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The communicative function of the language of translation, as can be seen from the examples of God's names contained in the oldest Slavic translations of a biblical nature, is an important component of understanding a whole range of liturgical texts and part of the Christian cultural identity of the believer. The need to translate biblical and liturgical texts therefore stems from the needs of believers. One desires to understand as best and as accurately as possible not only the text of the Bible but also the liturgical process itself. The liturgical process contains a number of symbols, actions, gestures and scenes reminiscent of the Divine Performance in the cosmos. In the Bible and in the Divine Liturgy, individual biblical events are constantly present. The understanding of the biblical and liturgical texts is therefore based not only on the correct use of terms but also on a reliable description of the realities. This principle is one of the starting points on which the holy Thessalonian brothers built their translation work.

The editorial introduces the special issue in the memory of Dr. Amfilohije Radović (+2020), Metropolitan of Montenegro and the Littoral, by giving brief notes on Radović's life, education, and thought, with special reference to his interest in Byzantine philosophy and theology, and contemporary philosophical anthropology. In addition, the editorial gives a panoramic view of articles contributed to the special issue.

Two Councils dealt with the birth and rebirth of the Moscow Patriarchate: the general Council of Constantinople of 1593 and the local Council of Moscow in 1917. In the course of the discussions two speakers based their arguments in favor of the Russian Patriarchate on the authority of canons: they were the Patriarch of Alexandria Meletius Pigas and the archimandrite, later bishop and martyr, Hilarion Troitsky. Despite the common recourse to the most ancient and authoritative canonical sources, the perspectives of the two speakers appear different. Meletius Pigas refers to the structure of the universal Church, that is to the number and order of the Patriarchal Sees, and he adapts all the legislation he quotes to this end. On the other hand, Hilarion Troitsky considers exclusively the particular Church and rather sees in those same canons the primary intent of safeguarding the ecclesiastical autonomy of local jurisdictions and, above all, the need for a Primacy in them.

To be monetised, a society requires a unit which measures the values of a wide range of goods. Being thus measurable, the values of goods are mutually commensurable, a point which Aristotle theorised in the Nicomachean Ethics (Book V). But whereas Aristotle gives rise to the impression that the stipulation of a currency unit suffices to make goods commensurable, societies themselves must undergo a process of commensurabilisation whereby people become habituated to valuing goods in terms of a unit of value. This essay examines the development of practices of valuation and commensurability in ancient Greece, paying particular attention to the rule of Solon and his division of the citizenry into census classes according to their yearly income. The assessment of citizens’ income presupposes a unit for measuring income. The stipulation of this unit, it is argued, had a decisive influence in developing practices of valuation and commensurability.

By setting the relationship between human and divine reality in a whole new way, Christian anthropology has provided an authoritative framework for understanding and valuing the dynamics of human life as moving “from the old to the new man”, according to the famous phrase of the apostle Paul. Other great European humanistic traditions with their ideas of man and visions of his progress can be placed in the critical perspective of this Pauline anthropological formula. One of those traditions that relatively recently entered the stage of European intellectual culture is the so-called “Transhumanism”. In this article, a contrast is made between Paul’s understanding of the dynamics of human life and the human enhan­cement with the help of technology in transhumanism.

The paper aims to analyze the early ecumenical views of Amfilohije Radović with reference to the influence exerted on him by his spiritual father Justin Popović. This investigation is important because Radović’s ecumenical engagement is often a matter of controversy, which results in conflicting views. Sources for studying Radović’s early ecumenical views are: his correspondence with Justin Popović on ecumenism, his engagement in editing and publishing Popović’s book Orthodox Church and Ecumenism, and finally, his article written as a report from an inter-Orthodox conference held in September 1972 in Thessalonica. In addition to Radović’s similarity with Popović's views, the paper also aims to show their differences, i.e. their different interpretations of the same phenomena.

