Search

Representing neither the glory of World War II, nor the anguish of the Vietnam War, the Korean War continues to occupy an obscure place in American history and culture. Similarly, those who fought in this conflict – including African Americans – have been overshadowed by the combatants who served before and after. Yet the Korean War was enormously significant, not least because it was the first conflict fought by a racially integrated American fighting force. For the first time, black and white soldiers ate, slept, and fought side by side. Films about the Korean War made during the 1950s explored this new racial dynamic. Focusing on the representation of African Americans in The Steel Helmet (1951) and Pork Chop Hill (1959), this article examines the ways in which screen representations both reflected and challenged popular attitudes regarding African American military service during the Korean War. [ABSTRACT FROM AUTHOR]

The story of Lieutenant Leon Gilbert—a Black United States Army officer court-martialed during the Korean War—challenged the United States’ self-declared postwar mission to free oppressed peoples across the world, while continuing to subjugate African Americans at home. Although many critics judged Gilbert’s refusal to return to battle as an act of cowardice, others viewed him as a victim, and even a hero. The Gilbert case revealed that although African Americans were ostensibly making progress in the newly desegregated United States military, the fight for racial justice continued to be impeded by white Americans’ perceptions of Black inadequacy. Amidst a war purportedly being fought for principles of democracy and freedom, Gilbert’s court martial highlighted the connection between American racism and United States foreign policy, as Black military personnel became scapegoats for their nation’s military failures. The prosecution and persecution of Gilbert thus exposed the tension between American rhetoric and American racism. [ABSTRACT FROM AUTHOR]