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ÖsszefoglalóAz Európai Kísérletes Sebészeti Társaság 1966. február 17-i megalakulását követően Magyarországon is megindult a Magyar Sebész Társaság Kísérletes Sebészeti Szekciójának szervezése 1966 októberében. 1967. január 25-ig 134 regisztrált tagja lett a szekciónak. Szerzők korabeli dokumentumokkal mutatják be a jelentkezők névsorát. A Kísérletes Sebészeti Szekció első kongresszusát 1967. szeptember 29–30-án rendezték meg Debrecenben és Hajdúszoboszlón.

The introductory part of the study reviews the historiography of research into jagiellonian letters patent of nobility and the art historical problems of the illuminations. a similar survey was compiled sixty years earlier by dénes radocsay. since then several deeds of granting armorial bearings have cropped up, and lots of new data have been found in historical sources about once existing, now lost or latent, letters patent. the introduction is not meant to thoroughly revise dénes radocsay’s groups compiled by style critical criteria, but it touches on several questions solved or seen more clearly now. For example, the mark of an early 16th century buda illuminator’s hand is preserved not only by letters with armorial bearings, but also by three fragmentary liturgical manuscripts, and the oeuvre of the so-called bakócz monogrammist – who painted the coats of arms in the most representative letters patent in greatest numbers during louis ii’s reign – has been considerably extended.A few words about the arrangement of the data in the list. the letters patent follow in chronological order, the years of granting emphasized for better orientation.Vladislav ii’s letters patent arranged by years are followed by a few items that cannot be dated accurately. line one traditionally contains the names of the grantees, modernized – if possible – but not in phonetic transcription gaining ground lately. (i attach the original form of the name in parentheses.) then come dating, measurements, place of preservation and (when known) provenance. the most important data are followed by the list of works in which the given diploma is mentioned. it includes hand-written – 18th and 19th century – mentions, copied texts, as well as items of the modern special literature.

Wholly new aspects have lately enriched the research of the Buda library of King Matthias Corvinus, Bibliotheca Corvina. the library – in the last years of its history – is regarded as a self-contained new entity. Research has adopted a far more complex approach than earlier, including the differentiation of the Buda scribes, the recognition of the text critical work of the humanists and of course the activity of the book-binders. Of particular importance are the new investigations of Edina Zsupán, who has managed to prove that several important Corvina manuscripts were copied in Buda. they include the ransanus codex (Budapest, OSzK, Cod.Lat.249), the Beda Venerabilis Codex (Munich, Bayerische Staatsbibliothek, Clm 175), the philostratus (Budapest, OSzK, Cod. Lat. 369) and the Averulinus corvinas (Venezia, Bibioteca nazionale Marciana, Lat. VIII. 2 [-2796]), as well as the nagylucse psalter (Budapest, OSzK, Cod. Lat. 369) adapting to the corvinas in all respects. the material of the folios of each is a more roughly finished Central European parchment and the copiers could be identified on the basis of the individual features of their handwriting. However, no names can be attached to them for the time being.Unexpectedly, a datum was found in a diploma in which a certain Nicolaus, alias scriptor librorum serenissimi Mathiae regis can also be read about. the datum was found in a formularium, so the information about the missilis is defective, but the protagonists can be identified. the letter was written to archbishop cardinal tamás Bakócz who was in rome at that time (1512–1514), and the writer of the letter was probably the bishop of Gyulafehérvár Ferenc Várdai (1513–1524), who asked that in view of the merits of magister senis, he should kindly try and get a papal promissory deed for some church stipend for his frater germanus, magister Nicolaus alias scriptor librorum serenissimi Mathiae regis. this magister senis, the only person actually named in the letter, is Filippo Sergardi (philippus de Senis) (1466–1536), a cleric with lots of curial stipends born in Siena. He visited Hungary as a member of cardinal pietro Isvalies’ legation (1500–1503). He established close relations with the cardinal and archbishop of Esztergom tamás Bakócz and other Hungarians. this nicolaus was his relative, who used to be the scribe of King Matthias’ books.