In what follows, I examine the views of Metropolitan Amfilohije’s views on St Gregory Palamas and Orthodoxy, primarily focusing on his PhD thesis, which was defended at the University of Athens, Faculty of Theology in 1973, and published in Thessaloniki in the same year. I claim that his views there not only show him defending Palamas, but also highlight the need for a strengthening of Palamism in Greece and abroad. Some of the problems, which he identified in 1973, exist in Orthodoxy today and his suggestion that all contemporary Orthodox intellectuals should persist in the Philosophy and Theology of Palamism seems to be the only way to solve these problems, even today.

Review of: Sigurd Bergmann (ed.), Eschatology as Imagining the End: Faith between Hope and Despair, New York: Routledge, 2018

The Society for the Promotion of Hellenic Studies, established in 1879, provided arguments for the bridging of the gap that separated British Hellenism from British philhellenism for the most part of the nineteenth century. For academics and scholars interested in Greek civilization sympathy with modern Greece was always a matter of choice, which might be influenced by classical reading but did not constitute an indispensable part of it. The necessity to visit Greece, study on the spot and, when possible, bring to light the material remnants of Hellenic civilization, and to trace among the people living evidence of the classical age emerged with the introduction of historicity as a concept and archaeology as a practice into British Hellenism. The formation of the Society represented a single but important step in this process. Its rules, on the other hand, “officially” sanctioned the assumption of the continuity of the Greek race.

Review of: Torstein Theodor Tollefsen, St Theodore the Studite's Defence of the Holy Icons: Theology and Philosophy in Ninth-Century Byzantium, New York: Oxford University Press, 2018

This paper discusses My Life in the Dromokaiteion by the Greek poet Romos Philyras (1898-1942). Reading the text within the scope of the medical humanities, brings out Philyras’ work as an early example of pathography or autopathography. The story revolves around the poet’s admission to the psychiatric hospital and how he experienced his days there. He describes his emotions, the hospital environment, other patients, their treatment and the nursing staff. Philyras’ text is a first-person narrative on how people with mental health problems see their new social setting, but also how doctors and nurses see patients. My Life in the Dromokaiteion is an autobiographical account which eloquently describes not only the distance between the nursing staff and patients, but also the distance between inside society (the patients of the hospital) and outside society.

Though St Kosmas the Aitolian (1714-1779) is widely acknowledged to be one of the most noteworthy educators of his era and particular social context, his relevance to our age has rarely been asserted. The present article will demonstrate that behind the Saint's undeniable success as a teacher lie a great number of pedagogical principles of universal relevance which might be readily gleaned from both his educational activities and those theories he articulates in his Didachēs, or Teachings. Moreover, it will be shown that these principles which contributed so greatly to his pedagogical prowess were not achieved accidentally. The Saint labored in learning in order to render himself a more effective educator, conscientiously and effectively blending kath'imas and exothen learning, which in itself represents a pedagogical principle of inestimable value.

The article shows that Odysseus in Sophocles’ Ajax and Philoctetes is at the centre of a redefinition of the concept of “nobility”. This figure has been seen to promote a new definition of the concept, but previous analyses tended to focus only on one or the other of the two plays, as Odysseus appeared too dissimilar to be considered from the same viewpoint. A closer analysis reveals that he defends the same values and is endowed with the same non-élite features in both plays. Among those values is the idea that nobility has nothing to do with descent, but with the ability at proving helpful to the whole social group. The perception other characters have of Odysseus, however, changes between the first and the second play. This change can be linked to the evolution of Athenian society. With the development of democracy, non-élite citizens redefined concepts such as eugeneia.

In this article the survival of the sapphic fragments of the ancient times in Renaissance period is examined. More specifically the reappearance of the sapphic verses is presented concerning the first publications (editio princeps) and the most widespread texts of ancient authors during West Renaissance. These texts were the primary sources, on which the later publications of the sapphic work were based, while they also had a great influence on the reception of the ancient poet by the Renaissance writers.

