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The article discusses Eric Clapton's 1974 Martin 000-28 guitar, which he used to write the song "Wonderful Tonight." The guitar was sold at auction in 1999 and has recently been put up for sale again. The article provides details about the guitar's features, including unique modifications made to the bridge and evidence of a contact mic that may have been used by Clapton. It also mentions the guitar's playwear and aging marks. The article highlights the significance of the guitar in Clapton's career and its association with Martin guitars. [Extracted from the article]

Bill Nelson, the guitarist known for his work with Be-Bop Deluxe, Red Noise, and other collaborations, discusses his creative process and inspirations in an interview. He draws inspiration from his childhood books for his latest album, Starlight Stories, and describes his approach to songwriting as a process of exploration and experimentation. Nelson prefers to record in the evening and often starts with percussion tracks before adding other instruments. He also discusses his extensive guitar collection, including favorites like the Gibson ES-345 and the Gretsch White Falcon. [Extracted from the article]

This article from Guitar Techniques features Brazilian jazz guitarist Marcio Philomena sharing six of his favorite jazz licks. The licks are demonstrated in a video with a backing track, and Marcio explains the concepts behind each lick. He covers topics such as using the G Altered scale, superimposing chord changes, utilizing the G Whole-Tone scale, playing a chord a semitone above the V chord, and using the Ab Diminished 7 arpeggio. Marcio also discusses his musical influences, preferred equipment, and composition process. The article concludes with recommendations for tracks from Marcio's album, Trails. [Extracted from the article]

Tangerine Dream's Phaedra, released in 1974, is a groundbreaking and influential album in the realm of electronic music. The album showcased the band's innovative use of early Moog synthesizers and their ability to create unique sounds. Despite initial criticism, Phaedra gained popularity and broke into the Top 10 charts. The album's success marked a turning point for band member Peter Baumann and continues to captivate audiences with its timeless and visionary qualities. The article also includes perspectives from composer Daniel Warner and electronic artist Steve Roach, who recognize Phaedra as a milestone in electronic music. [Extracted from the article]

This article from Woman's Own tells the story of Samantha Price, a 29-year-old woman who fell in love with her coworker, David, who is 41 years older than her. Despite their significant age difference, Samantha and David bonded over their shared interests and developed a strong connection. They kept their relationship quiet at work but eventually introduced each other to their families. Despite facing some judgment and misconceptions from others, Samantha and David got married and are happy together, proving that age is just a number. [Extracted from the article]

The article presents the discussion on subject of tuning the virtual drumskins including right balance or loudness and dynamic range without having to resort to dynamics processing.

The article looks into the evaluation on the significance of higher bit rates in MP3 format audio files. The author differentiates the respondents as: (1) the curmudgeon, those who value the importance of audio compression; and (2) the hipster, those who value detail in the audio quality. The respondents were to analyze audio files of 160Kb/s, 320Kb/s, and uncompressed WAV files. Significantly, the curmudgeon has able to identify the various variances in the audio bit rates.

The article appreciates the musical ability of Matt Freeman and presents some of his punk music compositions. Technical ability and punk rock are antithetical, since the genre arose in part as a reaction against the bloated excess of flashy arena rock. Yet with his chugging rhythms, agile runs, and adventurous solos Matt Freeman has been elevating the art of punk-rock bass playing since the late 1980s. "And Out Come the Wolves" is a goldmine of Freeman's punk and third-wave ska bass lines. The compositions given in the article are from that album.

The article presents an interview of Lisa Dodd, bass guitarist who was grown up in Alberta , Canada. She states that her father helped her in playing songs by Hank Williams and Johnny Cash. She talks about her experience of playing guitar and singing at the same time. She mentions that she likes to be appreciated and noticed musically.

The article presents a profile of the Irish rap group Hare Squead. Instrumentalists and producers Lilo Blues and Tony Konstone have become a duo after their third member, Jessy Rose, left due to his struggles with mental health. In 2018, the duo released their extended play "Superwired" via Independently Popular after they lost their record deal.

Several letters to the editor in response to articles in previous issues including "Other Gloved-One Groovers," in the February 2010 issue, a letter of appreciation for the international distribution of the periodical "Bass Player" including Malaysia, and a letter in response to a letter published in the February 2010 issue by Rick D. Huff on what Huff calls the to the December 2009 issue of "Bass Player" as Holiday issue rather than Christmas issue.

The article focuses on the opinions of Rocco Prestia regarding the nine offbeat tracks played for him. It notes that "Home Cookin'," reminds him of Aretha or Motown vibration while "Give Peace a Chance," is a little wacky but a sure funky music. Furthermore, "You're Losin' Me," rally sounds like Mr. B.B. King while "If You Wanna Boogie ... Forget It," sounds like Larry Graham and the vocalists reminds him of Billy Stewart.