Összefoglaló. Az arthrogryposis–renalis diszfunkció–cholestasis (ARC) szindróma igen rossz prognózisú autoszomális recesszív kórkép. A három vezető tünethez társulhat központi idegrendszeri érintettség, siketség, cardiovascularis anomália (pitvari és kamrai sövényhiány), thrombocytafunkció-zavar, rekurrens szepszisek, ichthyosis, valamint súlyfejlődésben való elmaradás. A háromnapos újszülöttet neuromuscularis betegség gyanúja miatt vettük át a szülészeti intézményből. Fizikális vizsgálat során pes equinovarust és hypotrophiás küllemet tapasztaltunk. Kéthetes korában súlyos tubulopathia, valamint cholestasis igazolódott normális gamma-glutamil-transzferáz-szint mellett. A perifériás vérkenet vizsgálata során abnormális morfológiájú thrombocyták ábrázolódtak. Súlygyarapodást komplex felépített enteralis és parenteralis táplálás segítségével sem sikerült elérni. Három hónapos korára a gyermek súlya 15%-kal a születési súlya alatt volt. A kórkép szövődményeként ismétlődő bakteriális véráramfertőzés súlyosbította az állapotát. Az újszülött klinikai képe az ARC-szindrómának felelt meg. A kóroki gének szekvenálása során a VPS33B-génben homozigóta c.498+1G>T variáns igazolódott, mely igazolja a betegség fennállását. Orv Hetil. 2022; 163(2): 74–78. Summary. Arthrogryposis–renal dysfunction–cholestasis (ARC) syndrome is an autosomal recessive multisystem disorder that typically presents with arthrogryposis, renal tubular leak and neonatal cholestatic jaundice. It can be accompanied by nervous system abnormalities, deafness, structural cardiac defects, abnormal platelet morphology, recurrent sepsis, ichthyosis and failure to thrive. The three-day-old neonate was admitted for a suspected neuromuscular disorder. On examination, clubfoot, jaundice and hypotonia were found. Laboratory evaluation revealed tubulopathy and cholestasis with normal gamma-glutamyl transferase level. Peripheral blood smear evaluation revealed abnormally giant platelets. Despite the combined enteral and parenteral nutrition, the infant experienced severe failure to thrive. The phenotype of the presented neonate is consistent with ARC syndrome. Sequencing of the causal genes revealed a homozygous consensus splice site VPS33B mutation (c.498+1G>T), confirming the clinical diagnosis. Orv Hetil. 2022; 163(2): 74–78.

In the autumn of 1902 Károly Ferenczy (1862–1917) painted a double portrait of Gyula Schönherr (1864–1908) and his father Antal Schönherr (†1905) in Nagybánya (today Baia Mare, Romania). Antal Schönherr was the police chief of the town, but his son had long been living in Budapest and pursued a serious career as a historian. After the onset of his career in the Archives of the Hungarian National Museum, he edited the periodical Turul rallying heraldic research, the periodical of book historical research Magyar Könyvszemle, the volumes of the Millennial Hungarian History, and he became the secretary of the National Inspectorate of Museums and Libraries set up in 1897. In 1896, at the age of 32, he became corresponding member of the Hungarian Academy of Sciences. He supported the art colony of Nagybánya from its foundation. Károly Ferenczy was a friend of the Schönherr family in Nagybánya; he painted the double portrait as a present to Gyula Schönherr. Gyula Schönherr’s unpublished letters to his family reveal the process of portraiture (with references to the creative methods of the painter), the display and reception of the portrait in Budapest and its subsequent fate, the further contacts between Ferenczy and his painter friends and the Schönherr family. After Gyula Schönherr’s death the painting remained with the family, who donated it to the Museum of Fine Arts in 1926, since when it has been in public collections.