In the Republic, the paradigmatic character of Plato’s best city appears incompatible with the use of deception in the procreative practices of the Auxiliaries and Guardians. I argue that this incongruity, as well as the exact provisions of Plato’s reproduction festival, are explained by three facts: his commitment to eugenics, his insistence on the abolition of the typical Greek household and his belief that there are serious limitations to the type of knowledge that Auxiliaries can achieve.

Ancient authors such as Aelian, Asclepiodotus, and Polybius all mention the Macedonian phalanx adopting a formation called the synaspismosin which the files of soldiers are so close together that their shields would overlap. Modern authors such as Walbank, Englishand Matthew argues that such a formation was impossible to assume in a battle scenario and that the ancient writers were mistaken, in its use in combat. Their argument is based on the fact that the manner of bearing the shield (peltē) and pike (sarissa) does not allow for such a tight formation. Through the use of experimental archaeology, this article however argues that the synaspismosformation was indeed a possibility, and that we are mistaken in modern view of how the phalangitewielded the sarissapike.

Paul’s Epistle to the Galatians, read on important Christian feasts, can be commented on from various perspectives: as a documents about mission, about warning with regard to the difficulties concerning the life of a believer, as one about the differences between Jews and Christians, or/and as one about freedom. It seems to us that within this text the Apostle intended to emphasize especially the latest aspect. St. John Chrysostom considered this document so important that he included it in his Liturgy.

It is easier to criticize others and their foreign way of life, than to turn the mirror of critical reflection upon one’s own customs and laws. I argue that Plato follows this basic premise in the Timaeus when he constructs a story about Atlantis, which Solon, the Athenian, learns during his travels to Egypt. The reason why Plato appeals to the distinction that his Greek audience makes between themselves and the ξένοι is pedagogical. On the example of the conflict between Atlantis—a mythical and, therefore, a foreign polis— and ancient Athens, Plato seeks to remind the Greeks what even a mighty polis stands to lose if it pursues expansionist war. On the example of the failure that befalls the mythical Atlantis, and on the basis of the religious similarity between ancient Athens and ancient Sais (21e), Plato bridges the distance between the Greeks and the Egyptians, who would have been seen as actual (as opposed to mythical) ξένοι. The next step that Plato encourages his contemporaries to take is this: look at the history of Egypt (8 – 7BC) and the internal conflicts that led to the demise of the last bastion of Egyptian power—Sais—and recognize in the internal political intrigues of the “Athens-loving” (21e) ξένοι the pattern of the destructive actions of the Greeks. Plato moves from the less to the more familiar—from the story about a mythic past and Atlantis, to ancient Athenians, to ancient Egyptians, to the Egyptians and Athenians of Solon’s time. The meeting between the ξένοι—the Egyptians at Sais—and the quintessentially Athenian Greek, Solon (7BC – 6BC), undeniably problematizes the customs, national identity, and political dealings of Plato’s contemporaries, the Greeks in the 5BC – 4BC. By the time that Plato writes the Timaeus, circa 360BC, in the aftermath of the Peloponnesian War, Athens is all but undone. However, the fate of Greece is not yet sealed. Why turn to Egypt? Toby Wilkinson’s (2013) description of the Egyptian kingdom offers a clue: “The monarchy had sunk to an all-time low. Devoid of respect and stripped of mystique, it was but a pale imitation of past pharaonic glories” (The Rise and Fall of Ancient Egypt 431). The Greeks face that same prospect, but how to make them see? Direct criticism (the Philippic addresses of Demosthenes, for example) fails. Plato devises a decoy—make Greeks reflect on the repercussions of their poor political decisions by seeing them reflected in the actions and the history of the Egyptians—the Greek-loving and, by Plato’s time, defeated ξένοι.

