." Topics discussed include the band's struggles for recognition, creative process behind the album, and personal challenges amidst professional success. INSET: DOWN ON THE LOW SIDE.

An interview with Omni's guitarist, Frankie Broyles, discussing their post-punk roots, the role of minimalism in their music, and the evolution showcased in their latest album, "Souvenir." It mentions Broyles delves into the band's approach to songwriting, the interplay of guitar within their music, and his gear preferences, highlighting a shift towards a more relaxed and experimental recording mindset while seeking continual improvement in their music.

The article presents the discussion on playing rhythm guitar and demonstrated its importance, particularly in a three-piece band. Topics include book by Townshend and Who experts Andy Neill and Matt Kent, and a graphic novel expanding the story of Lifehouse; and unfinished project, both as an experiment between artist and audience but also as a story.

An interview with Puerto Rican composer William Ortiz's journey between the U.S. mainland and Puerto Rico, his career as a professor and music director, and his perspectives on music and life. Ortiz discusses his upbringing in New York, his return to Puerto Rico for college, and his musical influences, including his brother, Mario Ortiz, a prominent trumpet player and band leader in Puerto Rico.

The article offers information on the Slovak brass band Dunajská Kapela, celebrating its 20th anniversary. Topics include the band's emotional connection to their anniversary, the origins of Dunajská Kapela, and the band's mission to delight audiences with their music. The article highlights how the band has brought joy to thousands; the formation of the band during the 2004 European Brass Music Championship; and their goal of playing well together.

The article discusses the history and significance of jump blues, tracing its origins in the 1940s big bands and its role as a precursor to R&B and rock and roll. It explores the style's influence on the swing revival of the 1990s and its ongoing presence in the rockabilly and blues genres, providing insights and a focus on developing language and techniques for playing jump blues, particularly utilizing hybrid picking.

Power pop is a genre of popular music that emerged in the 1970s as a reaction to hippie-dom, prog-rock, and stadium rock. It favored short, catchy songs with jangly guitars, melodic hooks, and stacked harmonies. The early pioneers of power pop included bands like The Raspberries, Big Star, and Todd Rundgren. The genre reached its commercial peak in the late 1970s with bands like Cheap Trick and The Knack, but faced a backlash and declined in popularity in the 1980s. However, power pop never completely went away and continued to be incorporated and updated by bands in the 1990s and 2000s. The longevity of power pop can be attributed to its accessible nature and the fun it brings to listeners. [Extracted from the article]

The article focuses on a conversation with Staff Sergeant Joao Gaspar, covering topics such as the structure and duties of military bands in Portugal, the perception of military musicians, and Gaspar's experiences as a horn player, composer, and conductor. Gaspar discusses the evolving prestige of military bands, the importance of education in music, and his diverse career interests beyond performance.

The document titled "TMEA 2024 Tennessee All-State Ensembles Preview" provides information about the upcoming performances of various musical ensembles in Tennessee. The ensembles include the Tennessee All-State Jazz Band, TTBB Choir, SSAA Choir, SATB Choir, 9-10 String Orchestra, 11-12 Symphony Orchestra, 9-10 Concert Band, and 11-12 Concert Band. Each ensemble will perform on either Friday, April 12, 2024, or Saturday, April 13, 2024, and will be conducted by different directors. The document lists the program selections for each ensemble, which include a variety of musical pieces from different composers and arrangers. [Extracted from the article]

The article reminisces about the enduring charm of New Kids on the Block, highlighting their unexpected success and resilience across decades, as they release their first album of new material in 11 years, exploring themes of maturity, relationships, and their lasting bond as a group.

The article presents an interview with Guthrie Govan of the band the Aristocrats, discussing the band's return after a five-year hiatus, their approach to creating fun and subversive music, and the blending of technical proficiency with album "Duck," reflecting their unique musical vision.

The article discusses Anton Bruckner's relationship with wind orchestras and his compositions for such ensembles, shedding light on his lesser-known contributions to wind music despite his renowned symphonies. It states that Bruckner's connection with wind music stems from his experiences as a teacher, organist, and interactions with military bands.

The article outlines essential steps for recording a band, emphasizing the importance of proper gear setup, preparation, and mic positioning. It discusses gear requirements like laptops with DAW software, mic choices for amps and drums, and strategies to minimize sound bleed. It covers recording basics for drums, guitars, acoustics, troubleshooting tips, and the significance of overdubbing and vocal recording.

The article is an obituary for Adele Groyer, an actuary who passed away at the age of 44. Adele was originally from South Africa and studied actuarial science at the University of Cape Town. She worked for various companies throughout her career, including Old Mutual and Gen Re, and made significant contributions to the actuarial profession. Adele was known for her passion, expertise, and dedication to delivering high-quality work. She also actively participated in voluntary roles and contributed to discussions on critical illness, disability, and gender-specific pricing. Adele's death has been met with praise and condolences from colleagues, journalists, and others who admired her work. The article also includes other obituaries and mentions of notable individuals in the actuarial field. Additionally, it highlights the achievements of actuary Sahib Singh Khosla and the winner of the Phiatus Award, Kathryn Jones, for her charitable work with the Potters Bar Community Music School. The article concludes with an obituary for Peter Crutchett, another actuary who made significant contributions to the profession and charitable causes. [Extracted from the article]

An interview with Sweetwater's Vice President of Band and Orchestra, Jeremy Mueller, is presented. He discusses their first year in the band and orchestra (B&O) market, focusing on modernizing the traditional 'Music Man' model, and adapting to changes brought by COVID-19. Mueller explains their approach of hiring in-market school relationship managers and enhancing digital support for rentals and repairs, while also highlighting their student and intermediate product offerings.

This article from Metal Hammer discusses the release of a long-lost album by the band Sock, which featured members of the bands Far and Will Haven. Sock was a prominent name in the 1990s Sacramento music scene, and fans of both bands will be excited to hear this remastered version of their 1995 album. The album showcases the early talent of these respected musicians and offers a glimpse into their development as artists. While it may not reach the same level as their later work, it is still a valuable addition to their discography. [Extracted from the article]

In this article from Jazzwise Magazine, guitarist Bill Frisell reflects on the impact of discovering Wes Montgomery's album Tequila during his high school years. Frisell describes how playing the guitar allowed him to express a different side of himself and connect with his friends. The article also highlights Frisell's exploration of jazz music through purchasing records and taking guitar lessons at the Folklore Center in Denver. Frisell emphasizes the power of music to connect people and provide comfort in a chaotic world. He also discusses his approach to improvisation and the importance of embracing uncertainty in his performances. Overall, Frisell expresses gratitude for the support he has received throughout his musical journey and the endless possibilities that music offers. [Extracted from the article]

The article focuses on improving marching band performances, addressing issues with conducting signals during parades and suggesting the use of a tambourine stick for clearer direction. It highlights the need for workshops and advocating for a campaign promoting its use, drawing inspiration from practices observed in other countries, particularly the exemplary leadership of marching bands in the new federal states of Germany.

The article reports that on July 7, 2024, a symphonic Hoagascht featuring four Bavarian wind bands, the Bavarian Radio Symphony Orchestra, and Sir Simon Rattle will take place at the Munich Showpalast, with various broadcast options available for those unable to attend the sold-out event.