The stone pupil in the parish church of Bazin (Pezinok, Slovakia) is one of the finest specimens of its kind in the territory of mediaeval Hungary. The pulpit is on the left of the triumphal arch of the church. Held by a stocky column, its parapet panels trace the sides of an octagon. The date of origin features on one of the panels as 1523 and the coat of arms at the same place indicates the client who ordered it.Despite the usable data and the high quality of the pulpit, it could hardly make its way into the canon of Hungarian art historiography evolving from the late 19th century. Drawings were made of it, it was registered in the monuments directories, but nobody lifted it into the style historical narrative before Jolán Balogh, and when it took place at last, it was erroneously dated to 1573. In her history of Hungarian renaissance art, she included it with the date 1573 in the chapter on the late renaissance (1940). She cited it rightly as an example of the survival of Italianate forms in the 16th century in all editions of the two-tome manual up to 1973. Then it disappeared from sight again. It was omitted from the university course book (2001). At last, in the renaissance volume of the series on Hungarian art by Corvina Publishers a photo of it was reproduced too (2009).Slovakian art historiography has naturally devoted more attention to it, and also read the date correctly. It is included in the four-volume monuments directory and also in the summaries. It was ascribed a salient place in the great renaissance monograph of 2009 edited by Ivan Rusina. Since the type of the book did not allow images of seals to be presented for analogy, it is worth returning to the problem briefly.The central panel of the parapet carries the coat of arms and the date 1523. In the shield there is an eagle with spread wings, looking to dexter flank. There is an arched banderole (with a rosette in the middle) in front of its crop and a tiny six-point star above its head. On the chief there is a helmet with mantling falling on either side. It is topped with an imperial mitre crown with ribbons, cross and crosier and a crest above. The elements of the coat of arms – the eagle, star and imperial crown – are identical with the motifs in the coat of arms of the Counts of Szentgyörgy and Bazin. The ancient coat of arms of the family, with the six-point star of two colours, was endorsed by Holy Roman emperor Frederic III in 1459. Enikő Spekner pointed out that Count Tamás of Szentgyörgy and Bazin already used a quartered shield in 1496 (with the star in fields 1 and 4 and the eagle in fields 2 and 3) in 1496, and so did seneschal Péter of Szentgyörgy and Bazin, too (1511). On the seal dated 1540 of Kristóf II of Szentgyörgy and Bazin – with whose death the male line of the family died out (1543) – the shield only features the left-looking eagle, and on the chief the imperial crown and peacock feathers can be seen. Changes in the use of the coat of arms cannot be accurately retraced, but the town was the property of the family until 1543 and after Kristóf II’s death it passed to the treasury. The coat of arms strongly suggests that the person who commissioned the pulpit must be sought among the members of the family still alive in 1523. On the younger Bazin line Ferenc and Farkas were alive and shared the office of lord lieutenant of Moson until 1521; the family died out with Farkas’ son Kristóf (his birthdate is not known).The pulpit received coats of white paint and thick gilding in more recent times. Its new wooden abat-voix was made in the 18th century; the medieval stone edifice must have been repaired at that time and on several occasions later. The ornamental elements of the parapet of the basket closely resemble some Italian renaissance antecedents; what may suggest the involvement of northern masters is the regular, rigid symmetry of the cherubim heads, and more emphatically the thick column holding the basket of the pulpit. Its shaft bulges midway, its capital above the necking is embellished with flutes of regularly alternating sizes; on it is a polygonal echinus with concave sides which holds the broadly spreading dense bunch of acanthus leaves. It is like a perfectly spoiled Corinthian column of bad proportions. The origin of this representative monument must be hypothesized from the direction of Vienna, even if no exact analogy can be compared with it at present. Both the network of relations of the landowning family and the geographic proximity support this assumption.