This paper investigates the question of which place in the history of political ideas may be assigned to the Constitutional Debate in Herodotus’ Histories, 3.80-82. It is shown that the Herodotean debate represents the earliest extant example of a social theory, in which a variety of distinctly social ordering principles are weighed against each other with normative arguments and in isolation from all sorts of divine authorisations. The article divides into three parts. The first part gives an account of the theoretical predecessors to the classical social theory first evidenced in the Constitutional Debate. The second part consists of an exposition of the socio-intellectual progressions clustered in the Herodotean debate, focussing on developments in constitutional thinking and argumentative evolvement. The third part consists of a close reading of the argumentative and politico-social content of the Constitutional Debate.

The Kouros image in Archaic Greek art has never been perceived as expressing emotions; and nor have his eyes been a focus of research. Rather, the gaze of most of the Kouroi has been perceived as reflecting a sort of denial or cancellation of expression and emotion. However, the opposite of emotion is in itself an emotion and, indeed, once a human figure is portrayed its expression always conveys some sort of emotional message, no matter how indifferent it may seem. Moreover, emotions in Ancient Greece were perceived differently from their conception today. The present study focuses on the meanings expressed by the gaze of the Kouros type, and examines the essence of this expression as it was understood by the beholder in Antiquity. Two kinds of gaze reflected from the eyes of Kouroi can be discerned: a seemingly hollow and emotionless gaze; and a glowing and radiant gaze. The argument presented here is that both these kinds of gaze are manifestations of eudaemonia - happiness as a reflection of social customs and religious practices.

In this paper I examine how Brailas conceives of Modern-Greek identity. After an introduction, I look at Brailian texts where it is emphasized that Hellenism and Christianity are the two components of Greek national identity. Does this mean, though, that for Brailas these two elements express a similar mode of being? There are passages that can support this claim. Still, Brailas’ reader should not suppose that the Corfiote philosopher uncritically assumes a linear transition from Hellenism to Christianity. But if Christianity denotes the emergence of something new in history, how can it be compatible with Hellenism? Brailas’ answer is that as with the Mosaic Law, Christianity did not come to abolish Hellenism, but to fulfill it. Furthermore, the association of Christianity with Hellenism enabled the latter to survive throughout history both in the West and the East. Besides, for Brailas variety has always constituted the “harmony of Hellenism”.

In this paper, we focus on the Cyprus problem, a thorny and multi-dimensional problem, and especially on the historic events in the years 1950-74 that led the island to the current stalemate and the status quo with two separate communities. Although the decision by the Turkish Cypriot side to open the borders in 2003 and the negotiations between the two sides for a settlement, the Cyprus problem remains unresolved. We will also deal with the Annan Plan which has been characterised by some observers as a unique opportunity for a settlement and attempt to explain the reasons why the Greek Cypriot side rejected it massively.

The article discusses the metapoetic import of Idyll 15. The tapestries and the Adonis song evidence a metapoetic significance, as well as the votive offerings described in this song. In addition, throughout the poem, the association of cloths and poetry is encouraged. The poem functions as a “metapoetic manifesto” designed to indicate the poetic qualities defended by Theocritus. At the same time, it promotes itself as an example of the refined literature and art promoted by the Ptolemaic court and by Arsinoe, and introduces a recognition and appraisal of Arsinoe as responsible for the patronage and promotion of these forms of art.

This article is the first in a series devoted to nicknames of well-known people in Greece of pre-Hellenistic times. In it general considerations are primarily expressed about the role of nicknames in human societies (including ancient Greek), relations of nicknames to personal names and divine epithets, terminology of nicknames among the Greeks, and the possible reasons for not very broad development of the practice of nicknaming in Greece during this period. A nickname is a fundamental phenomenon of the history of culture, and its real significance has not yet been appreciated. Nicknames in particular served as means of distinguishing individuals within any society. The names of the ancient Greeks had originally resembled nicknames as much as possible. Onomastic units in Greek poleis were mostly meaningful. Nicknames can be assigned—not from a semantic but rather from an emotional point of view—to three basic types. We deal with nicknames of a) a positive, exalted character (“Olympian” as to Pericles); b) a negative, pejorative character (“Coalemos”—“Simpleton” as to Cimon the Elder); c) a neutral character—those that show a certain characteristic appearance of an individual (e.g., “One-Eyed”), or some kind of memorable detail of his biography (Hipponicus the “Ammon” in Athens at the turn of the 6th and 5th centuries BC). Another interesting thing took place in pre-Hellenistic times. Nicknames were more often connected not with politicians and state figures but with people from cultural spheres—poets, philosophers.

