18 results on '"Cucci, Costanza"'
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2. Remote-sensing hyperspectral imaging for applications in archaeological areas: Non-invasive investigations on wall paintings and on mural inscriptions in the Pompeii site
3. Evaluation of the efficacy and durability of the “barium hydroxide method” after 40 years. Multi-analytical survey on the Crocifissione by Beato Angelico
4. Macro X-ray fluorescence and VNIR hyperspectral imaging in the investigation of two panels by Marco d'Oggiono
5. Development of dose-response functions for historic paper degradation using exposure to natural conditions and multivariate regression
6. Elucidating the composition and the state of conservation of nitrocellulose-based animation cells by means of non-invasive and micro-destructive techniques
7. The illuminated manuscript Corale 43 and its attribution to Beato Angelico: Non-invasive analysis by FORS, XRF and hyperspectral imaging techniques
8. Discovering “The Italian Flag” by Fernando Melani (1907–1985)
9. Multivariate analysis of combined reflectance FT-NIR and micro-Raman spectra on oil-paint models
10. Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR
11. Test measurements on a secco white-lead containing model samples to assess the effects of exposure to low-fluence UV laser radiation
12. Environmentally induced colour change during natural degradation of selected polymers
13. Study of the effects of low-fluence laser irradiation on wall paintings: Test measurements on fresco model samples
14. Fibre Optic Reflectance Spectroscopy as a non-invasive tool for investigating plastics degradation in contemporary art collections: A methodological study on an expanded polystyrene artwork
15. The artists’ materials of Fernando Melani: A precursor of the Poor Art artistic movement in Italy
16. Trans-illumination and trans-irradiation with digital cameras: Potentials and limits of two imaging techniques used for the diagnostic investigation of paintings
17. An integrated spectroscopic approach for the identification of what distinguishes Afghan lapis lazuli from others
18. A study on a set of drawings by Parmigianino: integration of art-historical analysis with imaging spectroscopy
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