Breast cancer is characterized by oncobiosis, the abnormal composition of the microbiome in neoplastic diseases. The biosynthetic capacity of the oncobiotic flora in breast cancer is suppressed, as suggested by metagenomic studies. The microbiome synthesizes a set of cytostatic and antimetastatic metabolites that are downregulated in breast cancer, including cadaverine, a microbiome metabolite with cytostatic properties. We set out to assess how the protein expression of constitutive lysine decarboxylase (LdcC), a key enzyme for cadaverine production, changes in the feces of human breast cancer patients (n = 35). We found that the fecal expression of Escherichia coli LdcC is downregulated in lobular cases as compared to invasive carcinoma of no special type (NST) cases. Lobular breast carcinoma is characterized by low or absent expression of E-cadherin. Fecal E. coli LdcC protein expression is downregulated in E-cadherin negative breast cancer cases as compared to positive ones. Receiver operating characteristic (ROC) analysis of LdcC expression in lobular and NST cases revealed that fecal E. coli LdcC protein expression might have predictive values. These data suggest that the oncobiotic transformation of the microbiome indeed leads to the downregulation of the production of cytostatic and antimetastatic metabolites. In E-cadherin negative lobular carcinoma that has a higher potential for metastasis formation, the protein levels of enzymes producing antimetastatic metabolites are downregulated. This finding represents a new route that renders lobular cases permissive for metastasis formation. Furthermore, our findings underline the role of oncobiosis in regulating metastasis formation in breast cancer.

Antal Verancsics (1504-1573) was born in Sebenico (Šibenik) to a noble family and he got to Hungary through family relations: his uncle János Statileo (Statilić) was bishop of Gyulafehérvár. His political career started in the court of King John I (Szapolyai). In 1541 he followed the widow of the king, Izabella Jagiello to Transylvania and only changed over to the other king of Hungary, Ferdinand I’s court in 1549 where he filled high administrative positions. As a Habsburg envoy, he sojourned in the Ottoman Empire on two occasions and in 1568 he concluded the Treaty of Adrianople (Hadrianopolis, Edirne). On the zenith of his ecclesiastic career he became archbishop of Esztergom (1569) and eventually cardinal (1573). He went into historiography, too: he wrote some works and a considerable number of sources he collected survive. In his youth he wrote poems in Latin and Italian and was on good terms with painters and sculptors. Martino Rota, also born in Sebenico, was invited to Hungary by him. Several data confirm that he had a keen interest in portraits (he wrote an epigram on Dürer’s Melanchthon portrait); he ordered portraits of himself from Melchior Lorch, Martino Rota and Antonio Abondio. He organized that a Crakow painter should paint the portrait of John Sigismund elected King of Hungary, and his correspondence with his siblings about having a portrait of his father painted is known. Back from his first mission in Turkey, in 1558 he wrote an epigram on an enigmatic woodcut composition of a multitude of elements tailored to Sultan Suleyman I, and dedicated the emblem to Maximilian, crowned king of Bohemia and heir apparent to the Hungarian throne. This composition is included in the second edition of Johannes Sambucus’ Emblemata. Some tomes of his library featured – in line with the fashion of the age – supralibros, and as bishop of Eger, he had an ornate parchment codex, a Praefationale made (1563). The rather mediocre quality initials of the manuscript echo the humanist cult of letters which produced the most beautiful achievements of artistic calligraphy in the middle of the century. In one initial Verancsics himself appears, his tiny figure kneeling before Christ’s cross (fol. 42r). Verancsics was interested in the material relics of antiquity, too: in Transylvania he collected stone carvings, coins and Roman inscriptions. As bishop of Eger he perpetuated the restoration of the castle in a monumental inscription. Also attracted to sepulchral monuments, he had the tomb of one of his predecessors in the diocese damaged in the siege of 1552 restored. He wished to have his funerary monument in the St Nicholas church in Nagyszombat, one like his predecessor in the episcopacy of Esztergom Miklós Oláh had, with a portrait statue. It was eventually not made. Finally, an overview of the sources that can provide clues as to the artistic interests of Antal Verancsics reveals that most of the sources are in the – unpublished – collection of letter and the book of poems he compiled. His intellectual self-portrait also includes his attraction to the arts.

