Search

The article focuses on the importance of practicing intervals and overtones for saxophonists. Topics include the use of fundamental technical exercises for integrating large intervals into soloing, the significance of practicing overtones in the altissimo range, and the integration of intervals and overtones in improvisation.

The article discusses the importance of finding one's unique voice as a musician rather than constantly comparing oneself to others, and it encourages exploration and creativity in music. Topics include the significance of arranging, the role of limitations in fostering creativity, and the importance of self-awareness and continuous improvement in music practice.

The article discusses the importance of developing brass fundamentals and effective strategies for conquering common brass anxieties. It mentions a daily routine that includes mouthpiece buzzing, playing arpeggios, and intonation exercises. It also mentions that to play in tune and function effectively within the group, it's crucial to comprehend the inclinations of all notes and positions.

The article discusses how vocalists can improve their bebop vocal improvisation. Vocalists are advised to use bebop language and instrumental sensibilities through intentional practice and repetition. They are instructed to employ enclosures found in bebop language and to start practicing within a set of limitations. The importance of developing idiomatic scat syllable coordination is also explained.

Interviews pianist and composer Keith Jarrett. Contradictions in Jarrett's music and philosophies; Concentration on performing classical concertos; Preparation for notated classical piece; Preparation for own music and improvisations. INSETS: KEITH JARRETT SELECTED DISCOGRAPHY.;KEITH JARRETT'S EQUIPMENT..

The article talks about five basic rules to follow when practicing with musical instruments. Topics discussed include the importance of having a regular warm-up routine that works for a musician, the need to take time to process the information before jumping into a new scale or technique, and practice session as the chance for a musician to improve. Also mentioned is the value of being open to practicing concepts in different ways.

In this article, the author emphasizes the importance of practice to musicians. The author describes his personal experiences of learning how to play the tabla and drums, along with how he committed himself to train and focus. He notes that practice will improve one's music and other areas of life. He also offers practice ideas for musicians.

The article discusses a method for learning new tunes and reviewing old ones. It offers information a three-component system based on spending one hour per day divided into three 20-minute sessions including learning a new tune, new tune review, and old tune review. Based on the principles of short-term, medium-term and long-term memory, the method can be achieved by not skipping days. It highlights the need to practice seven days in a row over a period of time.

Several letters to the editor are presented in response to articles in previous issues including "Methods for Fighting the Epidemic of Tune Illiteracy," by J. B. Dyas in the May 2010 issue, "Favorite Big Band Albums" in the April 2010 issue, and an article regarding Les Hooper's "Live at Typhoon" in the May 2010 issue.

The article provides tips on how to make efficient rehearsal preparations. The decreasing cost of computers is one way of notating one's work by maximizing the use of many excellent software programs available. One important factor in using such programs is knowledge and skills for the proper conventions of music notation. Providing music stands and folders for each member of the practicing group will also be beneficial to the rehearsal.