This paper demonstrates how the latest generation of hardboiled detective fiction, which it labels roman noir, especially what could be called the noir police procedural, can be seen as a form of critical theory in the way it deals with its material and analyzes political and social situations. This is particularly true of how these novels analyze the impact of the changes brought about by the end of the Cold War and globalization on local societies. Immigration and security are two topics which illustrate this link. The paper looks at the way two very popular authors of the contemporary noir procedural, Sweden's Henning Mankell and Italy's Andrea Camilleri have handled these issues, in their respective novels Faceless Killers and Rounding the Mark. Though they approach the subject in very different ways, both authors, through their police inspector protagonists deconstruct the "immigration threat", to show that immigration, whether legal or clandestine, is a phenomenon with which Western societies are going to have to come to ..PAT.-Unpublished Manuscript [ABSTRACT FROM AUTHOR]