Antal Hekler (1882-1940) was one of the central figures of Hungarian classical archaeology and art historiography in the first half of the 20th century. He began his career at the Hungarian National Museum and continued at the Museum of Fine Arts (where he laid the foundation for the Antique Collection), he organized the short-lived Hungarian Scientific Institute in Constantinople (1916-1918) and from 1918 until his death he headed the Art History Department at the Pázmány Péter University. The work of his pupils determined 20th century Hungarian art historiography. The presented letters shed light on the start of Hekler’s career. After graduation in law, he changed professions. Upon his personal encounter with the art of classical antiquity he began studying classical archaeology; he was encouraged to do so by his family and friends, too. He enrolled at the university of Munich where he became one of Adolf Furtwängler’s favourite students. He obtained his doctoral degree under his supervision in 1907. During his studies he pursued correspondence with his patron in Budapest, József Hampel (curator of the Old Collection in the National Museum), informing him of the academic life in Munich, his researches, travels, forming scholarly contacts all over Europe. In Munich, then Paris, London, Italy he met the leading researchers, curators of leading museums. He did not only publish his research finding in German at that time, but the Archaeologiai Értesítő in Budapest edited by Hampel also carried writings by him. Back home Hampel took him on in the National Museum. (He participated in the excavations in Dunapentele [the ancient Intercisa] where he also wrote letters.) In addition to letters addressed to Hampel, some others written in Munich add information about the beginnings of Hekler’s career.

In 1523 the papal legate Tommaso de Vio corroborated the statutes of the Pest Confraternity of the Virgin. The large booklet-shape diploma is representatively executed: the first page carries floral ornamentation in addition to the text. The decoration and the titulus starting the textual part, however, are archaizing, in line with the practice of the papal chancellary, instead of adopting the then widely popular modern all’antica decoration. The style of the embellishment of a diploma depended on the type of the diploma. Hungarian art historiography has long been resorting to letters patent of nobility in its efforts to date and define the place of origin of the manuscripts from the time of King Matthias and the Jagiello age. That was how the manuscripts of provost of Székesfehérvár Domokos Kálmáncsehi – including the activity of the master of the Breviary Francesco Castello (OSZK, Cod. Lat. 446) – could be located to Buda, and three ornamental manuscripts with music (OSZK, A24; Bratislava, Archív mesta, EC Lad. 6; Zagreb, MR 2) could be proven to have ties to Buda in the early 16th century. The Bakócz Gradual (Esztergom, MS I. 1a.), the Erdődy Missal (Zagreb, RK 354) and the Gradual of Máté Tolnai (Pannonhalma, Caps LIV. F f.) as well as the overwhelming majority of letters patent issued in Buda between 1514 and 1525 were illumined by the so-called Bakócz monogrammist. The letters granting nobility and armorial bearings in the Jagiello age are not merely props for art history but also constitute a separate diplomatic genre.

On the original binding of the Dante Manuscript (Cod. Ital. 1) kept in the University Library. An unpublished note by Imre Henszlmann. The Dante Manuscript, which currently is to be found in the possession of the Library of the Eotvos Lorand University in Budapest with the label Cod. Ital. 1. (La Divina Commedia) has been brought there in 1877, when Sultan II. Abdulhamid sent back 35 ancient manuscripts to Hungary. All of them were in uniformly bound in leather, in the style of the Turkish trend of the era. These codexes have been studied in 1862 by Ipolyi Arnold and Henszlmann Imre in Istambul, in their original binding. We know many of them from the notes – taken in situ and published only in 2006 – of Ipolyi, but the original leather binding of the Dante-codex is known to us only from the sketch of Henszlmann published here for the first time.