At Republic 519a-521b, Socrates claims that each guardian must return from his/her contemplation to run Kallipolis. Quite reasonably, Glaucon objects that they would be making the guardian's life worse than it could be. This is sometimes referred to as “the happy philosopher problem”. But rather than answering Glaucon, Socrates admonishes him that their focus is instead on the role of the class of guardians and the happiness of the whole city. It turns out this admonition is the last in a string of similar admonitions that Socrates gives to his interlocutors. This paper examines Socrates' admonition to Glaucon, and its relation to Socrates’ other warnings to focus on the happiness of the city. By examining these admonitions, we can defend Socrates' dismissal of Glaucon's question and the happy philosopher question at 519d. The paper concludes by examining a few strategies for interpreting Socrates’ reluctance to engage Glaucon’s question.

This article examines the homily titled Address on Vainglory, and the Right Way for Parents to Bring up their Children, concentrating upon the educational vision it expresses. The text is attributed to John Chrysostom, Christian saint and fourth century Patriarch of Constantinople. Uncertainty regarding the manuscript’s authenticity led to the exclusion of “Address on Vainglory” from most collections of John Chrysostom’s writings, which had seminal influence in a context when the church was united, and the homily has consequently received very limited attention. Chrysostom earned the epithet "The Golden Mouthed” primarily by virtue of his training in rhetoric and his ability to translate the classical sources that he read into his own, Christian, context. He argues that education must not only cultivate all the faculties of the student’s mind, but also prepare the child to live and act ethically in the world. Chrysostom reconfigures this argument using the striking imagery of an Athlete for Christ, who cultivated not only the faculties of his mind, but also exercised those of the soul.

The present paper addresses Aeschylus, and the way he wanted to be remembered by his fellow Athenians and the other Greeks. Having lived from 525/524 until 456/455 BCE, Aeschylus experienced the quick transition of his polis from a small city-state to a leading political and military force to be reckoned with throughout the Greek world. The inscription on his gravestone at Gela, Italy, commemorates his military achievements against the Persians, but makes no mention on his enormous theatrical renown. His plays were so respected by the Athenians that after his death, his were the only tragedies allowed to be restaged in subsequent competitions. And yet Aeschylus, when time came to describe himself and the work of his lifetime, mentioned exclusively his contribution in the fight against the Persian Empire as an Athenian. Triggered by the poet’s narrative on his most memorable moment of his life, the present paper seeks to shed some light on the Athenian political identity, emerged during and soon after the Persian Wars, which not only derived from the newly-established democratic constitution of the late sixth century, but also supported it. Aeschylus’ epigram as well as some particular plays of his (the Persians, the Eumenides, and the Suppliants), narrates the confidence, the solidarity and the feeling of equality the Athenian citizens shared in regards to the defence of freedom of their polis as well as of all Greece, which came above anything else in their life, meaning above noble lineage and wealth. The gravestone of the poet stresses, in other words, how it felt like for an Athenian to live during the emergence of the very first Democracy that progressively supported the claim of Athens to become a ruler in the Aegean, by constructing its naval "Empire", ideologically upon the commemoration of the victory of the Athenian Democracy against the tyranny of Persia at Marathon and Salamis.

According to Democritus' anthropogeny is a microcosmic consequence within the process of cosmogony. However, the case of man is a peculiarity: man, this atom complex, is well aware of himself, yet is not aware of what he must do. Man does not naturally do that which promotes the harmonious ordering of his atoms. We must create a second nature. Now it becomes possible for us to be as we must be according to our first nature. Democritus is the is first thinker who explains to us what our nature is and who, from our being, derives an ought: he who wishes to do the right thing for both himself and others finds himself subject to the ought requirement to do that which brings the most calm to the atoms. This is a direct connection between being and ought, an extravagant mechanical existentialism.

