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The history is present. It becomes evident with the analysis of the war studies of the Spanish civil war, the analytical framework of this historiographic essay and, more specifically, on violence. These were carried out paying more attention to political repression than to what happened on the front. They focused on battles and the most rigorous were analyses of the military institution. With the change of paradigm, in which a greater presence of individuals was claimed, the combatant being the Gordian knot, through cultural and social history. This process will be explained, as well as its European references, subjected to another chronology because of having lived a different socio-political reality. [ABSTRACT FROM AUTHOR]

En el siguiente artículo, se pasa revista a las principales exponentes femeninas de la poesía venezolana durante el siglo XX, mostrando cómo a través de su obra literaria ejercieron una labor de resistencia contra la sociedad patriarcal imperante y ayudaron a conformar la identidad femenina de las mujeres de aquel país, haciendo del cuerpo femenino su principal santo y seña. Su producción, en libros, prensa y revistas del espacio intelectual venezolano, es analizada y señala cuáles fueron los principales lugares comunes a los que recurrieron para conformar un discurso alternativo de liberación y dignidad.____________________ABSTRACT:The following article presents the main female exponents of the Venezuelan poetry of the 20th century and shows how by means of their literary work those poets strove to resist against the prevailing patriarchal society and helped to create the female identity of the women of the country, making the female body its main “key notion”. The author analyses their work published in books, press and magazines of the Venezuelan intellectual circles and shows which were the main clichés they resorted to in order to provide an alternative discourse of liberation and dignity.

Este dossier pretende ofrecer diferentes reflexiones y visiones sobre el mundo del cine y la impronta que éste ha dejado sobre nuestra historia más reciente, tanto en aspectos relacionados con la Historia Cultural, como en otros directamente implicados con aspectos políticos, sociales y propagandísticos característicos de nuestras sociedades contemporáneas. Todo ello viene a incidir en la premisa, reforzada ya hace tiempo, de que el llamado séptimo arte tiene mucho que aportar a quienes cultivamos la disciplina de Clío y, muy especialmente, a todos aquellos que, tras sus huellas, observan y atisban el latido vivo y cercano de nuestra realidad más inmediata.___________________ABSTRACT:This dossier tries to offer different approaches and visions about the cinema world and the stamp that this one has left on our more recent history, as much in aspects related to Cultural History, like in others directly implied with political, social and propagandistic issues, characteristic of our contemporary societies. All this comes to affect the premise, reinforced years ago, of which the named seventh art must much contribute to those who we cultivated the discipline of Clio and, very especially, to all those that, after their tracks, observe and watch the alive and near beat of our immediate reality.