The provenance of several stone carvings thought to have belonged among the renaissance carved stones of King Matthias Corvinus' Buda palace is uncertain. A huge gable field with a coat of arms and a monumental inscribed tablet came to the collection of the Hungarian National Museum in 1874. Earlier, they adorned the old building of the University Library — the convent of the Franciscans of Pest — but it has not been clarified yet how they had got there. This time, sources have been found about their transfer into the National Museum. They were involved in an exchange: for the carved stones (some Roman ones as well in addition to the renaissance stones) that were extracted when the old library building was pulled down, the University Library received the second copy of Chronica Hungarorum (Buda, Andreas Hess, 1473), the first book printed in Hungary preserved in the National Széchényi Library. This copy of the Chronicle has permanently been in Hungary and eventually got into the National Museum and the Library together with the collection of Miklós Jankovich, the great art collector. It was part of a colligatum containing Caius Julius Caesar's De bello Gallico, which — to a superficial observer — might also have been taken for a product of the Hess printing office. From the colligatum (adorned with a late medieval Hungarian book cover) the Hess incunabulum was removed and given to the University Library together with another four old books printed in Hungary.

In recent years 56 accessions of Triticum timopheevii Zhuk. (2n=4x=28, AtAtGG) were characterized for the main phenotypic and resistance characters. Among these accessions 38 originated from the base species together with subspecies and varietas forms thereof, and 18 belong to the subspecies armeniacum group. After the evaluation of field assessment data gathered over 12 years, the most promising 11 accessions were selected for a crossability trial with cultivated einkorn. As a result of this trial, the accession with the highest seed set (Acc. No.: MVGB845) was chosen for the development of a new synthetic amphiploid using the same semi-dwarf line of diploid cultivated einkorn (Triticum monococcum L. ssp. monococcum 1T-1, 2n=2x=14, AmAm) as in the crossability trial. This einkorn line was bred in Martonvásár, and has both outstanding resistance and other promising phenotypic and agronomic characters.After crossing the accession MVGB845 with 1T-1, the triploid hybrids were treated with colchicine to obtain fertile progenies with a doubled genome. The newly developed synthetic hexaploid wheat breeding stock (named Triticum timococcum Kost., 2n=6x=42, AtAtGGAmAm) could ease the introgression of valuable resistance genes into bread wheat at the hexaploid level (bridge-crossing).The aim of the present research was to redevelop Triticum timococcum based on a detailed characterization of gene bank accessions, and to introduce this new material into wheat breeding.

Two copies of the Missale Strigoniense printed on parchment in Venice in 1498, in the printing office of Emericus de Spira upon the order of the Buda book publisher Johannes Paep survive. Both were adorned with illuminations added to the books in Hungary. The copy of the archbishop of Kalocsa Peter Varadi (1480–1501) is modestly decorated. By contrast, Ferenc Perenyi, the bishop of Varad (1514–1526) had his copy sumptuously illumined: nineteen pages have ornate borders all around, five have two or three sides decorated, four have less elaborate tendril ornaments. The woodcut canon picture was naturally painted over and the coat of arms of the possessor was put in front filling a whole page. The Missal was held in high esteem later as well: among its subsequent owners Miklos Olah, archbishop of Esztergom had an additional ornamental page added, the Janos Ivanczy, grand provost of Győr had three (the latter also had a finely decorated inscription of the consecutive owners of the volume created, fro...

