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This article discusses the emergence of a new hard dance sound in electronic music, often referred to as "modern trance" or "Gen Z" trance. It draws inspiration from older rave sounds and incorporates elements from various genres. The article provides step-by-step tutorials on creating the modern trance sound, focusing on drums, bass, lead synth, and incorporating vocal chops. It also recommends listening to tracks by producers like Marlon Hoffstadt and Pegassi to further explore this genre. [Extracted from the article]

This article provides an overview of the history of computer music and highlights various software and hardware products that have shaped the industry over the past 25 years. It discusses the contributions of companies such as Propellerhead, Native Instruments, Steinberg, Emagic, IK Multimedia, and Image-Line in making music production more accessible and affordable. The article also mentions influential products like Auto-Tune, Powercore, Melodyne, UAD-1, Ableton Live, Kontakt, Massive, Omnisphere, Serum, Ozone, Logic, and GarageBand, emphasizing their impact on music production and their popularity among musicians. Overall, the article offers a comprehensive look at the advancements and innovations in computer music technology. [Extracted from the article]

This article from Stereophile features an interview with Boris Blank, one half of the electro-pop band Yello. Blank discusses the origins and inspirations behind Yello's music, which combines avant-garde experimentation with catchy melodies and club-friendly beats. He also talks about his new solo album, Resonance, and his views on Swiss pop music and artificial intelligence in music creation. The article provides insights into Blank's creative process and his collaboration with singer Dieter Meier. Additionally, Blank explores Dolby Atmos technology in music production, explaining how it allows for a more immersive and three-dimensional sound experience, particularly suited for electronic music. He also discusses his approach to music-making and his interest in experimenting with different sounds and instruments. The article provides insights into Blank's creative process and his views on the use of technology in music production. [Extracted from the article]

The article discusses the updated version of GForce Software's VSM IV, a virtual string machine synthesizer. The VSM IV offers access to 46 classic and rare electronic instruments, including string machines, through a user-friendly interface. It provides extensive options for building patches and editing presets, with features such as filters, envelopes, and a new three-band EQ. The instrument also includes effects like chorus, reverb, and ensemble. The article praises the sound quality and flexibility of the VSM IV, while noting that the interface color could be more visually appealing. [Extracted from the article]

This article discusses the recent update to the CM Plugin Suite, a collection of free instruments, tools, and effects for music production. The Suite now includes new plugins and instruments that are compatible with modern technology and offer improved sound quality. The article provides instructions on how to access and install the plugins, as well as information on their features and capabilities. It also includes step-by-step instructions for using specific plugins and covers topics such as vocal processing, drum presets, piano sounds, guitar effects, and modulation techniques. This resource can be helpful for library patrons conducting research on music production and audio engineering. [Extracted from the article]

This article from Computer Music provides a step-by-step guide on how to turn a loop into a full track in electronic dance music (EDM). The author, Sara Simms, who is an acclaimed DJ and producer, explains the importance of arranging an EDM track and breaks down the different sections that should be included. The article also offers practical tips on color-coding sections, adding automation for movement and tension, creating interesting snare build-ups, and incorporating white noise risers. The author emphasizes the need for contrasting parts and excitement through tension and release in order to captivate the listener. The article concludes with a pro tip on using a MIDI track as a guide and learning from reference tracks in the same genre. [Extracted from the article]

Carlos Alomar, a Puerto Rican-born musician, reflects on his career as a session guitarist, particularly his work with David Bowie. Alomar emphasizes the importance of both musical proficiency and personality in securing jobs as a session musician. He discusses his experiences working with Bowie and other notable artists, and his plans to pay tribute to Bowie's music with a tour featuring the DAM Trio. Alomar also reflects on his childhood fascination with the guitar and his desire to honor the legacy of the musicians who have inspired him. [Extracted from the article]

This article from Jazzwise Magazine provides an overview of the life and impact of Alice Coltrane, a renowned harpist and jazz musician. It discusses her influence on her husband, John Coltrane, during his later years and how her involvement in his music contributed to his spiritual transformation. The article also delves into Alice Coltrane's personal struggles with mental health and her journey to India, where she found spiritual guidance and continued to create music. It concludes by mentioning a concert held in her honor and the release of a recording of her performance. Overall, the article highlights Alice Coltrane's unique musical style and her lasting influence on various genres. [Extracted from the article]

