Search

In this article I correct previous misconceptions about the London-based Imago Group (1954–71). In doing so I provide the first ever detailed history of the group, and of the role of the composer, Robert Still, in founding it in 1953 as an analysand society geared to its members using their experience of having been psychoanalysed in seeking to understand social issues and improve society. Examples are given of papers presented in this vein during the group's history of monthly meetings beginning in February 1954. Reasons for the group's demise following its meeting in July 1971 are also indicated as are examples of its inspiring similar groups in Canada and in Britain, including the Oxford-based New Imago Forum concerned with psychoanalysing social issues today. [ABSTRACT FROM AUTHOR]

The article focuses on issues raised by speakers and panelists to the Local Film Culture, Global Exchange conference organized by the Independent Film Parliament (IFP) in Great Britain. The event was designed to combine views on public policy for film and to contribute to the review policy by James Purnell, Minister for Creative Industries. The twelve core concerns on the cultural value of film and audiovisual culture raised during debates are presented. Recommendations made by IFP Steering Committee members are cited.

Discusses the royal patronage of motion pictures in Great Britain and focuses on the economic, social and cultural function of the Royal Film Performance (RFP) organization. Benefit of the royal premiere of the film "Prince and Princess of Wales" for director Birt Acres; Background of the inception of the RFP; Significance of the RFP and contentions on the popularity of British films over U.S. films under its management.