2005–2010 között a Szent István Egyetem Növénytermesztési és Biomasszahasznosítási Bemutató Központjában Gödöllőn másodvetésű zöldtrágyázási kísérletekben vizsgáltuk különböző zöldtrágyanövények (facélia, mustár és olajretek) hatását a talajellenállásra, a talajnedvességre, illetve a gyökérfejlődését. A 2009. száraz, és a 2010. nedves évek kivételével az átlagos évjáratokban minden zöldtrágyanövénynél szignifikánsan nagyobb talajellenállást mértünk, mint a kontrollnál. A zöldtrágyanövények gyökérzete a rövid vegetációs idő miatt csak a talaj felső rétegét hálózta be, ugyanakkor a különbség a gyökerezési mélység alatt, még a 40–50 cm-es talajrétegben is kimutatható volt. A talajnedvesség-mérés egyik évben sem mutatott statisztikai különbséget a kezelések között. Az őszi bedolgozás után tavasszal ismételten elvégzett mérések során sem a talajellenállás, sem a talajnedvesség esetében nem lehetett szignifikáns különbséget kimutatni a kezelések között. A növényborítottság miatt fellépő nagyobb talajellenállás oka, hogy a gyökérzet oldalirányú növekedésével nyomást gyakorolt a talajra. A növények bedolgozását követően a zöld növényi gyökerek gyorsan elbomlottak, a helyükön kialakuló szerkezetes talaj ellenállása pedig tavaszra megegyezett a kontrolléval. A kutatás több paraméterre kiterjedő eredményei alapján mindhárom növényfajt alkalmasnak találtuk zöldtrágyázásra, de talajba dolgozásukat csak későősszel javasoljuk, és lehetőség szerint csak tavaszi vetésű kultúra kövesse azokat.

The treasury of the mediaeval cathedral of Varad (Oradea) was secularized by the Protestant estates of Transylvania in 1557. Following this move, a part of the goldsmith's work and textiles were taken to the castle of Ecsed. The manuscripts and textiles were still there in 1603; the remnants were transported to Kassa (Kosice) in 1617. There is evidence, however, that important items of the Varad textiles had left the castle of Ecsed earlier. Gergely Bornemissza, who was bishop of Varad from 1572 to 1584, seems to have been able to get back valuable pieces which were at Jaszo when he died (December 1584). The Vienna court had the movables inventoried, for it was customary to exchange a high priest's estate for money. The first step was taken on 27 August 1585, followed soon by an order to transport the silverware to Vienna. The rest was assessed in 1588 when the three inventories discussed in this paper were taken. At that time, there were mainly textiles in Kassa, most of them chasubles, copes an...

Osszefoglalas A Szent Istvan Egyetem Novenytermesztesi es Biomassza-hasznositasi Bemutato Kozpontjaban Godollőn kedvezőtlen termőhelyi korulmenyek kozott rozsdabarna erdőtalajon 2007–2009 evekben harom masodvetesű zoldtragyanoveny (facelia, mustar, olajretek) fejlődeset, illetve beltartalmi parametereinek alakulasat vizsgaltuk ket tapanyagdozis (0 kg/ha N, 50 kg/ha N) fuggvenyeben. A kis mennyisegű 50 kg/ha nitrogen hatoanyag mindharom novenynel tobbszorosere novelte a biomasszat – harom ev atlagaban facelianal 3,11-szeresere, mustarnal 3,09-szeresere, olajreteknel 2,78-szeresere. A szarazanyag novekedese valamivel elmaradt a zoldtomeg-novekedes merteke mogott, mert nitrogen kiegeszites hatasara a zoldtragyanovenyek viztartalma is novekedett. Egy kilogramm nitrogen hatoanyag facelianal harom ev atlagaban hektaronkent 455,9 kg-mal novelte a zoldtomeget es 31,8 kg-mal a szaraztomeget. Mustarnal a zoldtomeg-novekedes 377,9 kg, a szaraztomeg-novekedes 43,5 kg volt. Olajreteknel a zoldtomeg 342,9 kg-mal a szar...