Tino Piontek, also known as Purple Disco Machine, has released his third album, Paradise, which pays tribute to '70s disco recording techniques. Piontek's love for music was influenced by his parents' eclectic vinyl collection, and he developed a passion for house music after discovering the Dresden nightlife. For Paradise, Piontek collaborated with live players and session musicians, including Nile Rodgers, Jake Shears, Metronomy, and Chromeo. The album features a mix of organic and electronic elements, combining the positive vibe and funky spirit of disco with synthesizer and sequencer-based sounds. Piontek's evolution as a producer is evident in the album, as he embraced collaboration and incorporated more organic elements into his music. [Extracted from the article]

DJ Boring, also known as Tristan Hallis, is a DJ-producer who gained popularity with his lo-fi house track "Winona" in 2016. He has since transitioned to creating more euphoric and energetic music while still maintaining the emotion and subtlety of his earlier work. DJ Boring recently released a genre-spanning mix for the DJ-Kicks series, featuring exclusive tracks from his friends and collaborators, as well as two new tracks of his own. In an interview, he discusses his creative process, favorite synths, and production techniques. He prefers working with hardware synths because of the sense of realness they provide, but also incorporates software effects in his music. DJ Boring also shares his favorite plugins and sources for finding samples. If money was no object, he would love to own an original Wasp synth from the '70s and the JP-8080, a classic trance synth from Roland. [Extracted from the article]

This article summarizes the key takeaways from Future Music's "In The Studio With..." series, which provides behind-the-scenes access to electronic music producers' creative processes. The article highlights 10 valuable lessons, including the importance of having frequently used samples and presets readily available, the benefits of using presets in soft synths, finding inspiration by going against the grain, understanding the strengths of your equipment, the effectiveness of simple recording setups, the freedom to abandon ideas that aren't working, the ability to change your mind about an idea even after completion, the significance of creating a comfortable and inspiring work environment, getting a feel for the finished track while writing, and the potential of using unpopular instruments or tools to create unique sounds. [Extracted from the article]

This article features an interview with Felix Nyajo, also known as salute, a DJ and producer signed to Ninja Tune. Nyajo discusses their influences, creative process, and debut album TRUE MAGIC. They talk about their transition from drum & bass to house music and their love for sampling. Nyajo also shares insights into the making of TRUE MAGIC, including their collaborative approach and the visual aesthetic of the album. They mention their affinity for French touch house and their preference for sampling music from the '80s and '90s. The article also includes an interview with Salute, who discusses his use of music production software, collaboration with other artists, capturing good vocal performances, and the process of finishing an album. Salute emphasizes the importance of creating a comfortable environment for vocalists and the value of feedback during the creative process. He also discusses the influence of pop music on his work and the balance between technical production knowledge and songwriting skills. Salute advocates for inclusivity in the music industry and acknowledges the barriers that some individuals face in pursuing music production. [Extracted from the article]

This article discusses an interview with Robert Henke, the co-creator of Ableton Live and the sole control of the minimal techno project Monolake. Henke talks about his passion for audio-visuals, computer graphics, and music production, and how he combines these interests in his work. He also discusses his preference for sourcing sounds from hardware synthesisers and the importance of having an emotional dialogue with the creators of these instruments. Henke also touches on the future impact of AI in the music industry and how it will change the way music is made. [Extracted from the article]

This article features an interview with musician Gerald Simpson, also known as A Guy Called Gerald, discussing his history with iconic music technology such as the Roland TB-303, SH-101, TR-808, TR-909, and TR-707. Simpson played a significant role in the development of British acid house and jungle music in the late '80s and '90s. He shares his experiences with using these machines and how they influenced his career. Simpson also talks about his early experiences with electronic music and his experimentation with different equipment. The article emphasizes the importance of protecting one's music and using an ISRC code to maintain ownership and control over one's work. [Extracted from the article]

This article from Computer Music provides a tutorial on how to create effective techno lead sounds. It features two producers, Sara Simms and Eli Brown, who demonstrate different techniques for crafting lead synth sounds in techno tracks. The tutorial includes step-by-step instructions for creating an old-school rave lead and an arpeggiated pluck lead. The article also offers additional tips for adding supporting synth lines, such as hoover synths and bass plucks. Recommended listening examples are provided for further inspiration. [Extracted from the article]

The article focuses on ÌFÉ's unique blend of Afro-Cuban rhythms, electronic music, and Yoruban spirituality, which creates a distinct and impactful sound. Topics include ÌFÉ's journey from the Midwest to Puerto Rico and New Orleans, his deep engagement with Afro-diasporic culture and religion, and his innovative approach to music production that fuses traditional rhythms with modern electronic techniques.