This paper intends to illustrate the monuments of the Periklean building programme as embodying acts of temporal configuration; organizing synoptic episodes into an ethno-cultural continuum. A required element to this process is the issue of space, both in its experienced and imagined aspects, as the framework by which temporality is fixed and recounted. By viewing the monuments and accompanying iconography as spatio-temporal configurations, we can see the generation of those elements necessary for the formation of cultural identity via memory. This includes the provision of axial points in time, set in space and wider temporal chronologies, and the election of totemic, and semioticized personages. Moreover, as the configurative action is both framed and informed by its enunciative context, the monuments indicate the promotion of biographical memory, as relating to the Persian Wars, into the register of Athenian cultural memory and temporality.

There are some passages within the Aristotelian corpus that indicate that Aristotle argued for a wider and more cosmic teleology than he is usually understood to have held. There are two interpretive camps that have been formed as a response to these passages. The first argues that Aristotle held only the internal teleology that he is commonly associated with, and the second argues that Aristotle must have defended a hierarchical teleology in which some things in the universe are meant to benefit other things. I argue that both sides are mistaken, and that the key to understanding Aristotelian teleology is through a correct interpretation of Metaphysics Λ 10.

The article examines the nature of the dogmatics found in the poetry written by Gregory of Nazianzus (c. 329-390) through a particular case-study, the poem On the Son. It demonstrates that his lyric composition contains the same doctrine conveyed by the orations authored by him and exposes the manner in which he employs similar terminology in works belonging to both genres. In order to attain its objective my article compares the above-mentioned piece with Orations 29 and 30 that bear the same title.

In this paper I aim to discuss the notion of δήλωμα which can be found for the first time in the extant Greek literature in Plato, Cratylus 423 b, by analysing the philosophical argument of bodily imitation and language. I aim to show that this portion of text in particular contains extraordinary original material which has no parallel in other Platonic works. I shall also discuss the notion of δήλωμα in critical relation to μίμημα and σημεῖον, with reference to the Cratylus, the Sophist and other philosophical works posterior to Plato.

Ignatius’ hymnographic corpus is still composed by the scattered group of compositions listed a century ago. But it is to be noted that on many of the compositions attributed to Ignatius, however, there is often the doubt of Theophanes’ authorship. This contribution starts from an analysis of the elements offered by the manuscript tradition in order to proceed to a complete redefinition of production and style of the hymnographer, according particular attention to the great number of Ignatius’ unedited compositions. On one hand, in fact, it is possible to attribute to Ignatius, on the basis of the testimony of the liturgical Typikon of Evergetis, some canons already known by other means. On the other hand, in the manuscripts there is other hymnographic material, still completely unedited, which could be attributed to Ignatius and be useful to a comprehensive picture of the matter.

This article aims to give a survey of preparations conducted by Spartan king Agis III before he commenced his war against Macedonians. Based on the remaining narrative sources, mostly Arrian, Diodorus, Curtius Rufus and Justin, the author gives an account of king Agis’ doings up until the very beginning of his war. The author argues also why is that a real, full open war, not a "rebellion" as it is dubbed in some of the literature. Author gives his opinion about the beginning of the preparations for the open war and concludes that they began in November 333 BC, at latest. This article also tackles the question of mercenaries which Agis took after the Battle of Issus. Due to the uncertainty of the sources themselves it can be concluded at best that Agis hired a great number of them after Issus.