The article presents a note on musician George Porter Jr. and appreciates one of his compositions. Since the mid 1960s, George Porter Jr. has made heads bob and booties swing with The Meters, The Funky Meters, and The Runnin Pardners. Jamming and soloing are important in these settings, and George, who is a master of the greasy swamp funk, excels in both lead and support roles. When the time comes for George to solo, he approaches the instrument like a blues guitarist, employing deep bends, hammer-ons, slides, and bluesy passing tones.

The article offers the author's insights regarding music and musicians in the San Francisco Bay Area in California and neighboring states in the U.S. He mentions several musical performers and groups who influenced him including Sly & the Family Stone, the Youngbloods, and the Sons of the Champlin. Also mentions musicians' styles in various areas including Southern California, Chicago, and New Orleans.

The article profiles Tom Russell, a musician with the latest record called "Mesabi." According to Russell, he started writing his record two years ago fascinating with the lives of some child actors who ended sort tragically. It adds that being a songwriter is his primary job and devotes most of the early hours to music. He mentions that collaboration is very important both musically and sonically and describes his experience on recording at WaveLab in Tucson, Arizona.

The article presents the author's insights on the balance between the appreciation of contemporary and older music. He mentions that he has an anachronistic taste in music which led to the reflection that he actually listens to music older than him. Likewise, he notes the influence of listening to some musicians such as John Coltrane, Charlie Parker, Lester Young and Coleman Hawkins. It suggests that achievement of healthy balance of appreciation comes with understanding the evolution of music.

Several letters to the editor and a reply are presented in response to articles in previous issues including one on the changing music in the July 2008 issue, "Child's Play" in the April 2008 issue, and one on the timeless and historical articles.

Presents the qualifications that drummers look for in a bass player. Equality of bass player and drummer; Ability of bassist to make any musical situation; Importance of simplicity of bassists.

Discusses the essentiality of guitar playing in different times. Comparison in different era; Kinds of music played; Plans for development.

This article highlights the Classical Brit Awards and the event's evolution. The awards show will be hosted by Fern Britton and will feature a roster of performers with mass-market appeal. Sting, Katherine Jenkins and the teen singing group "All Angels" will ease the fear factor associated with classical music while homegrown operatic talent will be featured. Critics claim the show has dumbed down classical music but the attendance and viewing figures have given a boost to the genre. INSET: Conducted by the hand of Tod: Handley and Elgar celebrated.

The article focuses on tracks recommended by music industry experts. Lauren Cochrane of "ID Magazine," recommends "Think Before You Speak," by Good Shoes, and compares the band to Martha and the Muffins. Bill Buckley of "Blues and Soul Magazine," recommends Nayo's "African Girl." Buckley draws comparisons between Nayo and Sade. James Clark of BBC Radio suggests "This is Just the Night Time, Andy," by the Catweasels.

The article discusses the selection of the best music from different music productions.

The article focuses on the music airplay analysis in Great Britain, in which "Beneath Your Beautiful," by Labrinth featuring Emeli Sande, tops the radio airplay chart for the third straight week, followed by "Locked Out of Heaven," by Bruno Mars, and "Candy," by Robbie Williams holds at No. 5.

The article presents views of readers about considering themselves as audiophile.

The article discusses the positive reception and the success of several British performers in the U.S. According to the author, the high sales of the song albums of singers such as Adele, James Blunt and Duffy reflect the increasing recognition by the U.S. towards British musicians. EMI Music Publishing UK President Guy Moot also mentions that the acknowledgement and radio support given to rapper Tinie Tempah in the U.S. not just empowers urban artists but also promotes the British culture.

The article reviews the music release "Pirouette," by Lisa Mitchell.

The article reviews the music release "15 Minutes," by The Yeah You's.

The article offers the author's view concerning the sorround music technology which seem to be dead. He states that sorround music provides more compelling way to hear music, however, he added that its immersive characteristic might be the most important to many listeners. As for the music recording companies, he notes that it is time to give the buying public the best of all possible media even if people will not appreciate it at the first time.

The article reports on National Music Week, a school-based where school children are asked to select their favorite artists after listening to 10 various artists. An overview of the parties involved, public response, selection, sponsors, and redemption of gift vouchers is given. The campaign is considered to be beneficial for the entire music industry at large.

The article reviews several music releases including "Officer & A Gentleman," by Lola Ray, "Last Year," by Lucie Silvas,and "Put A Penny In The Slot," by Fionn Regan.

Presents a letter to the editor regarding music appreciation, featured in the column "Final Mix," published in the March 2004 issue of "Electronic Musician."

Presents a list of 10 favorites by selected tastemakers of the UK music industry. Choice of Ulrich Schnauss's melodic chord arrangements by Steve Smart, DJ, Kiss 100; Preference for classical music of Arcadi Volodos and Berlin Philharmonic's rendition of "Tchaikovsky's Piano Concerto No.1," by Classic FM's Lewis; Choice of Joe Public's "Brew" by the Scruffy Bird Music Group.