Osszefoglalas A Szent Istvan Egyetem Novenytermesztesi es Biomassza-hasznositasi Bemutato Kozpontjaban (Szaritopuszta) 2009-ben vizsgaltuk a műtragyazas es a talajművelesi kezelesek kombinacioinak hatasat cukorcirokra. A kiserleti terulet a Godollői dombvidek kistajan fekszik. A szabadfoldi kiserletet kedvezőtlen adottsagu, rozsdabarna erdőtalajon allitottuk be. A terulet eghajlata kontinentalis tipusu, jellemzőek az időjarasi szelsősegek. A kiserlet eveben a vegetacios időben lehullott csapadek 133 mm volt. A talaj K es foszfor ellatottsaga megfelelő, N-ellatottsaga gyenge. A kiserletben 4 talajművelesi eljaras (szantas, kultivatorozas, tarcsazas, direktvetes) es 6 kulonboző tragyakezeles (50, 100 kg/ha N hatoanyag; 40, 80 kg/ha K hatoanyag) szerepelt. A kiserletben hasznalt cukorcirokhibrid a Sucrosorgo. A kapott eredmenyek alapjan megallapithato, hogy a talajműveles modja es a tragyakezeles is hatassal volt a zoldtomeg alakulasara es a hektaronkenti etanol kihozatalra. A kontrollhoz kepest az 50 kg/ha ...

Research has managed to verify that an ivory cup in the Museum of Applied Arts in Budapest – a signed word by Johann Christoph Ludwig von Lucke of Dresden (1703) – originally belonged to the collection of Miklos Jankovich (1772–1846). It is described in the original handwritten inventory book, as item 170. The cup was preserved in the Hungarian National Museum until 1936 when it was transferred to its present place. Earlier (during preparations for the Jankovich exhibition in 2002) it was not identified because the two dancing figures on the cover described in the inventory had been removed without documentation in the 20th century (as later additions). An archive photo has preserved the original state.

The Psalter (Wolfenbuttel, Herzog August Bibliothek, Cod. Guelf. 39 Aug. 4o) of Beatrice of Aragon, the wife of King Matthias Corvinus, often features in research literature on account of its title-page and ornate binding. The title-page (fol. 13r) was long attributed to Francesco del Cherico, but for some time now it has been ascribed to Francesco Rosselli and his collaborator, the Maestro dell'Iliade Medicea, while the binding is attributed – after Anthony Hobson – to Felice Feliciano. There are written documents to prove that both Francesco Rosselli and Felice Feliciano visited Hungary, both in the late 1470s, in1480 the latest. That Rosselli painted the Psalter title-page in Buda cannot be proven, although the arguments proposed by Edina Zsupan – the Hungarian saints in the calendar, the crudeness of the parchment – may suggest it. However, not only the title-page but six other pages of the Psalm-book are illumined (foll. 43r, 59v, 76v, 94r, 115v, 135v, 155v). These pages so far ignored by re...

The parish church of Turócszentmárton (Martin, Slovakia) was the main burial place of the Szklabinya and Blatnica lines of the Révay family in the 16–17th centuries. The members of the Hungarian aristocratic family who were buried here were the hereditary holders of the ispán's and chief ispán's offices in Turóc county (lat. perpetuus et supremus comes comitatus Turociensis). Few original funerary monuments survive in the church: there is a single figural tombstone (Ferenc Révay I, †1553) and a painted and gilded funeral coat of arms (Pál Révay I, †1635). The funeral arms of crown guard Péter Révay (†1622) is only known from archive photos, and the only information about the funeral banners is gleaned from collections of inscriptions especially from a collection discovered in the last time in the manuscriptcollection of the University Library in Bratislava. Ferenc Révay's effigy in relief shown in secular attire is rare in the sepulchral art of the Hungarian Kingdom (two analogies are propalatine i.e. a chief justice of the Hungarian Kingdom, Imre Czobor of Czoborszentmihály's tombstone [†1581] in Sasvár [Šaštín] and László Kubinyi's [†1598] in Galánta [Galanta]), but the funeral coats of arms fit in well with pieces found in Nagyszombat (Trnava), Lőcse (Levoča), Csetnek (Štítnik), etc.