This article from Computer Music explores the genre of country-style EDM, which combines the traditional sounds and stories of country music with the beats and synths of EDM. The popularity of this genre has grown thanks to influential artists like Avicii, who blended country elements with electronic music in hits like "Wake Me Up" and "Hey Brother." The article provides step-by-step instructions on how to create country-style EDM, including tips on crafting chord progressions, creating different instrument layers, and arranging the song. The author, Sara Simms, is an acclaimed DJ and producer who offers her expertise in this tutorial. [Extracted from the article]

Scowl, a punk rock band from California, is making waves in the hardcore scene with their explosive and colorful performances. Led by frontwoman Kat Moss, the band's sound seamlessly blends ferocious punk, classic hardcore, and 90s-inspired melodies. Scowl is part of a new wave of hardcore bands challenging the genre's traditional boundaries and gaining mainstream attention. Despite her onstage confidence, Moss has grappled with anxiety and depression, using music as an outlet for self-expression. Scowl's recent success includes tours with Show Me The Body and Stick To Your Guns, as well as being handpicked by Fred Durst of Limp Bizkit as support for their US tour. The band's music reflects Moss's personal experiences and struggles, and their inclusion of melodic elements has helped them reach new heights in their career. Scowl's rise in the hardcore scene is a testament to their talent and the support they receive from their community. [Extracted from the article]

Mike Paradinas, also known as μ-Ziq, is a veteran producer and label boss of Planet Mu. His latest album, Grush, is a collection of tracks created in hotel rooms and road tested on stage. The album features a mix of hardcore, jungle, and footwork beats, showcasing Paradinas' unique style. In an interview, Paradinas discusses the challenges of the music industry, the process of finding and signing artists, and his transition from physical to online sales. He also reflects on the evolution of electronic music and the impact of technology on his own compositions. [Extracted from the article]

Tourist, a British electronic artist, has released his fifth album, Memory Morning, which draws inspiration from shoegaze and psychedelic music. In an interview, Tourist discusses his new studio space and the synths he uses, including the Juno-106, Moog, and Prophet-5. He also mentions his use of software synths like Omnisphere and effects plugins from Universal Audio and Valhalla. Tourist emphasizes the importance of nurturing creativity and not being too influenced by trends, encouraging aspiring artists to embrace their unique selves and enjoy the creative process. [Extracted from the article]

The article discusses the debut LP Acid Star by the musical duo Peel, consisting of Sean Cimino and Isom Innis from the band Foster the People. The duo explores a diverse range of sonic influences in their album, combining melody with beats and synth ornamentation. The album was created through a collaborative process, with the duo exchanging ideas and experimenting with different sounds. They used a combination of hardware and software instruments, including synths like the Roland JUNO-106 and Sequential Prophet-6, as well as plugins from Arturia. The album draws inspiration from various musical eras, including post-punk and 1990s rave culture. The rhythmic tracks on the album were created through a combination of drum machines and live drums, with meticulous editing to achieve the desired sound. The duo also utilized spatial effects and reverbs to create unique textures in their music. The article concludes by mentioning that Peel plans to continue making music in the future. [Extracted from the article]

Kasbo, also known as Carl Garsbo, has released his third album titled "The Learning of Urgency." The album was influenced by the stress of maintaining a creative flow and a rare hearing loss that affected Garsbo's ability to hear low frequencies. The album features a faster, more club-oriented sound compared to his previous work. Garsbo recorded most of the album at a former prison-turned-studio owned by ABBA, using a variety of hardware synths and plugins. He also incorporated vocal samples from various sources, including collaborations with singer Frida Sundemo. Garsbo experimented with different production techniques and mixed the album using a combination of FL Studio and Ableton Live. Despite his hearing loss, Garsbo continues to create music that excites him and aims to stay true to his own artistic vision. [Extracted from the article]

This article discusses the completion of a new concert organ in Helsinki's Music Centre. The project was made possible through funding from various sources, including a generous donation from composer Kaija Saariaho. The organ was built by Rieger Orgelbau and features innovative technical and visual elements. It has multiple divisions and registers, including a microtonal division. The organ is housed in a visually striking facade and is being used for concerts and educational purposes. [Extracted from the article]

