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Abstract: The dyes used in the manufacture of Palaeolithic paintings are a cultural element of the first order to know the intentions of the artists, their points of supply, its systems for mixing and preparing and the quality of the used pigments. But here is not its only value, since they are used to establish possible areas and cultural relations that go beyond the technical to constitute genuine cultural bases. What we know at the moment suggests a degree of heterogeneity in the mixtures and systems on a common term that adapts to each specific site. The colours are fairly well preserved in the cave interior, and very badly abroad, in the Palaeolithic version of rock shelter external art. But we were able to isolate some samples in the Spanish site of Siega Verde, leading to affirm the general community of systems for all Palaeolithic art, underground and on it, proving that what today is black and white had chromatic signalling in the Palaeolithic epoch. [Copyright &y& Elsevier]

Abstract: The documentation of some figures of hoofed in Siega Verde on panels of palaeolithic style and its stylistic references in the whole south of Europe, constitutes the starting point of the reflection on the presence of style v in the outdoors sites of the peninsular occident. In the Douro''s region exists a richer documentation than the habitual in Europe: the outdoors panels of Côa and Siega Verde, the engravings on palaeolithic figures of La Griega, the paintings with direct chronologies of Ojo Guareña, the decorated plaquettes of the level 4 of Fariseu and the pebbles and plaquettes of Estebanvela. Painting in the caverns, outdoors and cave engravings and mobile art, with good references of absolute chronology between 11,500 BP and 9000 BP that confirm the continuity of the Palaeolithic art. If we compare the data of the peninsular occident with those of the north, those of Levant and those that begin to be known in Andalusia, the coincidence of dates is astonishing. In the same way if we compare these ones with the dates of the South of France and Italy. The external art of the western facade of the Iberian Peninsula possesses not only a unite palaeolithic contrasted sequence but rather it also puts in evidence the reality of the recurrent and continued locations in the whole sector during 30,000 years. Above the 11,000 BP, the transformations of the hunter groups begin to be evident in the whole south of Europe and the graphics demonstrate these changes, with a progressive transformation of contents and style that leads to a bigger schematization. The interesting cohabitation among naturalism and schematism that demonstrate the direct dates of C14, apparent a progressive transformation that discards radical ruptures between the social and graphic world of the palaeolithic hunters and their heirs. [Copyright &y& Elsevier]

Abstract: This summary on The Lloseta shows us a much richer reality that it had been presented through the precedent publications. To begin it is presented as an shelter environment decorated in all their extension whose decoration and parallel they find real sense if we put them in connection with the neigh boring Tito Bustillo. It possesses a prevalence of signs and old representations, a bad general conservation and an own and original internal organization. None of the caves of Ardines, including their main protagonist, she makes isolated significant sense, but rather they are and were supplemented in the past, for activities, occupation and use. We try to know the meaning of all and each one of the caves in connection with the other ones, because we think that their function should be collective and complementary. [Copyright &y& Elsevier]

Abstract: A narrow relation has been hold between the beginnings of the metallurgy and social hierarchical structuring, in the sense of breaking with previous social organizations, has been discussed in this paper from the data obtained by the anthropomorphous drawings. From the ancient megaliths, the human figures were described with instruments that provide power and individuality. This fact, joined to the evidence of grave goods with prestige elements, propose the beginning of the hierarchy in the own social evolution of the production society, constituting the megalithic culture and his drawings the trustworthy expression of this hypothesis. [Copyright &y& Elsevier]

During the year 2002 we have continued the works in the massive of Ardines at Ribadesella, Asturias, and especially in its fundamental cave, Tito Bustillo. Here the prospection has permitted us to find several new elements of great cultural and graphic value. A consistent deposit in four cutted contours in the form of head of hind and also two new galleries, called gallery of the Bisons and gallery of the Anthropomorphes, communicated with the Principal Gallery of the cave and mutually. In this last one exist remains of adaptation of the space, bony remains that we are yet digging and two figures of painted anthropomorphes with an exceptional interest. Finally, in the ensemble N XI, place where it is found the habitation deposit, and where we have found large masses of red colourings prepared for its use, exists a small final cave, where also it has been painted in its interior, and where the mouth is opened among the remains of a great deposit in surface that occupies all its northern part. [Copyright &y& Elsevier]

In contrast to the coastal areas of the Iberian Peninsula, the Upper Palaeolithic settlement of central Iberia, dominated by the Spanish plateau, is poorly known. Traditional models assume a total or virtual depopulation of the interior of the Iberian Peninsula during the Last Glacial. In this paper we present a detailed investigation of human-environment interactions through the first zooarchaeological, taphonomic and isotopic study of the key site of Peña Capón, a rock shelter located in the south-eastern foothills of the Central System range that contains a multi-layered deposit dated to marine isotope stage 2 (MIS 2). Analyses of the faunal assemblages of the Proto-Solutrean (3) and Middle Solutrean (2) layers show that human preferentially hunted horse, deer and iberian ibex living in the vicinity of the rock shelter. Isotope geochemistry of the animal remains of Peña Capón provides us with the first detailed intra-tooth multi-proxy analysis for this time period in south-western Europe, providing estimates of climatic conditions, seasonal flucturation of diet, as well as patterns of seasonal mobility. Our results indicate that human presence at Peña Capón was apparently restricted to relatively warm intervals around the LGM or reflects the presence of an ecological refuge, and provide us with evidence of recurrent human presence in the Iberian interior during the Upper Paleolithic prior to the Magdalenian. [ABSTRACT FROM AUTHOR]