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This paper aims to understand the consequences of US-led sanctions on two important industries in Iran: the oil and gas industry and power plant construction. Using qualitative methods and providing empirical evidence, this paper demonstrates the shortcomings of the pro-sanctions argument in the Iranian context. This paper argues that pro-sanctions literature is more inclined towards American politics; it ignores socially recurring effects such as empowering self-reliance in the target country. In the Iranian context, while sanctions regimes are beyond the control or power of industry managers, they have acted as a double-edged sword. On one hand, the sanctions have imposed extra costs on domestic companies in acquiring technological knowledge. On the other hand, they have stimulated policy-makers' determination and empowered a self-reliance doctrine amongst them. [ABSTRACT FROM PUBLISHER]

In post-revolution Iran, the sacred notion of martyrdom has been transformed into a routine act of government - a moral sign of order and state sovereignty. Moving beyond the debates of the secularisation of the sacred and the making sacred of the secular, this article argues that the moment of sacralisation is realised through co-production within a social setting when the object of sacralisation is recognised as such by others. In contemporary Iran, however, the moment of sacralising bodies by the state is also the moment of its own subversion as the political-theological field of martyrdom is contested and challenged from within. This article traces the genealogy of martyrdom in contemporary Iran in order to explore its institutionalised forms and governmental practices. During the revolution, the Shi'a tradition of martyrdom and its dramatic performances of ritual mourning and self-sacrifice became central to the mass mobilisation against the monarchy. Once the revolutionary government came into existence, this sacred tradition was regulated to create 'martyrs' as a fixed category, in order to consolidate the legacy of the revolution. In this political theatre, the dead body is a site of transformation and performance upon which the original narrative of martyrdom takes place even as it displaces it and gives new meanings to the act. [ABSTRACT FROM AUTHOR]