In this study, focusing our attention on the Paraphrase of Dionysius the Areopagite’s De divinis nominibus, we investigate whether matter is in George Pachymeres (1242-1310) a passive condition, which constantly receives the divine intervention, or expresses sensibly the productive projections of the divine energies. Raising a number of questions, we approach, on the one hand, the concept of causality as a relation between God and the creation and as a relation among the created beings and, on the other hand, the meaning of the concepts of corruption and death, in the sense that all of them are related to the forms of matter. The most important conclusions of ours are that matter is for G. Pachymeres absolutely related to the concept of causality and that corruption is just a microcosmic scale fact. Regarding whether G. Pachymeres tends to adopt materialist theories, we conclude that he accepts matter as a main component of the created world, in the sense of the projection of the divine creative action, without ever ignoring metaphysics of transcendence.

The current study explores the contribution of cultural mediators to the dissemination of Russian literature in Greece between 1893 and 1917. More precisely, it examines the case of F. M. Dostoevsky’s reception during this time frame, which can be considered as the period of the writer’s introduction and beginning of his establishment among the Greek readership. The focus is on two types of mediators with a significant influence on the fortune of Dostoevsky and other Russian writers in Greece. The two main groups investigated more closely are Russian-speaking mediators and Western-oriented mediators. The study aims to discuss some of the following questions: What are the main characteristics of the groups in question? What are the differences between their roles? How did their critical and translational engagement affect Dostoevsky’s reception? It should be noted that the current study presents part of the results of the author’s ongoing doctoral research project on the Greek reception of F. M. Dostoevsky (1877-1939).

Modern scholarship on Late Antique philosophy seems to be more interested than ever before in examining in depth convergences and divergences between Platonism and Early Christian thought. Plotinus is a key figure in such an examination. This paper aims at shedding light to certain aspects of Plotinian metaphysics that bring Plotinus into dialogue with the thought of Church fathers by means either of similarities or differences between Neoplatonist and Christian thought. It proposes a preliminary study of the Plotinian concept of aptitude, as it emerges throughout the Enneads, and seeks to argue that this concept is crucial as it involves the relation between the One and the many, the reality of participation, the relation of the cosmos with, and its dependence on, the superior spheres of being, the bestowal of divine gifts upon beings, and the possibility of the deification of the human being.

In light of the recent revival of interest for philosophy as a way of life, Cynicism has received relatively little attention. Classical cynicism, however, is a particularly rich and valuable school in this respect, offering a philosophy that is before anything else a way of life, combining philosophical reflection, a value system, and a practice of living. The present article articulates classical Cynicism as a philosophy as a way of life along these lines. Additionally, classical Cynicism offers a valuable contribution both to current philosophical investigation and to philosophy’s contribution to the question of the good life. In particular, classical Cynicism gives a number of guidelines for a new cynicism, distinct from and regularly in opposition to common modern cynicism.

This paper presents two notes relating to Jason’s prayer to Apollo before the launch of the Argo in Apollonius’ Argonautica (1.415–419). In both cases, I examine what may be termed the “subtextual” facets of the passage: textual data that are significant—productive of meaningful interpretation—and yet hardly apparent on a surface-level reading of the poem. The first note concerns the changing total number of crewmembers aboard the Argo, an evolving figure which Apollonius encourages the reader to track as the narrative progresses. The second proposes a new acrostic that “completes” the ΑΚΤΙΑ acrostic that Selina Stewart recently discovered in Jason’s prayer. In each case, I draw different conclusions from these subliminal data, which have ramifications for questions of gender and inclusivity in Jason’s crew and the role of the gods in the poem. Both readings, however, are a testament to the careful design and unity of purpose that runs through the epic.

This essay examines several of Plato’s philosophical texts to show how in the process of trying to differentiate rhetoric and medicine—to prove that medicine is an art or science like philosophy, and that rhetoric, in comparison, is just a knack or skill—Plato indirectly and unwittingly reveals just how similar the two practices may be. As such, this essay seeks a fuller interpretation of Plato’s attitude toward rhetoric, supplementing the work of scholars who claim the only evidence Plato gives us about an ideal rhetoric is through its relationship to philosophy. This essay shows instead that Plato captures the potential of rhetoric as a true art precisely through its intricate relationship to medicine.