This article provides a snapshot of the cultural life in Alberta, focusing on various events and performances in different cities. In Edmonton, there are theater productions such as "Walterdale Festival: From Cradle to Stage" and "Vanya and Sonia and Masha and Spike," as well as dance performances by Mile Zero Dance Society. Calgary offers theater productions like "The Birds and the Bees" and "Ms. Holmes and Ms. Watson #2B," and music events including the Calgary Civic Symphony and Calgary Philharmonic Orchestra. The article also highlights visual arts exhibitions in Edmonton, Calgary, Banff, Grande Prairie, Lethbridge, and Medicine Hat, as well as literary events and film festivals in Edmonton and Calgary. [Extracted from the article]

Bill Nelson, the guitarist known for his work with Be-Bop Deluxe, Red Noise, and other collaborations, discusses his creative process and inspirations in an interview. He draws inspiration from his childhood books for his latest album, Starlight Stories, and describes his approach to songwriting as a process of exploration and experimentation. Nelson prefers to record in the evening and often starts with percussion tracks before adding other instruments. He also discusses his extensive guitar collection, including favorites like the Gibson ES-345 and the Gretsch White Falcon. [Extracted from the article]

GiGi FM, a multi-disciplinary DJ/producer, discusses her journey from ballet to music and her use of gesture motion controllers to create inter-dimensional club music. After a dance injury ended her career, GiGi FM discovered DJing and began using Ableton to produce music. She has since released several EPs, including Kiwi Synthesis Diary 21k and Magnetite, which utilized gesture control technology. GiGi FM's latest EP, Movimiento, draws inspiration from her musical origins and incorporates movement and percussion. She also discusses her synesthetic experience of assigning colors to sounds and her creative process in Ableton. GiGi FM is currently working on a project called GEM (Gestural Electronic Music) and is focused on her label Sea~rène. [Extracted from the article]

Nathan Jenkins, also known as Bullion, is a successful producer and songwriter who has collaborated with artists like Carly Rae Jepsen and Ben Howard. In an interview, Jenkins opens up about his self-doubt regarding his music, despite his achievements. He discusses his latest project, the 12-track LP Affection, which is a pop record with subtle artistry and features collaborations with Panda Bear, Charlotte Adigéry, and Carly Rae. Jenkins also shares insights into his music-making journey, his evolving style, and the equipment he uses in his studio. He emphasizes the importance of deadlines and taking breaks from projects to revisit them later. [Extracted from the article]

This article explores the concept of noise in music production and sound design. It explains that noise can be a valuable tool in creating tension, texture, character, and movement in tracks. The article defines different types of noise and discusses how it can be intentionally generated or unintentionally captured during recording. It also provides techniques for processing and incorporating noise recordings into tracks, including using effects like reverb, delay, chorus, and phasers. The article further discusses how noise can be used to synthesize drum sounds and offers tips on using noise for sound effects, mixing, and modulation purposes. [Extracted from the article]

This article provides a comprehensive overview of the history and use of vocoders, talkboxes, hard-tuning, and harmonizers in music production. It explains the origins of these effects and their popularity in electronic music. The article also offers practical advice on how to incorporate these effects into digital audio workstations (DAWs) and live performances. It includes step-by-step instructions, software and hardware recommendations, and tips for achieving desired results. The article is a valuable resource for musicians and producers looking to enhance their music with vocal effects. [Extracted from the article]

This document provides an overview of the musician Catching Flies, also known as George King, and his latest album, Tides. George discusses his creative process, which involves manipulating samples to create abstract and melodic music. He emphasizes the importance of natural light and the freedom to make mistakes in his home studio. The album features intricate string arrangements and incorporates elements of nature and the real world. George's focus is on melodies and emotional content, and he prioritizes the music itself over social media or commercial success. The document also discusses George's artistic inspiration at the Musée D'Orsay and his exploration of string instrumentation, highlighting the impact of the grandiose setting on his work. Several colorful photos visually depict the museum and its influence on George's artistic journey. [Extracted from the article]

Danish artist Kölsch's latest album, "I Talk To Water," is a deeply personal exploration of grief and loss. Inspired by his late father, Rune Reilly Kølsch incorporates recordings of his father's music into electronic arrangements. The album, which features guest vocals from Perry Farrell, is not a negative portrayal of loss but rather a retrospective on how Rune has dealt with grief over the past two decades. Rune's unique sound is achieved through a combination of hardware instruments and software, using Ableton Live for production and mixing. The album has been well-received and resonates with those who have experienced loss. [Extracted from the article]