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The document titled "Index to Volume 45, 2023" is an index of articles, interviews, letters to the editor, and book reviews published in the Journal of the History of Economic Thought. The index provides a list of the articles and their authors, covering a range of topics in the field of economics. It also includes a symposium on Adam Smith's 300th anniversary, featuring various perspectives on his work. The document serves as a valuable resource for researchers interested in the history of economic thought. [Extracted from the article]

"The Oxford Handbook of Religious Space" is a comprehensive and diverse collection of essays that explores the concept of sacred space from various perspectives. The book features contributions from leading international scholars and covers a wide range of topics, including theory and methods, regional studies, and specific examples of religious spaces. While some chapters provide valuable insights and original research, others focus too narrowly on the author's own work. The book is truly global in its coverage, but the majority of contributors are based in North America. Overall, "The Oxford Handbook of Religious Space" is an ambitious and impressive resource for readers interested in the study of sacred spaces. [Extracted from the article]

Tim Groenland's The Art of Editing is an exciting new addition to the field of literary sociology, making a valuable contribution to a discipline which has seen a resurgence since the turn of the millennium. In his seminal early work in the field, John Sutherland traces the origins of this kind of publishing history to Robert Escarpit's Sociology of Literature (1958), which he describes as the beginning of "modern, serious work" in considering the effects of the literary marketplace on the fiction of a particular era. However, it is the first two decades of the twenty-first century that have seen the most significant growth in sociological studies of literary production, a trend that Alan Liu calls "the resurgent history of the book." This is a "resurgence" that Liu argues has resulted in "restoring to view ... vital nodes in the circuit" of literary production, including "editors, publishers, translators, booksellers," and many others. This recent growth in scholarly interest in the production and circulation of literary texts includes other significant figures such as James F. English, Mark McGurl, John B. Thompson, Loren Glass, Paul Crosthwaite, and David D. Hall. [ABSTRACT FROM AUTHOR]

This article argues that medieval Arabic texts that were published in colonial northern Africa constitute as much a part of the history of colonialism and its legacy as that of the medieval centuries in which they were written. Using the publication history of a medieval Ibadi text and its French translations, I demonstrate how texts like it were edited, translated, and published not only for academic purposes, but also as contributions to the production of ‘useful’ colonial knowledge in Algeria. I begin with the first translation, published in 1878 alongside other ethnographic and historical studies funded by the colonial state. I then turn to the second translation, serially published between 1960–2 as its editors abandoned the country at the violent end of the colonial period. Finally, I address the Arabic editions published after independence, which recast it within a nationalist framework. Overall, I argue for the importance of addressing the colonial pasts of medieval texts in northern Africa. [ABSTRACT FROM PUBLISHER]

From the mid-1970s through the mid-1980s, a network of young urban migrant men created an underground pulp fiction publishing industry in the city of Dar es Salaam. As texts that were produced in the underground economy of a city whose trajectory was increasingly charted outside of formalized planning and investment, these novellas reveal more than their narrative content alone. These texts were active components in the urban social worlds of the young men who produced them. They reveal a mode of urbanism otherwise obscured by narratives of decolonization, in which urban belonging was constituted less by national citizenship than by the construction of social networks, economic connections, and the crafting of reputations. This article argues that pulp fiction novellas of socialist era Dar es Salaam are artifacts of emergent forms of male sociability and mobility. In printing fictional stories about urban life on pilfered paper and ink, and distributing their texts through informal channels, these writers not only described urban communities, reputations, and networks, but also actually created them. [ABSTRACT FROM PUBLISHER]

The main thesis of this paper is that Copernicus's avoidance of all admission that scripture was contravened in De revolutionibus and his composition of its new Preface in 1542, as well as the non-publication of Rheticus's Treatise on Holy Scripture and the Motion of the Earth, were influenced by the early information they received on the failure of the 1541 Regensburg Protestant-Catholic colloquy, among the major consequences of which were significant increases in the problems concerning publishing works which contravened scripture. This is supported by examining Rheticus's first letter to Paul Eber in conjunction with the documents on the Regensburg colloquy and on censorship in Nuremberg, as well as with the existing literature on Copernicus and his context. In view of the main thesis, Copernicus's apparent dedication of the work to the Pope merits additional explanation, and the second thesis is that components of explanations for several aspects of those parts of the Preface that relate to the Papacy and to theologians can be provided via comparisons with previous diplomacy between Warmia and the Papacy which occurred or was being referred to during Copernicus's time. This is supported by examining these parts of the Preface in the light of a selection of the relevant documents. [ABSTRACT FROM PUBLISHER]

Scholarship on Italian women's secular writing of the sixteenth century has illuminated the remarkable success female authors enjoyed in print, as well as the complex and ambivalent responses they evoked as a group. This article argues that the more shadowy praxis of ordinary female letter-writing, an obligation for most elite wives and widows, required a baseline level of literacy that enabled more eminent literary women to flourish in print. The essay studies the unpublished letters of the Roman noblewoman Costanza Colonna, the Marchesa of Caravaggio (ca. 1556-1626), to demonstrate her development as a self-taught, competent writer, familiar with the terms of Renaissance debates on the epistolary genre. Colonna exemplifies the hidden world of female literacy that helps explain both the extraordinary flourishing of women's publishing in sixteenth-century Italy, and the hostility it encountered from some elements of society. [ABSTRACT FROM AUTHOR]